Design/Arts/Culture最新文献_第4页

A STUDY OF EXPERIENTIAL ARCHEOLOGY OF A POEM BY FERNANDO PESSOA 费尔南多·佩索阿一首诗的体验考古学研究

Design/Arts/Culture Pub Date : 2022-01-16 DOI: 10.12681/dac.27720

Mihaela Moţăianu

引用次数: 0

THE INTERMEDIATE SPACE 中间空间

Design/Arts/Culture Pub Date : 2022-01-16 DOI: 10.12681/dac.27416

Fotis Kangelaris

{"title":"THE INTERMEDIATE SPACE","authors":"Fotis Kangelaris","doi":"10.12681/dac.27416","DOIUrl":"https://doi.org/10.12681/dac.27416","url":null,"abstract":"Starting from the question of why things have a form, we develop the concept of the “Intermediate Space” as a procedure during which the “thing” assumes its form as a word or as a picture. However, this intermediate space can constitute itself its final form.Looking into, in the first place, the concept of the “Intermediate Space” as a basic structural function of psychopathology, we focus, later, on three examples on which we base our aspect.The Garden as the “Intermediate Space” of the countryside-city/nature-civilisation, unconscious-conscious.The Architecture as the “Intermediate Space” between matter and spirit as for its agony to be art. In this unit, after the initial observations, there is a focus on the concepts of “rurbain” and the “ladder”.“Non finito” in art where the route of the “thing” to its form as art crystallizes before its final shaping. Towards this, we look into different appearances of art and we expand on relevant philosophical comments.In the final part of our study, we attempt through questions an elevation of the human's life to a “Non finito” work. The “thing”, as far as this study is concerned, has to be heard in the concept of the lacanian topology and the freudian “Das Ding”.","PeriodicalId":103857,"journal":{"name":"Design/Arts/Culture","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131773516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Fragments and light, two perspectives of contemporary glass engraving 碎片与光，当代玻璃雕刻的两个视角

Design/Arts/Culture Pub Date : 2022-01-16 DOI: 10.12681/dac.27868

I. Stelea

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THE EVOLUTION OF THE GRAPHICAL USER INTERFACE: FROM SKEUOMORPHISM TO MATERIAL DESIGN 图形用户界面的演变:从拟物化设计到材料设计

Design/Arts/Culture Pub Date : 2022-01-16 DOI: 10.12681/dac.27466

Chrysoula Gatsou, John Farrington

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Towards a Discussion of the Generative Condition of the Architectural Model 对建筑模型生成条件的探讨

Design/Arts/Culture Pub Date : 2022-01-16 DOI: 10.12681/dac.27523

João Couto Duarte, Teresa Belo Rodeia

{"title":"Towards a Discussion of the Generative Condition of the Architectural Model","authors":"João Couto Duarte, Teresa Belo Rodeia","doi":"10.12681/dac.27523","DOIUrl":"https://doi.org/10.12681/dac.27523","url":null,"abstract":"This paper proposes reflection on the model’s place in the definition of the architect’s thought. The representation – and, accordingly, the model, too – is assumed as an instance where the design thought becomes comprehensible, and not just something else that can be communicated. The generative condition of the model is assumed, and decisive for this is the recognition of the radical distinction that will always exist between the model and its object. Both the apparent natural proximity between the model and the architectural objects, whereby said proximity is the result of the three-dimensionality and the building dimension that both share, and the apparent natural concordance between the model and the architect's thought are called into question. Because the aim is to understand ‘how’ an architect thinks, and not 'what' they think when they use a model, the reflection is executed from a perspective of a horizon of ‘anteriority’, an ‘anteriority’ that is ontological and not merely chronological. The model will be examined as a means of ordering the design thought, that is, as a way of giving it existence. This reflection results from the crossing of previous research on the model and on drawing (Anonymous, 2016; Anonymous, 2017). The paper proposes a confrontation of the ‘generative power’ of the drawing, identified by Robin Evans (1997b), with the ‘generative effect’' of the model explored by Peter Eisenman (1981a; 1981b). The principle of ‘logical Argumentation’, as defined by Groat and Wang (2002), is assumed as the method of inquiry.","PeriodicalId":103857,"journal":{"name":"Design/Arts/Culture","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116935305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

PIRAEUS: A NEW CITY FOUNDED AT THE DAWN OF THE 19TH CENTURY, AROUND THE BIRTH OF THE GREEK STATE 比雷埃夫斯:一座建于19世纪初的新城市，大约在希腊国家诞生的时候

Design/Arts/Culture Pub Date : 2022-01-16 DOI: 10.12681/dac.27752

M. Moira

{"title":"PIRAEUS: A NEW CITY FOUNDED AT THE DAWN OF THE 19TH CENTURY, AROUND THE BIRTH OF THE GREEK STATE","authors":"M. Moira","doi":"10.12681/dac.27752","DOIUrl":"https://doi.org/10.12681/dac.27752","url":null,"abstract":"Book review of Nikos Belavilas, History of the City of Piraeus. 19th and 20th century (in Greek), Alexandria Publications, Athens 2021, 599 pages.Piraeus is a charming seaside city, bustling and vibrant, filled with contradictions; a Mediterranean seaport of regional importance, with geophysical singularities and an extensive lace-like coastline; a major cultural and social urban hub of national importance, which played an instrumental role in the industrialization and economic growth of Greece. Piraeus was a newly-founded city that was designed and situated by the sea, in order to serve the maritime transportations of the newly established state. Piraeus developed around the core of the deep bay formed by the Piraeus peninsula, on the site of the ruined ancient settlement and around the humble medieval port facilities, which framed this natural anchorage, in a location that would offer the new Athenian capital the necessary sea link and the infrastructure required for the development of its maritime and commercial activities.In this thoroughly engaging book, both in terms of methodological composition but also as a reading experience, Nikos Belavilas retrieves from an interdisciplinary domain and offers the main axes along which the narrative evolves: the city, the port and the industry. Around them revolves the history of the rapid strategic residential development of Piraeus.","PeriodicalId":103857,"journal":{"name":"Design/Arts/Culture","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127721747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE SECOND LIFE OF EVERYDAY OBJECTS IN BARRY FELDMAN’S WORK Barry feldman作品中日常物品的第二生命

Design/Arts/Culture Pub Date : 2022-01-16 DOI: 10.12681/dac.27856

Paraskevi Kertemelidou, Randall Warner

引用次数: 0

NON-DESTRUCTIVE INVESTIGATION OF PAINTINGS ON DIFFERENT SUBSTRATES. METHODOLOGY, ACHIEVEMENTS AND LIMITATIONS. 不同基材上绘画的无损检测。方法论、成就与局限。

Design/Arts/Culture Pub Date : 2022-01-16 DOI: 10.12681/dac.27455

A. Kaminari, P. Banou, A. Moutsatsou, A. Alexopoulou

引用次数: 0

DAMNATIO MEMORIAE: CONTEMPORARY CONDEMNATION OF MEMORY 诅咒记忆:当代对记忆的谴责

Design/Arts/Culture Pub Date : 2020-06-11 DOI: 10.12681/DAC.25913

Zoe Georgiadou, Vaso Florou, Ifigeneia Ilia Georgiadou

{"title":"DAMNATIO MEMORIAE: CONTEMPORARY CONDEMNATION OF MEMORY","authors":"Zoe Georgiadou, Vaso Florou, Ifigeneia Ilia Georgiadou","doi":"10.12681/DAC.25913","DOIUrl":"https://doi.org/10.12681/DAC.25913","url":null,"abstract":"Mnemosyne in Greek mythology was the daughter of Gaea and Uranus, and mother of the nine Muses, whose father was Zeus. She was the personification of memory and was connected in this way to the Arts, as artists recalled primordial memories to draw inspiration for their creations. “Damnatio memoriae”, the Roman punishment meaning condemnation of memory, was an official sanction, successful in wiping out any remembrance of an individual who was convicted of being a tyrant, a traitor, or another sort of enemy of the state. The images of such condemned persons had to be destroyed, their names erased from inscriptions, and every element concerning their public presence was purged. In some cases, the residence of the condemned could be destroyed, and if the person was already dead, his grave was ruined and his last will nullified. Nowadays, the condemnation of memory could be connected to a series of incidents selected to be erased from the public conscience as if they have never happened, although they represent historical or even ordinary events – genocides, wars, migration flows, gender-based violence and others. This paper focuses on the contemporary condemnation of memory using Art as a methodological tool. We argue that art represents a way to investigate current circumstances that aim to wipe out collective memory. We probe these expressive forms that derive from historically transformed roles and compile these facts that are consigned to oblivion.","PeriodicalId":103857,"journal":{"name":"Design/Arts/Culture","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134553679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

URBAN RUINS: FRAGMENTS OF AN INNER FRESCO 城市废墟:室内壁画的碎片

Design/Arts/Culture Pub Date : 2020-06-11 DOI: 10.12681/DAC.25908

Paraskevi Kertemelidou

引用次数: 0