{"title":"Ode (For Benjamin Boretz)","authors":"R. Morris","doi":"10.1353/pnm.2006.0050","DOIUrl":"https://doi.org/10.1353/pnm.2006.0050","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129871862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Few Points about Burt Bacharach...","authors":"Mihai Cucos","doi":"10.1353/pnm.2005.0004","DOIUrl":"https://doi.org/10.1353/pnm.2005.0004","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"193 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128466028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
R. Yoder, Benjamin Boretz, R. Sperry, Dora A. Hanninen, G. Mazzola, M. Andreatta, C. Shultis, Ian Quinn, L. Galliano, Victoria Haven, M. Jenkins, J. Harvey, T. Phillips, Michael Kowalski
{"title":"Personae / Acknowledgement","authors":"R. Yoder, Benjamin Boretz, R. Sperry, Dora A. Hanninen, G. Mazzola, M. Andreatta, C. Shultis, Ian Quinn, L. Galliano, Victoria Haven, M. Jenkins, J. Harvey, T. Phillips, Michael Kowalski","doi":"10.1353/pnm.2006.0000","DOIUrl":"https://doi.org/10.1353/pnm.2006.0000","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124024271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Politics of Collaborative Performance in the Music of Pauline Oliveros","authors":"","doi":"10.1353/pnm.2008.0010","DOIUrl":"https://doi.org/10.1353/pnm.2008.0010","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121221065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Living Oxymoron: Norman O. Brown's Criticism of John Cage","authors":"","doi":"10.1353/pnm.2006.0008","DOIUrl":"https://doi.org/10.1353/pnm.2006.0008","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"223 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121296680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interview with Oliver Schneller","authors":"","doi":"10.1353/pnm.2010.0010","DOIUrl":"https://doi.org/10.1353/pnm.2010.0010","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121640394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Symmetrical Permutation, the Twelve Tones, and Messiaen's \"Catalogue d'oiseaux\"","authors":"Wai-Ling Cheong","doi":"10.1353/pnm.2007.0017","DOIUrl":"https://doi.org/10.1353/pnm.2007.0017","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127977391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Computational Model for Rule-Based Microtonal Music Theories and Composition","authors":"Torsten Anders, E. Miranda","doi":"10.1353/pnm.2010.0009","DOIUrl":"https://doi.org/10.1353/pnm.2010.0009","url":null,"abstract":"Microtonal music is an influential facet of twentieth and 21st cen tury music composition. Composers that contributed significantly to microtonal music include characters as diverse as Julian Carrillo, Ben Johnston, Harry Partch, Horatiu Radulescu, Karlheinz Stock hausen, James Tenney, Ivan Wyschnegradsky and La Monte Young (in alphabetical order). As microtonal music opens wide areas of uncharted musical territory, computational support can be very helpful for navigating this","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134081331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}