Perspectives of New Music最新文献

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The Hitchhiker’s Guide to the All-Interval Twelve-Tone Rows 《全音程十二音行漫游指南》
Perspectives of New Music Pub Date : 2022-12-01 DOI: 10.1353/pnm.2022.a902896
M. Nardelli
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引用次数: 0
An Auto-Ethnographic/Compositional Approach to Questions of Diaspora and Hybridity 对散居和混杂问题的自动民族志/构图方法
Perspectives of New Music Pub Date : 2022-12-01 DOI: 10.1353/pnm.2022.a902894
Soosan Lolavar
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引用次数: 0
The Microtonal String Orchestra 微调性弦乐团
Perspectives of New Music Pub Date : 2022-12-01 DOI: 10.1353/pnm.2022.a902893
D. J. Crismani
{"title":"The Microtonal String Orchestra","authors":"D. J. Crismani","doi":"10.1353/pnm.2022.a902893","DOIUrl":"https://doi.org/10.1353/pnm.2022.a902893","url":null,"abstract":"MAGINE COMPOSING FOR A CONVENTIONALLY TRAINED string orchestra 1 and having access to 46 accurately tuned microtones. The purpose of this article is to highlight a practical methodology that other composers may adapt and apply which allows access to microtones through an ensemble of conventional instruments and instrumentalists. The article also discusses what outcomes the composer may expect from such a stylistic approach. The concepts discussed here are not pure theory, they have been practically applied in the composition The tale of Ki ề u , which was performed by the Basel Chamber Orchestra conducted by Franck Ollu with three rehearsals, totaling no more than three hours. The tale of Ki ề u was performed as part of the 2019 Basel Composition Competition and can be heard by following the links in the endnotes. 2,3 There are two premises which, when observed, allow the orchestra to access a new set of pitches. The fi rst premise is that the orchestra follows a scordatura which increases the number of pitches accessible on open strings from fi ve pitches to fi fteen. The second premise relies on the players of the orchestra being able to access the fi rst eight harmonics of each open string. In The Contemporary Violin , Patricia and Allen Strange suggest that harmonics up to the triple octave are easily accessible for most players. 4","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130120396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hearing Henry Grimes’s Jazz Spectralism 听亨利·格莱姆斯的爵士幽灵主义
Perspectives of New Music Pub Date : 2022-12-01 DOI: 10.1353/pnm.2022.a902895
S. Gleason
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引用次数: 0
Form and Exhaustion in Pascal Dusapin’s Quad—In Memoriam Gilles Deleuze 帕斯卡尔·杜萨平《四人纪念吉尔·德勒兹》中的形式与疲惫
Perspectives of New Music Pub Date : 2022-12-01 DOI: 10.1353/pnm.2022.a902892
O. Richardson
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引用次数: 0
Elaine, The Space She Made 伊莱恩,她创造的空间
Perspectives of New Music Pub Date : 2022-12-01 DOI: 10.1353/pnm.2022.a902897
Benjamin Boretz
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引用次数: 0
Wandering Loops and Drifting Repetition: Getting Lost in Bernhard Lang’s Monadologie IX: The Anatomy of Disaster 漫游循环与漂泊重复:迷失在伯恩哈德·朗的《Monadologie IX:剖析灾难》中
Perspectives of New Music Pub Date : 2022-12-01 DOI: 10.1353/pnm.2022.a902891
Christine Dysers
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引用次数: 0
Earle Brown and the Minimalist Dialectic 厄尔·布朗和极简辩证法
Perspectives of New Music Pub Date : 2022-02-04 DOI: 10.1353/pnm.2021.0005
Drake Andersen
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引用次数: 1
Play It Anew, Man! A Game-Theoretical Quartet about Relational Composing 重新来过,伙计!关于关系作曲的博弈论四重奏
Perspectives of New Music Pub Date : 2022-02-04 DOI: 10.1353/pnm.2021.0002
M. Roth
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引用次数: 0
Polynomial Functions in Žuraj’s Changeover Žuraj转换中的多项式函数
Perspectives of New Music Pub Date : 2022-02-04 DOI: 10.1353/pnm.2021.0001
T. Moore
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引用次数: 0
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