{"title":"Poetic (Re)Turn in Dany Laferrière's L'Énigme du retour","authors":"M. Gallagher","doi":"10.7173/164913318825258482","DOIUrl":"https://doi.org/10.7173/164913318825258482","url":null,"abstract":"\u0000 Dany Laferrière's 2009 novel, L'Énigme du retour, enacts a poetic turn that is also, however, a return (both to the genre of poetry and to a 'temps perdu', which is superimposed on the emigrant writer's 'pays perdu'). As such, this work inflects a personal\u0000 narrative with collective, political resonance and with added literary and aesthetic value. Formally, structurally and discursively, it mediates a historically resonant, proto-bardic ethos, connecting across time with a universal tradition of poetically addressing politically and culturally\u0000 significant questions, including those related to human engagement with place and displacement. \u0000","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125935723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Présence du poème de James Sacré","authors":"Béatrice Bonhomme","doi":"10.7173/164913318825258437","DOIUrl":"https://doi.org/10.7173/164913318825258437","url":null,"abstract":"Le poème chez James Sacré est un geste de présence au monde, de présence à l'autre, un geste de vivant, un geste de drague et de désir, un geste qui va vers la vie, qui l'accompagne dans toute son épaisseur corporelle et mémorielle.\u0000 Il répond à l'énigme et au secret du monde pour le prolonger par un autre secret, qui est celui de la présence de la voix et de l'écriture du poète dans un lien complexe de l'intime et de l'universel.","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125922382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Clermont, Danielle Henky (eds), Littérature de La fabrique de la fiction","authors":"Anne Cirella-Urrutia","doi":"10.7173/164913318825258374","DOIUrl":"https://doi.org/10.7173/164913318825258374","url":null,"abstract":"","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127928875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Carrefours de la poésie","authors":"J. Pinson","doi":"10.7173/164913318825258464","DOIUrl":"https://doi.org/10.7173/164913318825258464","url":null,"abstract":"\u0000 Jean-Claude Pinson, né en 1947, a longtemps enseigné la philosophie de l'art à l'Université de Nantes. Il est l'auteur d'une vingtaine d'ouvrages, livres de poésie, récits et essais. Son dernier ouvrage, Là (L.-A., Loire-Atlantique,\u0000 Variations autobiographiques et départementales), a paru en juillet 2018 aux éditions Joca seria.\u0000","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128707853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Part d'humanité du poème aujourd'hui","authors":"É. Lloze","doi":"10.7173/164913318825258428","DOIUrl":"https://doi.org/10.7173/164913318825258428","url":null,"abstract":"\u0000 À travers une lecture centrée essentiellement sur des textes de James Sacré, nous tenterons d'explorer l'imaginaire et les modes d'écriture d'un certain ethos de poète contemporain, dont il nous semble que son œuvre est révélatrice.\u0000 Comment le texte poétique permet-il d'établir des rapports aux autres, au monde et au réel particuliers, comment, dans l'émotion et la proximité, s'ouvre-t-il et nous ouvre-t-il aux altérités, voilà entre autres, ce que nous voudrions\u0000 ici évoquer, au travers d'un parcours qui essaiera d'associer l'étude de détail à un regard plus théoricien.\u0000","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116892348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mosaïque de présents","authors":"M. Deguy","doi":"10.7173/164913318825258446","DOIUrl":"https://doi.org/10.7173/164913318825258446","url":null,"abstract":"\u0000 Michel Deguy, poète et philosophe, a publié une cinquantaine de livres (1970–2018) chez Gallimard, Seuil, Galilée et différents éditeurs. Professeur émérite à l'Université de Paris 8, il a dirigé le Collège\u0000 international de philosophie de 1989 à 1992, puis présidé son Conseil d'administration de longues années. Il est le rédacteur en chef de la revue Po&sie, qu'il a fondée en 1977 aux éditions Belin. Il a reçu en 1989 le Grand\u0000 Prix national de poésie, et en 2004 le Grand Prix de poésie de l'Académie française. Les titres les plus récents sont des poèmes — Poèmes et tombeau pour Yves Bonnefoy (La Robe noire, 2018); Divan amoureux (APIC, 2018); Prose\u0000 du suaire, poème en vingt langues (Al Manar, 2015) — et des textes de poétique: Noir, impair et manque, dialogue avec Bénédicte Gorrillot (Argol, 2016); L'Envergure des comparses. Écologie et poétique (Hermann, 2017).\u0000","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130366134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Note sur la présence","authors":"M. Bancquart","doi":"10.7173/164913318825258491","DOIUrl":"https://doi.org/10.7173/164913318825258491","url":null,"abstract":"\u0000 Marie-Claire Bancquart est professeur émérite de littérature française à la Sorbonne, auteur d'essais, d'articles et de conférences sur les prosateurs français du XIXe siècle (Anatole France, Maupassant, les écrivains\u0000 'décadents'...) et sur les poètes, depuis les surréalistes jusqu'aux contemporains. Elle est l'auteur d'une vingtaine de recueils de poésie depuis 1978, dont les plus récents sont: Explorer l'incertain (L'Amourier, 2010); Violente vie (Le Castor\u0000 Astral, 2012); Mots de passe (Le Castor Astral, 2014). Elle a gagné de nombreux prix importants pour sa poésie comme pour ses essais critiques. Marie-Claire Bancquart fait partie des jurys des prix Apollinaire, Ivan Goll, Max-Pol Fouchet, et de jurys annuels.\u0000","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133178864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L'Imprésentable","authors":"H. Carn","doi":"10.7173/164913318825258400","DOIUrl":"https://doi.org/10.7173/164913318825258400","url":null,"abstract":"\u0000 Hervé Carn est né à Fumay (Ardennes) en 1949. Il a enseigné les lettres comme professeur agrégé et a soutenu une thèse consacrée à Bernard Noël. Romancier, il a également publié des essais et des\u0000 livres de poésie. En guise de réponse aux problèmes soulevés par le questionnement de Michel Brophy, il propose une méditation segmentée en plusieurs fragments. Partant de sa propre expérience, il trace un parcours chaotique qui aboutit à\u0000 suspendre toute définition de la poésie sans en annuler le désir, à repousser toute tentation d'inscription dans le concept sans la condamner, à accueillir la forme et le souffle du poème comme d'heureuses surprises générées par\u0000 l'écriture elle-même.\u0000","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"112 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133711951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Translating Contemporary French Poetry","authors":"Emma Wagstaff, Nina Parish","doi":"10.7173/164913318825258347","DOIUrl":"https://doi.org/10.7173/164913318825258347","url":null,"abstract":"This article examines a bilingual anthology edited by the authors and published in 2016. It argues that the process of editing an anthology of contemporary poetry with multiple translators is a form of re-writing that not only introduces new writers into the target-language poetic system,\u0000 but also recasts their positions in the poetic system of the source culture by giving them new readers who have no or few preconceptions about the writers' place in that system. Anthologizing operates in tandem with translating in this instance, and we additionally use the notions of inference\u0000 and cognitive stylistics to discuss the particular habitus of academic translators who are not poets, and the opportunities those approaches offer to produce a creative translation. Style is an appropriate lens through which to consider poems included in this anthology because it is\u0000 a contested question in contemporary French poetic practice. The article therefore treats the question of présence that this special issue addresses in three ways. It discusses, on the most literal level, the new or more visible presence that French poetry can acquire in the\u0000 anglophone context through translation and anthologies. Moreover, it examines the ways in which the presence of new or decontextualized voices affects poetic systems. Finally, it considers whether an approach to translation that sees it as an embodied, interpretative process may allow some\u0000 access to the présence of the 'original' poetic work.","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"110 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126113444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Robert W. Lewis, The Stadium Century: Sport, Spectatorship and Mass Society in Modern France","authors":"Jonathan Ervine","doi":"10.7173/164913318825497991","DOIUrl":"https://doi.org/10.7173/164913318825497991","url":null,"abstract":"","PeriodicalId":102367,"journal":{"name":"Irish Journal of French Studies","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121475588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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