Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe最新文献

{"title":"Les miracles n’arrivent qu’une fois","authors":"P. Roubertoux","doi":"10.21494/iste.op.2022.0794","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0794","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77631151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Cephalopods of Jean-Baptiste Vérany : the Beast and the Beauties","authors":"J. Dolan","doi":"10.21494/iste.op.2022.0830","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0830","url":null,"abstract":". Jean-Baptiste Vérany (1800-1865) was a naturalist of wide interests, and the founder of the Muséum d'Histoire Naturelle de Nice . His specialty was marine mollusks, especially cephalopods (e.g. octopuses, squids). Vérany's major monograph was on cephalopods of the Mediterranean Sea published in 1851, \" Mollusques méditeranéens; observés, décrits, figurés, et chromolithographiés d'après le vivant \". It included descriptions of new species and 43 plates showing cephalopods 'in living color'. The monograph appears to be of relatively minor scientific importance. However, Vérany's illustrations inspired depictions of cephalopods as both a beast and as beauties by important literary and artistic personalities. Here, first the life of Vérany will be sketched and examples of his striking illustrations of cephalopods 'in living color' given. Then the use by Victor Hugo, the 19th century French novelist, of one of Vérany's illustrations of an octopus to depict the ferocious beast in his 1866 novel Toilers of the Sea ( Les Travailleurs de la mer ) will be shown. The novel was a major contribution to the popular image of cephalopods as beasts. Not long after, in the 1870's, Verany's illustrations were used by the renowned Blaschka glass workers to produce beautiful glass models of cephalopods. Ernst Haeckel, in his famous Art Forms in Nature ( Kunstformen der Natur 1899-1904), depicted Verany's squids as beauties of nature. Although rarely acknowledged, Verany's lasting legacy with regard to cephalopods may be his illustrations, than his descriptions of new species.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87417919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ressentir et voir : couleurs, matières et formes du sentir dans l’art non-figuratif après la Seconde Guerre mondiale","authors":"A. Charvier","doi":"10.21494/iste.op.2022.0857","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0857","url":null,"abstract":"RÉSUMÉ. À partir de la fin du XIX e siècle, un renouveau de l’approche de l’acte perceptif du spectateur dans le discours théorique sur l’art s’affirme de façon concomitante au discours psychologique et philosophique. L’acte de perception du spectateur expliquerait certaines illusions picturales. Au-delà, l’acte perceptif pourrait jouer un rôle nouveau dans l’appréhension d’une couleur ou d’une qualité de texture, nous reliant, par association ou équivalence, à d’autres sensations, tactiles, olfactives, sonores, tout aussi immédiatement perçues en dépassant les principes naturalistes de l’imitation. Nous voudrions d’abord mettre en exergue l’évolution d’une théorie de l’art autour de la notion de suggestion ; puis nous montrerons en quoi différentes formulations non-figuratives après la Seconde Guerre mondiale s’inscrivent dans la continuité de cette conception par une recherche créative sur la manière de rendre perceptible sur la surface plane telle impression de profondeur, d’étendue, de remous ; une matière ou une forme que l’on sent acérée ou rugueuse, ne cherchant à peindre ni l’objet ni une sensation mais à créer une « équivalence qui détermine une sensation » (P. Tal Coat). Parallèlement à un renouveau de ABSTRACT. From the end of the 19th century onwards, a renewed approach to the spectator's perceptive act in the theoretical discourse on art was asserted, concomitantly with the psychological and philosophical discourse. The spectator's act of perception would explain certain pictorial illusions. Beyond that, the perceptive act could play a new role in the apprehension of a colour or a quality of texture, linking it, by association or equivalence, to other sensations, tactile, olfactory, sonorous, just as immediately perceived by going beyond the naturalistic principles of imitation. In this paper, I will first highlight the evolution of one of the theories of art focusing on the notion of suggestion, then to show how different non-figurative propositions after the Second World War are in line with the continuity of this conception through a creative research on how to make perceptible on a flat surface an impression of depth, expanse, or swirls; a matter or a form perceived as sharp or rough, not trying to depict either the object or a sensation but to create an \"equivalence that determines a sensation\" (P. Tal Coat). In parallel with a revival of psychology, considering that our perception establishes relationships in the visual field, that we grasp structures significant to all the senses, many artists started a creative research on how to make visible sensations anchored in their experience of the sensitive world, which for them often give rise to others, emotional or spiritual, inducing a feeling \"beyond words and intellectual frameworks\" (D. Vallier). The singular nature of this aesthetic, which maintains an unexpected link with reality, provokes a debate on its attachment to abstract art. MOTS-CLÉS. suggestion, Gestalt théorie, phé","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86696468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Un bref commentaire « astrophysique »","authors":"J. Audouze","doi":"10.21494/iste.op.2022.0795","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0795","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82343586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sur les chemins de l’évolution et des civilisations : « Le castor et sa représentation artistique »","authors":"C. Rouquette","doi":"10.21494/iste.op.2022.0851","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0851","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80540347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Une promenade extraterrestre avec Marc Boulay","authors":"M. Boulay","doi":"10.21494/iste.op.2022.0803","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0803","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75616716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"De la science à l’art : un imaginaire extraterrestre","authors":"G. Chapouthier","doi":"10.21494/iste.op.2021.0721","DOIUrl":"https://doi.org/10.21494/iste.op.2021.0721","url":null,"abstract":"L'exemple des etres vivants sur Terre montre une biodiversite considerable de leurs formes. Mais celle-ci resulte souvent des contraintes physiques du milieu environnant auxquelles ils ont du s'adapter. Ces contraintes peuvent aboutir a une architecture generale de la complexite, dite « en mosaique » resultant de l'application de deux principes generaux : juxtaposition d'unites de meme nature, puis integration de ces unites dans des systemes de plus grande complexite, dont les unites initiales deviennent alors des parties. En supposant, selon un modele aristotelicien, que les memes contraintes et la meme architecture de la complexite se retrouvent partout ailleurs dans l'univers, peuton imaginer les formes d'etres extraterrestres ? Une telle reflexion combine a la fois la rationalite des contraintes physiques et l'imagination d'un jeu illimite des possibles. Sur le plan rationnel nous avons delimite un nombre de formes plausibles d'etres extraterrestres : constitution a partir de chaines carbonees, modules independants, recombinaison occasionnelle des chaines carbonees en variantes « sexuelles », formes arborescentes, symetrie bilaterale, « cocon » comme stade de protection, temperature constante, dispositifs de perception et d'action, recours a des artefacts, unites centrales de controle... Nous ouvrons alors la voie a une imagination artistique ou tous les possibles peuvent se manifester.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88441500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"L’Art et la Vie","authors":"Elisabeth Wierzbicka alias Wela","doi":"10.21494/iste.op.2021.0720","DOIUrl":"https://doi.org/10.21494/iste.op.2021.0720","url":null,"abstract":"L'Art et la Vie” - une exposition internationale dans le cadre du projet „L'Art et la Science” ou les artistes tentent de repondre a des questions importantes : d'ou venons-nous ? Qui nous ? Ou allons-nous ? Ce titre du tableau, peint par Paul Gauguin, a ete la principale inspiration ideologique des artistes invites d'Europe, d'Asie et d'Amerique.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73181579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"When an Artist works for Scientists: On Beulah Mitchell Clute and Her Bookplates for Scientists of the University of California at Berkeley","authors":"J. Dolan","doi":"10.21494/iste.op.2021.0718","DOIUrl":"https://doi.org/10.21494/iste.op.2021.0718","url":null,"abstract":"Beulah Mitchell Clute (1873-1958) was a talented artist who specialized in the design of bookplates. She was well known in her time, from her days as an art student, and today is still recognized as a very talented designer. Among her most famous creations are 3 bookplates for scientists of the faculty of the University of California in the early 1900's. Here the story of Beulah Clute will be told, the range of her work demonstrated, and her bookplates for three very successful University of California scientists will be shown in the context of her many bookplates for others. Clute's bookplates were usually decorative and mainly served to show ownership. In contrast, the bookplates for the scientists were dominated by depictions of items and scenes related to their professional careers. The bookplates of the scientists did not simply show ownership. They prominently showcased their achievements and lives. The hypothesis that the scientists, each of whom who rose to chair their respective departments, indulged their vanities with their bookplates, is put forward, in line with observations that high ego personalities are successful in the sciences.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87099326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Arts et sciences, même combat ?","authors":"J. Sueur","doi":"10.21494/iste.op.2021.0717","DOIUrl":"https://doi.org/10.21494/iste.op.2021.0717","url":null,"abstract":"La rigueur et le rationalisme, principes fondamentaux de l'activite scientifique, peuvent laisser croire que la science est un monde blanc et froid denue d'intentions artistiques. A l'inverse, le monde artistique est habituellement percu comme un espace de creation sans limites eloigne des chemins scientifiques. Cependant, les principes et les demarches scientifiques et artistiques montrent de grandes similitudes suggerant un rapprochement fecond dans des programmes arts-sciences.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82017368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}