{"title":"\"Pox on kindred:\" The Anonymous Counterfeit Bridegroom (1677) and its Middletonian Source","authors":"Jennie Challinor","doi":"10.1353/rst.2022.0001","DOIUrl":"https://doi.org/10.1353/rst.2022.0001","url":null,"abstract":"Appearing on stage and in print in 1677, but of unknown provenance, a disguised and revised yet still recognizable version of a nearly forgotten play, !e Counterfeit Bridegroom exhibits a close but complicated kinship to !omas Middleton’s No Wit/Help Like a Woman’s (1611, pub. 1657).2 While !e Counterfeit Bridegroom’s plot and structure is very close to that of Middleton’s play, with large chunks of verbatim dialogue, the 1677 version is condensed, written with more polish, and includes a number of revisions and additions that serve to create a darker, colder tone than is found in the earlier work.3 !e anonymous comedy, which has a tradition of being linked to Aphra Behn, has received little scholarly attention,4 but a close examination of the ways in which an old Middleton play was dusted o\" and transformed for a new era contributes to our understanding of the cultural, intellectual, and dramatic preoccupations of the Restoration playhouses. !is article challenges Gerard Langbaine’s dismissal in 1691 of Counterfeit Bridegroom as “only an Old Play of Middleton’s,”5 demonstrating instead that the various modi#cations, both to text and to stagecraft, render it as much a product of 1677 as of its earlier Jacobean moment. !e emotionally generous, at times sentimental, register of No Wit/Help Like a Woman’s is revised into a darker play, in which familial bonds are frequently abused and dismissed. In both plays, families reunite, new unions are created, and relationships between characters are unsettled and reorganized into unexpected con#gurations. And yet, I will argue, in !e Counterfeit Bridegroom the principles of kinship and kindness that ultimately underpin Middleton’s play are replaced by the individualistic desires of characters who enact various cruelties and deceptions, many of which remain unexamined (if super#cially resolved) by the play’s end. !is new focus privileges intellect over emotion, the individual Restoration Volume 46.1","PeriodicalId":110062,"journal":{"name":"Restoration: Studies in English Literary Culture, 1660-1700","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131116719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"A Spirituall Song of Submission\": The Eikon Basilike, Prayer and Poetry in a Seventeenth-Century Royalist Miscellany","authors":"F. Cioni","doi":"10.1353/rst.2022.0000","DOIUrl":"https://doi.org/10.1353/rst.2022.0000","url":null,"abstract":"In its textual and material history the Eikon Basilike tells the story of the textual and material cultures of the loyal Royalists who composed, produced, read, and shared it. Despite o ffi cial suppression by Parliament, the Eikon appeared in dozens of di ff erent imprints between Charles’ death and the Restoration, in various forms and formats, for speci fi c readerly uses: folios featuring the full text with lavish engravings; abridged duo-decimos for pocket reference; versions digesting the Eikon into commonplaces, advice, or rhyming devotional verse. 1 Th e variety of such printed forms bespeaks the broad and wide-ranging appeal and use of the Eikon by late-seventeenth century readers. Th e proliferation of scribal copies that circulated more easily without attracting notice of parliamen-tary censors o ff ers an intimate glimpse into not only readers’ use of and relationship to the text, but also the operation of the literary, political, religious, and social circles through which the Eikon circulated. MS Eng 625, a copy of Eikon Basilike held at the Houghton Library, is one of such text. 2 A substantial portion of the Eikon is included, closely following the 1649 edition (a copy of which is held at the University of Illinois); the volume also includes several printed engraved portraits of Charles I, and a handwritten prayer of contrition. Th e composition of this manuscript Eikon represents an act of pious commemoration of the deposed monarch; tracing its compilation can tell us much about the reception of the Eikon in the late-seventeenth century, and its role in establishing Charles’ reputation and the textual practices of Royalist loyalism.","PeriodicalId":110062,"journal":{"name":"Restoration: Studies in English Literary Culture, 1660-1700","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128103699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Impossible Desire and the Limits of Knowledge in Renaissance Poetry by Wendy Beth Hyman (review)","authors":"Ryan Netzley","doi":"10.1353/rst.2021.0016","DOIUrl":"https://doi.org/10.1353/rst.2021.0016","url":null,"abstract":"","PeriodicalId":110062,"journal":{"name":"Restoration: Studies in English Literary Culture, 1660-1700","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115605388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Curious Eye: Optics and Imaginative Literature in Seventeenth-Century England by Erin Webster (review)","authors":"W. Hyman","doi":"10.1353/rst.2021.0011","DOIUrl":"https://doi.org/10.1353/rst.2021.0011","url":null,"abstract":"Crusoe is horrified by the twisted justice of the Inquisition and saves a family from its grip. He is again horrified by the slaughter of the natives of Madagascar by his compatriots. Yet Defoe also shows us Robinson’s irrational actions, such as his unrelenting urge to wander and his persistent failures of reason: in short, “Led by his passion, Crusoe causes trouble” (179). Andreas K.E. Mueller closes out the volume by returning to Robinson Crusoe’s staggering cultural influence, from virtual reality video games to note-taking software to observations of how the name “Robinson Crusoe” has become iconic in ways that bear only a minimal relationship to Defoe’s novel. Mueller’s essay caps off this outstanding collection of essays that demonstrates the enduring significance of literature’s most famous castaway.","PeriodicalId":110062,"journal":{"name":"Restoration: Studies in English Literary Culture, 1660-1700","volume":"110 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115686334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Some Current Publications","authors":"Garth Libhart","doi":"10.1353/rst.2021.0014","DOIUrl":"https://doi.org/10.1353/rst.2021.0014","url":null,"abstract":"","PeriodicalId":110062,"journal":{"name":"Restoration: Studies in English Literary Culture, 1660-1700","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130499870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“I am emailing to inform you that another member of my family has passed away”: A Response to Restoration’s Special Issue on COVID/Defoe","authors":"Alba Coppola","doi":"10.1353/rst.2021.0010","DOIUrl":"https://doi.org/10.1353/rst.2021.0010","url":null,"abstract":"","PeriodicalId":110062,"journal":{"name":"Restoration: Studies in English Literary Culture, 1660-1700","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116772229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Plague Literature and Pandemic Pedagogy","authors":"Mattie Burkert","doi":"10.1353/rst.2021.0008","DOIUrl":"https://doi.org/10.1353/rst.2021.0008","url":null,"abstract":"","PeriodicalId":110062,"journal":{"name":"Restoration: Studies in English Literary Culture, 1660-1700","volume":"117 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132391131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Robinson Crusoe after 300 Years ed. by Andreas K.E. Mueller and Glynis Ridley (review)","authors":"Laura J. Rosenthal","doi":"10.1353/rst.2021.0017","DOIUrl":"https://doi.org/10.1353/rst.2021.0017","url":null,"abstract":"an engaged skepticism, in this and earlier chapters, seems to me a welcome corrective to knee-jerk denigrations of the negative or critique. Impossible Desire and the Limits of Knowledge in Renaissance Poetry also poses a pivotal conceptual question about the relationship between poetic form and temporal degeneration that I think deserves more sustained attention in Renaissance studies. Hyman contends that poets, in the English tradition at least, identify with Time’s ravaging energies and, in so doing, reassert a masterful authority over the process of decay:","PeriodicalId":110062,"journal":{"name":"Restoration: Studies in English Literary Culture, 1660-1700","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127170463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}