Lut Missinne, K. Sarkowsky, Martina Wagner-Egelhaaf
{"title":"Introduction. Beyond Endings – Past Tenses and Future Imaginaries","authors":"Lut Missinne, K. Sarkowsky, Martina Wagner-Egelhaaf","doi":"10.21827/EJLW.9.37320","DOIUrl":"https://doi.org/10.21827/EJLW.9.37320","url":null,"abstract":"In the vein of Daniel Defoe’s Robinson Crusoe (1719), the German writer Johann Gottfried Schnabel (1692–1748) wrote a four-volume Robinsonade novel, Die Insel Felsenburg [The Island Felsenburg], which was published between 1731 and 1743. Schnabel’s novel became extremely popular in Germany, as it tells the story of a group of shipwrecked settlers who, in the spirit of protestant piety, establish an ideal state on the beautiful island on which they are stranded. One day, they discover a hidden cave, where they find a well-preserved mummified man, sitting in a stone chair at a table. On a tin board, this man, Don Cyrillo de Valaro, had engraved important information for posterity: namely that he was born on 9 August 1475, came to the island on 14 November 1514, and recorded his recollection on 27 June 1606. His writing ends as follows: ‘I am still alive, however close to death, June 28. 29. and 30. and still July 1., 2. 3., 4. By recording every day that he was still alive, Don Cyrillo, the only inhabitant on the island at the time, managed to do what no autobiographer could ever complete: record his death. One could even go so far as to say that his method typifies a life-writing model – documenting the days of one’s life in the face of inevitable death. In the context of Schnabel’s novel, this episode is remarkable in so far as the most prominent entertainment of the island’s inhabitants is to tell one another about their lives. In the evening, when their work is done, they come together – and there is no TV or internet – and tell their stories. Remarkably enough, their stories are full of sex and crime – aspects of life that are banned from the virtuous island. The story of Don Cyrillo de Valaro and the settlers is fiction, of course. However, it triggers the question as to how ‘real’ autobiographers deal with or even describe their own deaths.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133835354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Unseen: Exploring the Lived Experience of Visually Impaired South Africans","authors":"J. Bloch","doi":"10.21827/EJLW.9.37040","DOIUrl":"https://doi.org/10.21827/EJLW.9.37040","url":null,"abstract":"The liminal space occupied by partially sighted people is little understood and much misrepresented in South African societies. Inter-personally and more broadly, visually impaired South Africans face stigma, discrimination and numerous structural barriers to educational, social and economic opportunities. These challenges remain largely invisible to those who never experience them. \u0000In this paper, I discuss my conversations with four South Africans who, like me, are visually impaired. These conversations form part of my research for Unseen, a project that brings together my interests in life writing and in exploring different aspects of the experience of visual impairment. I weave substantial extracts from our dialogues together with my own insights so as to give a sense of the texture of participants’ reported understanding, ideas, feelings, and sensorial adaptations, and also to investigate the multiple and overlapping influences of class, race, gender, age, community, sexual orientation and family on each individual’s subjective experience.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121383971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Autobiography in the Anthropocene. A Geological Reading of Alice Munro","authors":"M. Goldman","doi":"10.21827/EJLW.9.37326","DOIUrl":"https://doi.org/10.21827/EJLW.9.37326","url":null,"abstract":"In the autobiographical stories of Nobel Prize award-winning author Alice Munro, questions of ontology and mortality are inextricably connected to matters of space and place. Fundamental existential dilemmas expressed in Munro’s corpus – signaled by the title of her second short story collection Who Do You Think You Are? – are linked to basic questions concerning orientation. Although autobiographical fiction frequently interweaves concerns about identity and deceased parents with recollections of ancestral spaces, as the literary critic Northrop Frye famously stated, the question ‘Where is here?’ is characteristic of the Canadian imagination. It is now also fundamental to the epoch of the Anthropocene. Although critics frequently praise Munro for her skill in presenting haunting, epiphanic moments, she is less often credited for her far less conventional tendency to tell stories covering years, even decades. My paper explores Munro’s preoccupation with these vast temporal arcs and their impact on her recursive autobiographical fiction. I argue that Munro’s penchant for ‘return and revision’ in her non-fictional works affords an opportunity for her protagonists and, by extension, her readers to revisit and ponder ancestral connections and the non-human dimensions of existence, which include sublime geological features and deep time.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130241267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Autobiography as Political Legacy in Transition Periods. Benjamin Franklin and Konrad Adenauer Compared","authors":"V. Depkat","doi":"10.21827/EJLW.9.37325","DOIUrl":"https://doi.org/10.21827/EJLW.9.37325","url":null,"abstract":"Developing consciousness of epoch as a category of autobiographical time, the article approaches the autobiographies of Benjamin Franklin and Konrad Adenauer as acts of political communication in historico-biographical transition periods. The temporal semantics of Franklin’s and Adenauer’s autobiographical texts anchor in a consciousness of epoch, which suggests that (a) the foundations for an anticipated ideal future have been laid through the political decisionmaking of the autobiographer, and that (b) it is uncertain whether the succeeding generations of political decision-makers will continue to pursue the political course that, in the eyes of the autobiographer, will eventually realize the anticipated utopia of an ideal world. The article thus moves away from an understanding of political autobiography as justification of political decisions taken and not taken in the past. Instead, it investigates autobiography as acts of political communication legitimating the past with a future anticipated at the moment of writing the autobiography. This angle sheds light on political autobiography as a future-oriented continuation of politics by autobiographical means. The temporal semantics of the autobiographical text anchoring in a given consciousness of epoch and the communicative functions of the autobiographical act thus extend well beyond the endings of the text and the autobiographer’s life.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"183 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133772890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Birgitte Possing. Understanding Biographies; Caitríona Ní Dhúill. Metabiography","authors":"Henrik Rosengren","doi":"10.21827/EJLW.9.37311","DOIUrl":"https://doi.org/10.21827/EJLW.9.37311","url":null,"abstract":"Both in the Scandinavian countries and in Germany, the status of biographical writing has changed to a far greater extent in the last fifty years than in the Anglo-Saxon world. In the latter context, biography has been more popular than in Germany and, for example, Denmark and Sweden. It has continuously been regarded as both a genre worthy from a scholarly career point of view and as a means for scholars, such as historians, to reach a wider audience outside the academic ivory tower. Explanations for this difference may lie in diverse scholarly traditions where American and British scholars have consciously strived for a larger readership than the purely specialized and interdisciplinary one. An Anglo-Saxon narrative tradition in which language, style and composition have been key words has supported biography writing.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120848837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A View to Distant Hills: Essaying a Grievous Self","authors":"Myna Trustram","doi":"10.21827/EJLW.9.36946","DOIUrl":"https://doi.org/10.21827/EJLW.9.36946","url":null,"abstract":"This is a personal essay that attempts (essays) to understand my repeated contemplation of two landscape paintings in the wake of a bereavement. I have gathered together into a fragmented narrative thoughts and impressions provoked by the paintings and by readings of poetry (Czeslaw Milosz), fiction (Samuel Beckett) and psychoanalysis (Marion Milner and D.W. Winnicott). There is no closure or conclusion to the essay since grief is open and perennial.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134382972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Patricia López-Gay. Ficciones de verdad. Archivo e narrativas de vida","authors":"Jobst Welge","doi":"10.21827/EJLW.9.37342","DOIUrl":"https://doi.org/10.21827/EJLW.9.37342","url":null,"abstract":"Some of the most interesting narrative literature recently produced in Spain is distinguished by the incorporation of auto- or bio-fictional elements (for instance, Miguel Ángel Hernández, El dolor de los demás [2018]; Pablo Martín Sánchez, Diario de un viejo cabezota [2020]). Not surprisingly, this ‘trend’ has already led to many academic studies on different aspects of autobiographical fiction. The new book by Patricia López-Gay is an extremely valuable contribution to this field, since it charts in a convincing and sophisticated manner the specifically Spanish genealogy and phenomenology of this literary tendency, covers the work of representative writers in a synthetic fashion, and develops an original argument about the intersection of auto-fictional prose and the narrative configuration of the archive.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129265061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ippolito Nievo. Portrait of the Writer as an Old Man","authors":"C. Nannicini","doi":"10.21827/EJLW.9.37327","DOIUrl":"https://doi.org/10.21827/EJLW.9.37327","url":null,"abstract":"Ippolito Nievo’s long autobiographical novel, Confessions of an Italian (Confessioni di un italiano), also known as ‘Confessions of an Octogenarian’ (Confessioni di un ottuagenario), in reference to its 80-year-old narrator, was actually written when the writer was…twenty-nine. The narrator takes on the role of an old man reflecting on his own life – from childhood, through youth until middle and old age – making the reader believe that he is dealing with the memories of a life already lived. Indeed, Nievo must have taken inspiration from his grandfather’s life at the turn of the nineteenth century to which he added his own experience. The irony of fate is well-known: The author died at the age of 29 and the unfinished novel was published in 1867, six years after his death. Since then, it has remained an outstanding literary specimen in both Italian and European literature. In this paper, we will dwell in particular on the clever outline of the narrator. The distance between the real and the fake narrator certainly belongs to the purest autobiographical tradition, and yet it offers here a further challenge to the writer, constantly trying to share his lifelong experience with the reader and the character himself. All things considered, Nievo foresaw both his own life and how he would have written it, as if he had already lived it and was about to die.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"6 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124446556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Juxtaposing and Jostling: The Art of Writing History?","authors":"J. Somerset","doi":"10.21827/EJLW.9.35933","DOIUrl":"https://doi.org/10.21827/EJLW.9.35933","url":null,"abstract":"This reflective essay seeks to question, through my creative practice, methods of writing the history of post-1945 events for a young adult reader. Using creative techniques to add depth to the research, I explore the scope of the future project through a palimpsest diagram as well as poetry, word association and vignettes of my lived experiences. I compare how other creative writers have treated historical narrative in fiction, memoir and drama. Building on schoalrly debate on the role of life writing in historical processes, both source materials and historiography, the essay analyses the scholarship on postmodern representations of the recent past in literature, including personalised life writing and autobiography as well as novels. Problems jostle for attention: blank spaces of the historical records, unreliable memories, competing definitions of truth, Western class-bound identity and twenty-first century retrospection. My conclusions suggest that novelistic and lyrical techniques and voices may be an effective medium for shining a spotlight on the themes of the late twentieth century. The resulting work of auto/history will be written and read through a personal lens which that is at the same time a memoir, history and historiography, which juxtaposes a microscopic life against the constellation of world events.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128136965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mobilizing Grief and Remembrance with and for Networked Publics: towards a Typology of Hyper-Mourning","authors":"K. Giaxoglou","doi":"10.21827/ejlw.9.36910","DOIUrl":"https://doi.org/10.21827/ejlw.9.36910","url":null,"abstract":"The past decade has seen an intense mobilization of grief and remembrance on social media linked to the injunction to inscribe, share, and curate life and death in the here-and-now. This article navigates the heterogeneity of these practices, using the term hyper-mourning to point both to the conditioning of mourning by the affordances of hyper-connectivity and to debates around these emerging forms of mourning as being emotionally hyperbolic and ‘inauthentic’ reactions to death events. Based on the discussion of select examples, I sketch out a typology of hyper-mourning, depending on the different story positions of teller, co-teller, or witness from which such performances are produced. As I argue, these different performances become typically associated with particular modes of affective positioning made available to the recipients of these shared stories—namely positions of proximity or distance to the death event and the dead, the networked recipient(s), and the emotional self. This typology proposes a small stories approach to hyper-mourning practices, which are organized around the mobilization of grief and remembrance for connecting networked audiences around identities, affect, and moral values dis/alignments. The article contributes to the interdisciplinary study of digital cultures of memory, affect, and identities.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134190382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}