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La responsabilité civile à l’épreuve des voitures autonomes 自动驾驶汽车的民事责任测试
Grief matters Pub Date : 2020-05-28 DOI: 10.3917/grief.201.0043
M. Dugué
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引用次数: 0
Autonomie et transports 自主交通
Grief matters Pub Date : 2020-05-28 DOI: 10.3917/grief.201.0013
Rainer Maria Kiesow
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引用次数: 0
Racines américaines du droit nazi 纳粹法的美国根源
Grief matters Pub Date : 2020-05-28 DOI: 10.3917/grief.201.0097
J. Schaub
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引用次数: 0
Transports et autonomie 交通运输自主化
Grief matters Pub Date : 2020-05-28 DOI: 10.3917/grief.201.0011
Olivier Cayla
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引用次数: 0
La procréation médicalement assistée, ultime avatar des obsessions biologistes de l’Occident 医学辅助生殖，西方生物学家痴迷的终极化身
Grief matters Pub Date : 2020-05-28 DOI: 10.3917/grief.201.0022
E. Désveaux
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引用次数: 0
Le spectre de la comparaison 比较的光谱
Grief matters Pub Date : 2020-05-28 DOI: 10.3917/grief.201.0107
Rainer Maria Kiesow
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引用次数: 0
Valuing Grief 评估的悲伤
Grief matters Pub Date : 2020-04-23 DOI: 10.1093/oso/9780190923815.003.0006
D. Shneer
{"title":"Valuing Grief","authors":"D. Shneer","doi":"10.1093/oso/9780190923815.003.0006","DOIUrl":"https://doi.org/10.1093/oso/9780190923815.003.0006","url":null,"abstract":"This chapter traces Baltermants’s entry into the art photography market. In the mid-1960s, he had his first New York City exhibition alongside other well-known photojournalists, including Robert Doisneau and Irving Penn. From there his work was included in a Metropolitan Museum show, and he was often the lone Soviet representative in major photography shows. In the 1970s, Baltermants began giving Grief visual context by exhibiting other images taken that same wartime day in Kerch. In 1983, Baltermants had his first solo show in New York City, and although reviewers loved his wartime work, reviewers panned the overall show. The critical appreciation for his wartime work and disappointment at his postwar Soviet “propaganda” did not dampen a few intrepid collectors’ interest in bringing him to the Western art photograph market and adding financial value to the list of values his photography possessed.","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88573349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Epilogue 后记
Grief matters Pub Date : 2020-04-23 DOI: 10.1093/oso/9780190923815.003.0009
D. Shneer
{"title":"Epilogue","authors":"D. Shneer","doi":"10.1093/oso/9780190923815.003.0009","DOIUrl":"https://doi.org/10.1093/oso/9780190923815.003.0009","url":null,"abstract":"In this final section of the book, the author describes the process of trying to learn more about the subject of Dmitri Baltermants’s iconic photograph Grief, P. Ivanova. Technology allowed him to conduct research in Russia even though he has not been to the country since 2008, when he felt unsafe returning to Putin’s Russia, which had become increasingly xenophobic and homophobic. The epilogue closes with a meditation on how wartime photographs from the antitank trench are used in contemporary rituals of the Kerch Jewish community. The author ponders whether Grief will one day be incorporated into these local rituals.","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"161 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76780317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un webdocumentaire sur les espaces de l’enfermement, du Moyen Âge aux années 1930 一部关于中世纪到20世纪30年代囚禁空间的网络纪录片
Grief matters Pub Date : 2019-07-28 DOI: 10.3917/grief.192.0097
Falk Bretschneider, Julie Claustre, I. Heullant-Donat, Élisabeth Lusset
{"title":"Un webdocumentaire sur les espaces de l’enfermement, du Moyen Âge aux années 1930","authors":"Falk Bretschneider, Julie Claustre, I. Heullant-Donat, Élisabeth Lusset","doi":"10.3917/grief.192.0097","DOIUrl":"https://doi.org/10.3917/grief.192.0097","url":null,"abstract":"","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76326355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Quand le numérique saisit l’histoire 当数字捕捉历史
Grief matters Pub Date : 2019-07-28 DOI: 10.3917/grief.192.0117
Yohan Bihan
{"title":"Quand le numérique saisit l’histoire","authors":"Yohan Bihan","doi":"10.3917/grief.192.0117","DOIUrl":"https://doi.org/10.3917/grief.192.0117","url":null,"abstract":"","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"61 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78543694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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