{"title":"Frontmatter","authors":"","doi":"10.1515/9780804781787-fm","DOIUrl":"https://doi.org/10.1515/9780804781787-fm","url":null,"abstract":"","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87556061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"3 Fan-Addicts and the Comic Book, 1938–1955","authors":"","doi":"10.1515/9780804781787-004","DOIUrl":"https://doi.org/10.1515/9780804781787-004","url":null,"abstract":"","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74981604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Post-Carroll","authors":"Philip Cowan","doi":"10.3167/proj.2020.140306","DOIUrl":"https://doi.org/10.3167/proj.2020.140306","url":null,"abstract":"Analyzing moving images is one of the fundamental practices in our attempt to understand the medium. Building on Noël Carroll’s functional theory of film style, this article attempts to define a taxonomy of functional elements of shot composition in order to establish a clear methodology for the analysis of a moving image. Carroll criticizes forms of stylistic analysis that limit themselves to a few pre-selected aspects of the moving image, for example, genre motifs, individual filmmakers’ personal traits, or broad studies of film movements. Numerous writers have presented breakdowns of component parts of a moving image, often in wider discussions of film form. However these lists are often incomplete or do not have a clear methodology. This article identifies the key components of a moving image that could serve a functional purpose in individual films.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"14 1","pages":"72-89"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81654592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Twofoldness in Moving Images","authors":"Joerg Fingerhut","doi":"10.3167/proj.2020.140302","DOIUrl":"https://doi.org/10.3167/proj.2020.140302","url":null,"abstract":"When watching a film, we are seeing-in moving images. Film’s visual experience is therefore twofold, encompassing a recognitional (the scene presented, the story told, etc.) and a configurational fold (editing, camera movement, etc.). Although some researchers endorse twofoldness with respect to film, there is also significant resistance and misrepresentations of its very nature. This paper argues that the concept is central to an understanding of the basic apprehension and the aesthetic appreciation of film. It demonstrates how twofoldness could play a more substantial role in a new cognitive film theory and a naturalized aesthetics of film. By discussing recent theories of our motor engagement with cinema it shows how referencing to the interplay of two filmic folds could inform such a theory.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"24 1","pages":"1-20"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80306084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Analytic Approaches and Critical Practices","authors":"L. Summa","doi":"10.3167/proj.2020.140307","DOIUrl":"https://doi.org/10.3167/proj.2020.140307","url":null,"abstract":"This article investigates the relationship between philosophical accounts of criticism, largely within the analytic tradition, and the practice of criticism. Specifically, I am interested in the performative, subjective, and often idiosyncratic nature of such a practice and in the advantages it can deliver in the understanding of works of mass art, in the inquiry over the nature of aesthetic judgments, and in initiating aesthetic appreciation. Promoting such a connection is also, in turn, a way of at least partially bridging the divide between analytic approaches and the kind of work more typically conducted by scholars in film studies.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"73 1","pages":"90-105"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80054035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mirror Neurons and Film Studies","authors":"M. Turvey","doi":"10.3167/proj.2020.140303","DOIUrl":"https://doi.org/10.3167/proj.2020.140303","url":null,"abstract":"This article surveys some of the major criticisms of mirror neuron explanations of human behavior within neuroscience and philosophy of mind. It then shows how these criticisms pertain to the recent application of mirror neuron research to account for some of our responses to movies, particularly our empathic response to film characters and our putative simulation of anthropomorphic camera movements. It focuses especially on the “egocentric” conception of the film viewer that mirror neuron research appears to license. In doing so, it develops a position called “serious pessimism” about the potential contribution of neuroscience to the study of film and art by building upon the “moderate pessimism” recently proposed by philosopher David Davies. It also offers some methodological recommendations for how film scholars should engage with the sciences.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"7 1","pages":"21-46"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78652384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Carroll on the Emotion of Horror","authors":"Filippo Contesi","doi":"10.3167/proj.2020.140304","DOIUrl":"https://doi.org/10.3167/proj.2020.140304","url":null,"abstract":"Noël Carroll’s influence on the contemporary debate on the horror genre is hard to overestimate. His work on the topic is often celebrated as one of the best instances of interdisciplinary dialogue between film studies and philosophy of art. It has provided the foundations for the contemporary study of horror in art. Yet, for all the critical attention that his views on horror have attracted over the years, little scrutiny has been given to the nature itself of the emotion of horror in the genre. This paper offers a critical understanding of the nature of the emotion of horror for Carroll, with a view to informing future investigations into the nature of horror in film (and beyond).","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"98 1","pages":"47-54"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73055023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Practices of Health in Unruly Environments","authors":"Andrew Binet, Shin Tan","doi":"10.1162/00c13b77.b9ad539e","DOIUrl":"https://doi.org/10.1162/00c13b77.b9ad539e","url":null,"abstract":"","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81308975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Lauren Drakopulos, Dustin Robertson, S. Panchang, Meghna N. Marjadi, Zach Koehn, Lian W. Guo
{"title":"Transdisciplinary Synthesis Research in Unruly Environments: Reflecting on a Case Study of Vulnerability and Urban Fishing in the American Gulf Coast","authors":"Lauren Drakopulos, Dustin Robertson, S. Panchang, Meghna N. Marjadi, Zach Koehn, Lian W. Guo","doi":"10.1162/00c13b77.0c274823","DOIUrl":"https://doi.org/10.1162/00c13b77.0c274823","url":null,"abstract":"Transdisciplinary research (TR) is valuable for studying complex environmental health issues. Paying attention to how practices ‘on the ground’ can - and should - inform policy and planning requires disrupting the silos in which these entities frequently operate. Yet in practice, bridging disparate fields of inquiry towards a common goal is a difficult task, and few empirical examples exist to guide researchers interested in using TR to examine environmental health issues in real-world contexts. In this paper, we reflect on the design and execution of a collaborative, transdisciplinary project that examines localized effects of urban and environmental governance on urban subsistence fishing as a foodway with key health implications. We first review the socio-environmental literatures on urban fishing to outline the utility of TR. Next, we present our TR synthesis, which integrates secondary data from federal, state, and municipal agencies in two U.S. Gulf Coast metropolitan areas, including a subset of results to demonstrate TR in action. Finally, we critically reflect on our TR experience in relation to corresponding theory, allowing insight into the strengths and drawbacks of utilizing TR in practice. Benefits include a more holistic linkage of complex socio-environmental components, the illumination of power dynamics between stakeholders, and the co-creation of knowledge in a multidisciplinary research team. The challenges we faced highlight issues of translation across disciplinary methods when framing research questions and when integrating data sources collected for different sectoral purposes. In particular, we discuss the role of synthesis - the triangulation of diverse secondary sources - to the practice of TR. We share these lessons to inform further integrated research on the relationships between place-based health, urban development, and environmental equity.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88820782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Planning for Youth Emotional Health in Unruly Environments: Bringing a Trauma Informed Community Building Lens to Therapeutic Planning","authors":"J. Reece","doi":"10.1162/00c13b77.29ae0baa","DOIUrl":"https://doi.org/10.1162/00c13b77.29ae0baa","url":null,"abstract":"Planning in the context of emotion is an important but underemphasized aspect of planning practice. Planning literature has traditionally viewed issues of trauma through the lens of therapeutic planning. Two strands of scholarship emerging from the field of public health can enhance our understanding of planning for the emotional health of youth. Trauma Informed Community Building (TICB) focuses on community building strategies that counteract contemporary trauma found in challenging environments. Scholarship documenting the impact of youth trauma, referred to as Adverse Childhood Experience (ACE’s) emphasizes the need to support emotional health for youth. The paper presents a case study of the I Am My Brother’s Keeper (I Am MBK) program, implemented in Columbus, OH, as a model of trauma informed youth community development. I Am MBK illustrates the importance of supporting the emotional health of youth as a form of planning for emotion. Findings from the I Am MBK case illustrate how trauma informed practice can strengthen our existing concept of therapeutic planning, by supporting the emotional health of youth through empowerment, radical acceptance, creation of safe spaces, advocacy, relationship building, mind/body practices and experiential learning. The I Am MBK case improved the emotional health of youth but could not counteract other systemic or structural policy challenges in the community. The case demonstrates the importance of aligning planning for emotional health with reforming systems and structures in alignment with Schweitzer’s three obligations of restorative healing.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91117410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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