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Cultura de la República. Revista de Análisis Crítico (CRRAC)最新文献

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Mirando la esfera de las horas: literatura, tiempo y antifascismo en el Bienio Negro 凝视时辰:黑人双年展中的文学、时间和反法西斯主义
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2019-06-26 DOI: 10.15366/CRRAC2019.3.004
Héctor Collado Sancho
{"title":"Mirando la esfera de las horas: literatura, tiempo y antifascismo en el Bienio Negro","authors":"Héctor Collado Sancho","doi":"10.15366/CRRAC2019.3.004","DOIUrl":"https://doi.org/10.15366/CRRAC2019.3.004","url":null,"abstract":"This text attempts to be an invitation to think about a temporal experience that claims to be historically thought in order to articulate the resistance against fascism. First of all, I will introduce the discussion of the definition of the republican project, by studying the implications of the term it applied to itself: revolution. With this, I will introduce Ehrenburg’s view of the tensions of the time as a temporary pathology. Later, I will outline the antifascist political culture through the magazines Linea and Nueva Cultura. Then, I will approach Historia de un dia (Sender et al., 1935) and explain the link between the representations of time and the people. Afterwards, I will proceed to explain the poetry collection Candente horror (Gil-Albert, 1936) as a conflict between sensitivity and will, emphasizing its link with the historical antifascist gaze. The conclusion indicates the contrast between two points of view of the historical conflict that were joined together under the same front of cultural resistance.","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132573682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La observación como transgresión. La obra de Luisa Carnés 观察是一种罪过。路易莎的作品carnes
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2019-06-25 DOI: 10.15366/CRRAC2019.3.001
Natalia Calviño Tur
{"title":"La observación como transgresión. La obra de Luisa Carnés","authors":"Natalia Calviño Tur","doi":"10.15366/CRRAC2019.3.001","DOIUrl":"https://doi.org/10.15366/CRRAC2019.3.001","url":null,"abstract":"The recent interest for the Madrid author Luisa Carnes has motivated a series of studies about her life, but she has not been given the due recognition through the critical analysis of her literary work-—not only situating her active role in the historical process that she lived through, but also valuing her as what she indeed was: a novelist. It is precisely the purpose of this study to show the literary characteristics of an author like Carnes, around a key concept that stands out above any other in her narrative: the critical observation of her reality as a transgressive element, in light of the evolution of her literary production. My objective is to prove how Luisa Carnes reported the situation in Spain at the beginning of 20th century, and, more specifically, the situation of women, through pure observation.","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128923090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Representaciones subculturales del Raval de posguerra en la poesía de Manuel Vázquez Montalbán 曼纽尔vazquez montalban诗歌中战后拉瓦尔的亚文化表现
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2019-06-25 DOI: 10.15366/CRRAC2019.3.002
S. García
{"title":"Representaciones subculturales del Raval de posguerra en la poesía de Manuel Vázquez Montalbán","authors":"S. García","doi":"10.15366/CRRAC2019.3.002","DOIUrl":"https://doi.org/10.15366/CRRAC2019.3.002","url":null,"abstract":"Manuel Vazquez Montalban has always reclaimed the collective and historical memory of the inhabitants of Barcelona’s Raval neighborhood defeated in the Civil War. This is a group whose cultural formation was forged, above all, thanks to the subcultural elements of mass media. The memory of the defeated, undoubtedly part of author’s own remembrance, as well as their cultural blend, subcultural references have become one of the core ideas that stands out in his poetic production, especially in the texts dedicated to the reality of post-war Barcelona. The aim of this study is thus to locate and study the presence and function of the aforementioned subcultural references in Montalban’s poetry. The main purpose of the poems is to reclaim the memory and the configuration of the daily reality of the post-war Raval, as well as to recover the representation of the fusion in the writer’s identity and formation.","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115659131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cultura entre rejas
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2017-04-21 DOI: 10.15366/crrac2017.1.002
M. Ana
{"title":"Cultura entre rejas","authors":"M. Ana","doi":"10.15366/crrac2017.1.002","DOIUrl":"https://doi.org/10.15366/crrac2017.1.002","url":null,"abstract":"El autor relata su permanencia durante 23 años en las cárceles franquistas. Esta terrible experiencia, incluyendo una condena a muerte luego conmutada, es, sin embargo, el comienzo de su andadura como poeta. Marcos Ana mantendrá tanto su actividad política en el Partido Comunista como una incansable actividad cultural a pesar de las limitaciones a que eran sometidos por el régimen. Sus poemas irán saliendo de forma clandestina de la prisión y llegarán a oídos de poetas como Alberti o María Teresa León, transformando a su autor en un ejemplo de la resistencia ante la represión franquista.Palabras clave: Represión franquista, cárceles, poesía, Partido Comunista.Abstract: The author tells his stay during 23 years in Franco’s prisons.That terrible experience, including a sentence to death later commutated, is, anyway, the beginning of his poetic career. Life in prison oscillated between horror and solidarity. Marcos Ana maintained his political activity in Communist Party as much as his cultural activity spite of the Francoism limits. His poems went out of prison in secret and soon were well known by poets like Alberti or María Teresa León. Marcos Ana were an example of the resistance against Francoist repression.Key words: Francoist repression, prisons, poetry, Communist Party.","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122397901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La República de las Fallas: La Revista Pensat i Fet en los años de la Segunda República 法拉斯共和国:第二共和国时期的Pensat i Fet杂志
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2017-04-21 DOI: 10.15366/crrac2017.1.007
Jesús Peris Llorca
{"title":"La República de las Fallas: La Revista Pensat i Fet en los años de la Segunda República","authors":"Jesús Peris Llorca","doi":"10.15366/crrac2017.1.007","DOIUrl":"https://doi.org/10.15366/crrac2017.1.007","url":null,"abstract":"En los años 30 la fiesta de las fallas ya se había convertido en la fiesta mayor de la ciudad de Valencia y se presenta como una fiesta urbana y un espectáculo de masas. En este artículo, y a partir de los números correspondientes de la revista fallera Pensat i Fet vamos a conocer el estado de la fiesta en estos años, la manera como refleja la proclamación de la República y los diferentes avatares del proceso político de estos años y cómo contribuye a tratar de articular desde la cultura popular una identidad nacional valenciana.Palabras clave: fallas, cultura popular, literatura popular, tradición, imaginario nacionalAbstract: During the 30’s the Fallas festival had already become the Major festival in the City of Valencia and it appears as an urban festival and a mass show. In this article, and from the fallas magazine Pensat i Fet in these years, we will analyze the state of the Festival during the period, the way it reflects the proclamation of the Republic and the different issues of the political process of these years and how it contributes to try to articulate from the popular culture a Valencian identity.Key words: Fallas, popular culture, popular literature, tradition, national imaginary","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125406902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
14 de abril, la República (2011): de la historia a la memoria utópica 《共和国》(2011):从历史到乌托邦记忆
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2017-04-21 DOI: 10.15366/crrac2017.1.010
Christelle Colin
{"title":"14 de abril, la República (2011): de la historia a la memoria utópica","authors":"Christelle Colin","doi":"10.15366/crrac2017.1.010","DOIUrl":"https://doi.org/10.15366/crrac2017.1.010","url":null,"abstract":"El principal objetivo de este artículo es cuestionar las representaciones sobre la Segunda República española, para observar cómo persisten en ellas los mitos del franquismo o, por el contrario, cómo se utilizan nuevos paradigmas de representación. Para desarrollar esta idea, se analizará la primera temporada de la serie 14 de abril, La república, emitida a partir del 2011 en TVE1. Partiendo del contexto de producción de la serie, se evaluará cómo la Segunda República se convierte a partir de los noventa en un atractivo referente fílmico. Posteriormente, analizaremos la construcción de la representación de la historia referencial Finalmente, nos interesaremos por la articulación entre Historia, memoria y cine.Palabras clave: Segunda República, representación fílmica, Historia.Abstract: The main objective of this article is to question the representations dealing with the Second Spanish Republic, and how, in them, the myths of the Francoism persists or, on the contrary, they utilise new representations paradigms. In order to develop this idea, this article will analyze the first season of the Spanish series 14 de abril, La República, releases in 2011 on TVE1. We will study, firstly, the historical context of the series’ production in order to evaluate how the Second Republic turns into a comfortable appeal filmic. On the other hand, we will analyze the specific relationship between representation and History. Finally, we will observe the articulation between different levels: History, memory and cinema.Key words: Second Spanish Republic, cinematographic representation, History. Colin, Christelle. «14 de abril, La República (2011): de la historia a la memoria utópica»","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132115991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Reflexiones en torno a Tánatos a través de Las Hurdes, tierra sin pan de Luis Buñuel 通过路易斯bunuel的《没有面包的土地》，对塔纳托斯的反思
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2017-04-21 DOI: 10.15366/crrac2017.1.008
José Carlos Vela Bueno
{"title":"Reflexiones en torno a Tánatos a través de Las Hurdes, tierra sin pan de Luis Buñuel","authors":"José Carlos Vela Bueno","doi":"10.15366/crrac2017.1.008","DOIUrl":"https://doi.org/10.15366/crrac2017.1.008","url":null,"abstract":"En este artículo se trabaja con la pulsión de muerte, tan importante en el arte moderno, a través de Las Hurdes, tierra sin pan de Luis Buñuel. Se registran las formas más significativas en que dicha pulsión aparece en el mencionado documental y se tematizan en torno a la dualidad entre biofilia y necrofilia (entendida en sentido general, no sólo sexual) de Erich Fromm. Finalmente paso a una deconstrucción de dicha dualidad, o sea, a mostrar sus limitaciones como polaridad jerárquica.Palabras clave: Necrofilia, Biofilia, Eros, Tánatos, Deconstrucción, Dualidades Jerarquizadas, Cine, República, Hurdes, Buñuel.Abstract:This article explores the death drive, a relevant concept in modern art, in Las Hurdes, tierra sin pan, by Luis Buñuel. Their most signifcatives shapes on that documentary are registered and are clasified around the duality between biophilia and necrophilia (in general sense, beyond sexuality) from Erich Fromm. Finally, I will proceed to a deconstruction of that duality, in other words, to show their limitations as a hierarchical polarity.Key words: Necrophilia, biophilia, Eros, Thanatos, deconstruction, hierarchical dualities, cinema, Republic, Hurdes, Buñuel.","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132202723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El republicanismo de Antonio Machado hasta 1936 安东尼奥·马查多直到1936年的共和主义
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2017-04-21 DOI: 10.15366/crrac2017.1.003
V. Fuentes
{"title":"El republicanismo de Antonio Machado hasta 1936","authors":"V. Fuentes","doi":"10.15366/crrac2017.1.003","DOIUrl":"https://doi.org/10.15366/crrac2017.1.003","url":null,"abstract":"Aunque es mucho lo que se ha escrito sobre el republicanismo de Machado, este artículo tratará de relacionar este tema con su vida y obra. Se aspira así a destacar facetas menos sabidas por la mayoría de sus lectores y aún de la crítica al respecto. Analizaré las ideas forjadas por Machado en sus años de lectura y reflexión filosófica para demostrar cómo entendió, bien temprano, la crisis del sujeto y la noción de otredad, a la vez que se adentró en el conocimiento del alma popular. Mientras Machado toma distancia respecto a la llamada «Generación del 98», empieza su marcha al pueblo y desarrolla sus ideas acerca de la literatura política y popular. Con la proclamación de la Segunda República, Machado se convirtió en un intelectual público y participó activamente en las organizaciones republicanas asumiendo incluso cargos relevantes (aunque más honoríficos que orgánicos).Palabras clave: Machado, crisis del sujeto, otredad, literatura política, republicanismo.Abstract: Despite the many words written on Machado’s republicanism, this article will try to relate this issue to the biography and the works by Antonio Machado. Necessarily, I will repeat some ideas well-known, but I will also intend to shed light on the least known by many readers. I will analyze the ideas that Machado forges during his years of readings and philosophical reflection in order to demonstrate how he understood, so early, the crisis of the subject and the notion of otherness, as well as he went deeper into the knowledge of the «soul of the country». Whereas Machado distanced himself from the so-called «Generación del 98», he began this approach to the people and he develop his ideas about the political and popular literature. With the proclamation of the Second Spanish Republic, Machado turned into a public intellectual and he was active in republican organizations taking up relevant positions (even if they were more honorifics than organics).Key words: Machado, crisis of the subject, otherness, political literature, republicanism.","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126066587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La derecha española y la II República: neofranquismo e historia
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2017-04-21 DOI: 10.15366/crrac2017.1.011
Alberto Reig Tapia
{"title":"La derecha española y la II República: neofranquismo e historia","authors":"Alberto Reig Tapia","doi":"10.15366/crrac2017.1.011","DOIUrl":"https://doi.org/10.15366/crrac2017.1.011","url":null,"abstract":"Se analiza la malquerencia que sobre el régimen republicano tienen las derechas españolas, especialmente por lo que se refiere a la Segunda (1931- 1939), dada la brevedad de la primera (1873-1874) y porque prácticamente toda la memoria histórica para bien y para mal se concentra en la segunda. Se resalta la contradicción existente entre la radical descalificación del régimen republicano, declarándose la actual derecha española aglutinada en el Partido Popular como liberal reformista, y los valores consagrados en la Constitución republicana de 1931. A este respecto se repasan las posiciones de los principales autores franquistas y neofranquistas confrontándolos con la numerosa bibliografía académica ya existente sobre dicho período histórico.Palabras clave: Segunda República, pseudohistoria, franquismo, neofranquismo, cultura política.Abstract:The animosity shown by the right-wing sectors to the Republican regime is analysed here. This hostility especially refers to the period covered by the Second Republic (1931-1939) and, because of its brevity, not to the First Republic (1873-1874). For better or worse, the entire historical memory is focused on the Second Republic. We highlight the contradiction between the vilification of the Republican regime -with the present Spanish right-wing self-defined as reformist liberal in the Partido Popular- and the values established in the Republican Constitution of 1931. In this regard, the main franquist and neofranquist authors are examined, contrasting them with the numerous academic studies that exist on that historical periodKey words: Second Republic, pseudohistory, franquism, neofranquism, political culture.","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129780300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Guerra, poesía y “Niebla”. Análisis de un poema 战争、诗歌和“雾”。一首诗的分析
Cultura de la República. Revista de Análisis Crítico (CRRAC) Pub Date : 2017-04-21 DOI: 10.15366/crrac2017.1.001
J. Rodríguez
{"title":"Guerra, poesía y “Niebla”. Análisis de un poema","authors":"J. Rodríguez","doi":"10.15366/crrac2017.1.001","DOIUrl":"https://doi.org/10.15366/crrac2017.1.001","url":null,"abstract":"La relación entre producción poética y guerra es siempre compleja. ¿Es posible hacer algo más que himnos o canciones? El artículo analiza con detalle uno de los poemas de Rafael Alberti escrito durante la Guerra Civil española. Dejando claro que el sujeto es el resultado de un conglomerado de influencias sociales y económicas, mediatizado por ellas y de las que no puede escapar, se plantea también que un poema desde dentro de la guerra no puede ser más que un poema a vida o muerte. Y desde este supuesto se lleva a cabo el análisis de «Niebla».Palabras clave: Poesía, Guerra Civil Española, Rafael Alberti.Abstract: The relationship between poetry and war is always a complex issue. Is it possible to make anything else than hymns or songs? This article is a detailed analysis of a Rafael Alberti’s poem composed during the Spanish Civil Word. As it is obvious, the subject can’t avoid all the influences of his social surrounding, and any poem written in the middle of the war is a poem in the border of life or death. From this suppose the author analyses «Niebla».Key words: Poetry, Spanish, Civil World, Rafael Alberti","PeriodicalId":109891,"journal":{"name":"Cultura de la República. Revista de Análisis Crítico (CRRAC)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131738271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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