Cinema journalPub Date : 2018-05-03DOI: 10.1353/CJ.2018.0044
Ana Cristina Mendes
{"title":"David Bowie: Critical Perspectives ed. by Eoin Devereux, Aileen Dillane, and Martin J. Power (review)","authors":"Ana Cristina Mendes","doi":"10.1353/CJ.2018.0044","DOIUrl":"https://doi.org/10.1353/CJ.2018.0044","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"1 1","pages":"188 - 192"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89161789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cinema journalPub Date : 2018-05-03DOI: 10.1353/CJ.2018.0041
L. Stein, M. Shingler
{"title":"Revisiting Star Studies ed. by Sabrina Qiong Yu and Guy Austin (review)","authors":"L. Stein, M. Shingler","doi":"10.1353/CJ.2018.0041","DOIUrl":"https://doi.org/10.1353/CJ.2018.0041","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"46 1","pages":"176 - 179"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86518479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cinema journalPub Date : 2018-05-03DOI: 10.1353/CJ.2018.0031
András Szekfü
{"title":"Iván Hevesy and the Revolution of the Second Plan","authors":"András Szekfü","doi":"10.1353/CJ.2018.0031","DOIUrl":"https://doi.org/10.1353/CJ.2018.0031","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"98 4 1","pages":"54 - 60"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81288667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cinema journalPub Date : 2018-05-03DOI: 10.1353/CJ.2018.0042
Hannah Hamad
{"title":"Rebellious Bodies: Stardom, Citizenship, and the New Body Politics by Russell Meeuf (review)","authors":"Hannah Hamad","doi":"10.1353/CJ.2018.0042","DOIUrl":"https://doi.org/10.1353/CJ.2018.0042","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"76 1","pages":"180 - 183"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83833917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cinema journalPub Date : 2018-05-03DOI: 10.1353/CJ.2018.0038
T. Cinque
{"title":"“Canvas of Flesh”: David Bowie, Andy Warhol in Basquiat","authors":"T. Cinque","doi":"10.1353/CJ.2018.0038","DOIUrl":"https://doi.org/10.1353/CJ.2018.0038","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"74 1","pages":"158 - 166"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75694642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cinema journalPub Date : 2018-05-03DOI: 10.1353/CJ.2018.0028
D. Church, Kaveh Askari, András Szekfü, Felan Parker, Jihoon Kim, T. Cinque, A. Ndalianis, S. Redmond, Rosalind Galt, J. Furby, L. Stein, M. Shingler, Hannah Hamad, L. Perrott, Ana Cristina Mendes, Melinda Szalóky, Ágnes Matuska
{"title":"Queer Ethics, Urban Spaces, and the Horrors of Monogamy in It Follows","authors":"D. Church, Kaveh Askari, András Szekfü, Felan Parker, Jihoon Kim, T. Cinque, A. Ndalianis, S. Redmond, Rosalind Galt, J. Furby, L. Stein, M. Shingler, Hannah Hamad, L. Perrott, Ana Cristina Mendes, Melinda Szalóky, Ágnes Matuska","doi":"10.1353/CJ.2018.0028","DOIUrl":"https://doi.org/10.1353/CJ.2018.0028","url":null,"abstract":"Abstract:Through its ironic critique of monogamy as a monstrous force, the horror film It Follows (David Robert Mitchell, 2014) advances, by way of negative example, a queer ethics of open, responsible sexuality—albeit an ethics constrained by the film’s setting in a present-day, neoliberal Detroit increasingly stripped of public services. By examining the film’s ambivalent nostalgia for both a generic and an urban past, this article argues that the queer aesthetic of It Follows achieves its emotional tenor through imaging Detroit’s decrepit (sub)urban spaces as haunted by polyvalent sexualities and socioeconomic inequalities.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"37 1","pages":"1 - 100 - 101 - 125 - 126 - 130 - 131 - 138 - 139 - 149 - 150 - 157 - 158 - 166 - 167 - 174 - 175 -"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90103623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cinema journalPub Date : 2018-05-03DOI: 10.1353/CJ.2018.0032
Felan Parker
{"title":"Roger Ebert and the Games-as-Art Debate","authors":"Felan Parker","doi":"10.1353/CJ.2018.0032","DOIUrl":"https://doi.org/10.1353/CJ.2018.0032","url":null,"abstract":"Abstract:This article examines the cultural legitimation of digital games, and how film critic Roger Ebert became the unlikely antagonist in a heated popular debate about games and art between 2005 and 2010. Although most scholars dismiss this debate as ignorant and misguided, it reveals much about colloquial notions of art and aesthetics, and it has had far-reaching implications for popular discourse on games. Framed by the Ebert debate, the article analyzes arguments for and against games as art in terms of their sociocultural significance and concludes by arguing that the debate is an important factor in the recent history of gaming culture.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"24 1","pages":"100 - 77"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82455316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}