The Oxford Handbook of Politics and Performance最新文献_第2页

The Nation as Family 作为家庭的国家

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.47

Nobuko Anan

引用次数: 2

Constituency Performances 选区的表演

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.25

E. Crewe, Nicholas Sarra

引用次数: 0

Staging Memorialization 分段Memorialization

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.39

Charlotte Heath-Kelly

{"title":"Staging Memorialization","authors":"Charlotte Heath-Kelly","doi":"10.1093/oxfordhb/9780190863456.013.39","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190863456.013.39","url":null,"abstract":"This chapter explores the staging of memory in public architecture, emphasizing the spatial and temporal dynamics of commemorative performance. While we are familiar with post-terrorist space being redesigned to perform resilient nationalism, other affected terrain is “off-staged” by recovery planners into the realm of economic regeneration. The chapter reflects upon the spatial staging of 9/11 recovery in Manhattan which splits urban terrain into symbolic and economic zones, ‘off-staging’ the city’s prioritization of business interests during disaster management. Beyond these spatial divisions in the staging of terrorism memory, memorials also conceive of audiences in radically distinct temporal zones. Design teams are presented with briefs that identify their audiences in the contemporary moment but also 100, 150, and even 250 years into the future. The memorial is expected to perform the disaster event, to educate an audience of whom we have no knowledge. The chapter deconstructs this temporal leap, showing that memorializing for the future does not only serve an educational purpose but performatively mitigates anxieties about the erasure of the present from the world stage. By addressing a future audience, the terrorism memorial performatively stages a concern for us from future beings. The chapter analyzes this ritualized address to the future as transferring from burial necrogeography. The terrorism memorial– and its particular staging practices – respond to anxieties about the erasure of traditional foundations for political authority during globalization, which has led to an increased reliance on performative architectural objects.","PeriodicalId":107426,"journal":{"name":"The Oxford Handbook of Politics and Performance","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133664957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Scripts, Authority, and Legitimacy 脚本、权威和合法性

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.53

Julia C. Strauss

{"title":"Scripts, Authority, and Legitimacy","authors":"Julia C. Strauss","doi":"10.1093/oxfordhb/9780190863456.013.53","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190863456.013.53","url":null,"abstract":"Although it is widely recognized that performance permeates politics, there is surprisingly little agreement on how politics in performance plays out across different political and cultural environments. Focusing on the script as both written text and mutually constituted social role that attempts to reinforce legitimacy, this chapter develops two typologies. The first considers the script itself as either optimistic or pessimistic and that appeals to either reason or the emotions; the second how the script is imbricated with its prospective target audience(s) and the degree to which it attempts to divide or unite and either is closed or permits room for improvisation. It develops these typologies by comparing and contrasting the political performances of Xi Jinping and his optimistic and unifying “China Dream” in the increasingly authoritarian People’s Republic of China with the divisive, antitechnocratic jeremiad performances of Donald Trump and Boris Johnson in the United States and the United Kingdom. It concludes that in other political contexts the substance of political performance scripts, the ways in which scripts engage audiences, and how they are modified over time are likely to vary, but to do so in patterned ways.","PeriodicalId":107426,"journal":{"name":"The Oxford Handbook of Politics and Performance","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125170256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Music 音乐

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.44

M. Franklin

引用次数: 0

Political Leadership 政治领导

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.19

John Uhr

引用次数: 0

Colonial Theatricality 殖民夸张

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.31

Lisa Skwirblies

引用次数: 0

National Identity 国家认同

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.35

Edgaras Klivis

引用次数: 0

Empire 帝国

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.15

C. Charrett

{"title":"Empire","authors":"C. Charrett","doi":"10.1093/oxfordhb/9780190863456.013.15","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190863456.013.15","url":null,"abstract":"Frontiers on land and bodies are performative of imperial expansion and acceleration. This chapter argues that frontier sites are especially productive of imperial formations, as they expose inconsistencies and excesses that are met with a particular rage and discipline. As such, frontier sites are productive of iterations of imperial violence, which includes the construction of new infrastructures and technologies of violence, as well as the discursive justification for this violent apparatus. Palestine is a frontier of imperial formations that is productive of war technologies, but also a site where debates over the legitimization of the use of this violence takes place. Performances on the frontiers of empire such as Palestine are constitutive of subject and subjectivities on resistance and settler colonialism in global politics. The marking of Hamas as terrorists is central to the coding and interpretations of Palestine in public discourses. The democratic election of Hamas troubled the coding of the movement as an illegitimate terrorist Other, which was met with a performative anxiety and rage by the European Union. The EU had headed the election-monitoring mission in the Occupied Palestinian Territories, and they had declared the elections transparent, free. and fair. Their response, however, was to diplomatically and financially sanction Hamas, which had profound consequences for Palestinian governance. Hamas and Gaza exposed fault lines in empire’s attempt to defend its use of violence. and as such they are also productive of new forms of enacting imperial violence. The chapter explores the performances of Tania El Khoury, whose work uses intimate scenes and audience interactivity to foreground the pain and oppression of imperial violence. Performance acts as a cultural frontier that negotiates and expresses subversive and resistant meanings of violence in global politics.","PeriodicalId":107426,"journal":{"name":"The Oxford Handbook of Politics and Performance","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126780801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Care 护理

The Oxford Handbook of Politics and Performance Pub Date : 1900-01-01 DOI: 10.1093/oxfordhb/9780190863456.013.28

Narelle Warren

{"title":"Care","authors":"Narelle Warren","doi":"10.1093/oxfordhb/9780190863456.013.28","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190863456.013.28","url":null,"abstract":"Care is a concept characterized by its multiplicity of meanings, uses, and practices. It is deeply shaped by the affective contexts in which care take place. Political and social processes determine who can and does care—the work of care—and the recognition of this work. While grounded in individual relationships, care is performative insofar as it is made and remade through its provision and practice, which tells much about the power structures that surround its practice. This chapter examines these affective and performative dimensions of care through vignettes with Australian informal (unpaid) spousal caregivers. Care, as described by the participants, operates in two distinct ways. First, as they explicitly describe, their acts of care reflect what matters to them, their affective ties to another—their spouse who lives with Parkinson’s disease. All discussed care as a mutual endeavor characterized by reciprocity and meaning, resonating with Puig de la Bellacasa’s constitutive elements of care as commitment, doing, and obligation. Second, participants described their care practices as reflecting a deeply unequal gendered order in which the allocation of limited economic, social, and political resources were laid bare: who does and does not get paid in the delivery of care reinforces social and household inequalities. Attending to performativity allows a consideration of how such competing priorities are negotiated in everyday encounters of care.","PeriodicalId":107426,"journal":{"name":"The Oxford Handbook of Politics and Performance","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114530563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0