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Streaming British Youth Television: Online BBC Three as a Transitional Moment 流媒体的英国青年电视:在线bbc3作为一个过渡时刻
Cinema journal Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0065
Faye Woods
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引用次数: 5
Queer Girls, Temporality and Screen Media: Not "Just a Phase" by Whitney Monaghan (review) 酷儿女孩，时间性和屏幕媒体:不只是一个阶段惠特尼·莫纳汉(书评)
Cinema journal Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0070
C. Perkins
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引用次数: 0
The Reelness: Queer Film Festivals and Youth Media Training 电影:酷儿电影节与青年媒体培训
Cinema journal Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0062
Andrew Scahill
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引用次数: 0
Evaluating Television: Affect as a Critical Optic 评价电视:作为一种批判性视点的情感
Cinema journal Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0056
Hollis Griffin
{"title":"Evaluating Television: Affect as a Critical Optic","authors":"Hollis Griffin","doi":"10.1353/CJ.2017.0056","DOIUrl":"https://doi.org/10.1353/CJ.2017.0056","url":null,"abstract":"Abstract:This article examines the tensions between different schools of thought regarding the evaluation of television. Using scholarship on television and affect, I argue that all discussions of the medium involve evaluation, and that those evaluations are always conducted on both aesthetic and ideological terms, at the same time. In doing so, I unpack the challenges that attend evaluation, emphasizing that the variability of viewer experiences with programs complicates some common assumptions about the medium, particularly the aesthetic value of lowbrow texts and the ideological problems associated with the medium's representations of minorities.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"72 1","pages":"71 - 93"},"PeriodicalIF":0.0,"publicationDate":"2017-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81748460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The New Old Face of a Genre: The Franchise Teen Film as Industry Strategy 一种类型的新老面孔:作为产业战略的特许经营青少年电影
Cinema journal Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0058
Elissa H. Nelson
{"title":"The New Old Face of a Genre: The Franchise Teen Film as Industry Strategy","authors":"Elissa H. Nelson","doi":"10.1353/CJ.2017.0058","DOIUrl":"https://doi.org/10.1353/CJ.2017.0058","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"51 1","pages":"125 - 132"},"PeriodicalIF":0.0,"publicationDate":"2017-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89320078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Beyond the Essayistic: Defining the Varied Modal Origins of Videographic Criticism 超越散文式:定义影像批评的不同模态起源
Cinema journal Pub Date : 2017-08-04 DOI: 10.1353/CJ.2017.0050
Drew Morton
{"title":"Beyond the Essayistic: Defining the Varied Modal Origins of Videographic Criticism","authors":"Drew Morton","doi":"10.1353/CJ.2017.0050","DOIUrl":"https://doi.org/10.1353/CJ.2017.0050","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"19 1","pages":"130 - 136"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78547789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
The Cinematographic Unconscious of Slum Voyeurism 贫民窟偷窥的电影无意识
Cinema journal Pub Date : 2017-08-04 DOI: 10.1353/CJ.2017.0042
E. Gonzaga
{"title":"The Cinematographic Unconscious of Slum Voyeurism","authors":"E. Gonzaga","doi":"10.1353/CJ.2017.0042","DOIUrl":"https://doi.org/10.1353/CJ.2017.0042","url":null,"abstract":"This article examines how films set in the informal settlements of the Global South are exhibited and awarded at international festivals because of their authentic evocation of “third world” reality. According to the discourse of global news and aid organizations, the metropolitan areas of developing nations are congested megacities, which are encapsulated by the squalor, criminality, and violence of the slum. The article analyzes acclaimed works of Filipino filmmaker Brillante Mendoza, which are controversial for being examples of poverty porn. The effort of such films to create authentic realism inevitably generates an excess of meaning that subverts the prevailing urban discourse.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"351 1","pages":"102 - 125"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75494419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 14
On Variety: The Avant-Garde between Pornography and Narrative 综艺:色情与叙事之间的先锋
Cinema journal Pub Date : 2017-08-04 DOI: 10.1353/CJ.2017.0040
K. Ferguson
{"title":"On Variety: The Avant-Garde between Pornography and Narrative","authors":"K. Ferguson","doi":"10.1353/CJ.2017.0040","DOIUrl":"https://doi.org/10.1353/CJ.2017.0040","url":null,"abstract":"Abstract: This article analyzes Bette Gordon’s first feature film Variety (1983), reassessing how experimental novelist Kathy Acker’s contributions to the screenplay awkwardly positioned the film within contemporary cultural debates over pornography and the future of avant-garde filmmaking. While centered on an erotic thriller narrative concerning a woman’s entrée into the scuzzy world of New York City porno theaters, Gordon and Acker also take up in the film a series of three related representational problems for the 1980s: feminist approaches to pornography, narrative in an avant-garde tradition, and the role of speech and writing in film.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"12 1","pages":"51 - 75"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75679214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bringing the War Home to the United States and East Germany: In the Year of the Pig and Pilots in Pajamas 把战争带回美国和东德:在猪年和穿着睡衣的飞行员
Cinema journal Pub Date : 2017-08-04 DOI: 10.1353/CJ.2017.0039
Sara Blaylock
{"title":"Bringing the War Home to the United States and East Germany: In the Year of the Pig and Pilots in Pajamas","authors":"Sara Blaylock","doi":"10.1353/CJ.2017.0039","DOIUrl":"https://doi.org/10.1353/CJ.2017.0039","url":null,"abstract":"Abstract: In the late 1960s—at the height of the Vietnam War—two documentaries produced in opposition to the crisis were released in the United States and East Germany. Bridging the Cold War’s mythic cultural divide, In the Year of the Pig (produced by the American independent filmmaker Emile de Antonio in 1968) and Pilots in Pajamas (a 1967 joint effort by the East German state filmmakers Walter Heynowski and Gerhard Scheumann) represent parallel projects, in terms of both topic and commitment to critical mass-media practices. This article posits that in addition to their advocacy for the end of the war in Vietnam, the filmmakers used the crisis to critique domestic mass media and to model its alternative as a national, even patriotic, necessity.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"115 1","pages":"26 - 50"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80139673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
To Critique Affect by Means of Affect 用情感的手段来批判情感
Cinema journal Pub Date : 2017-08-04 DOI: 10.1353/CJ.2017.0048
J. Kooijman
{"title":"To Critique Affect by Means of Affect","authors":"J. Kooijman","doi":"10.1353/CJ.2017.0048","DOIUrl":"https://doi.org/10.1353/CJ.2017.0048","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"13 1","pages":"146 - 148"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73542909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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