{"title":"Mapping Danger","authors":"Jennifer A. Hettinga","doi":"10.29173/spectrum181","DOIUrl":"https://doi.org/10.29173/spectrum181","url":null,"abstract":"Natural resource-based projects represent an important sector in Canada’s economy, where the energy, mining, and forestry industries accounted for 17% of Canada’s gross domestic product in 2018 (Natural Resources Canada, 2019). Many projects are located on or near Indigenous lands, disproportionately impacting Indigenous peoples (Gibson et al., 2017). The negative environmental impacts of resource-based projects are well documented (Koutouki et al., 2018; Westman & Joly, 2019); however, the social consequences are often overlooked. Recently, numerous non-profit organizations have documented a connection between resource-based projects and increased numbers of violent offences against Indigenous women (Amnesty International, 2016b; Bond & Quinlan, 2018; Pauktuutit Inuit Women of Canada, 2021;), but few academic articles have addressed this issue. Therefore, a non-systematic scoping review was conducted on available grey literature, news articles, and academic literature to examine key concepts and themes. This review demonstrates that colonization has placed Indigenous women in Canada at higher risk of violence. The introduction of resource-based projects exacerbates this issue through three key processes: the presence of “man camps,” economic changes, and changing family dynamics. In combination with an inadequate criminal justice system, the resulting violence against Indigenous women can be categorized into three overlapping groups: domestic violence, workplace violence, and sexual violence. An economic map was developed to illustrate the locations of resource-based projects associated with this issue (see Figure 1). This paper suggests potential solutions including addressing toxic workplace culture, updating policies and protocols, ensuring meaningful consultation with Indigenous peoples, and increasing government protections.","PeriodicalId":79731,"journal":{"name":"Spectrum (Lexington, Ky.)","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82524798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Whiteness as Beauty","authors":"Jinee Chong","doi":"10.29173/spectrum176","DOIUrl":"https://doi.org/10.29173/spectrum176","url":null,"abstract":"Do online shopping advertorials for whitening skincare products in South Korea perpetuate a racial hierarchy wherein whiteness is maintained as an ideal beauty standard? If so, how is this hierarchy articulated and reinforced with words and images? Whitening products, such as tone-up creams and sunscreens, have become increasingly prevalent in the skincare industry in South Korea. Adding a level of nuance to earlier research, my research undertakes a critical feminist discourse analysis method to examine 19 skincare advertorials on the South Korean beauty e-commerce site, Olive Young Global. This study breaks new ground by taking an inductive analysis approach to analyzing these advertorials to produce findings comparable to similar studies in other Asian countries. Thus, it works to confirm the overall message being communicated that these products are sold as the key to a woman’s quest for a white beauty ideal. By undertaking an inductive critical discourse analysis, the research will develop themes based on the exploration of these advertorials with some guidance from existing literature. The globalization of beauty promotes a falsely universal white(ned) woman, and this project evidences a nuanced analysis of the lexical choices and images employed to promote the idea that whiteness and youthfulness equate to “natural” beauty. This critical feminist discourse analysis will provide insight into how a racial hierarchy is reinforced through media and how the exclusion of racialized women from spaces intended to empower all women will reproduce the societal hierarchy among women within the beauty industry.","PeriodicalId":79731,"journal":{"name":"Spectrum (Lexington, Ky.)","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84818416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Art and Identity in the Forbidden City","authors":"Kate O'Connor","doi":"10.29173/spectrum182","DOIUrl":"https://doi.org/10.29173/spectrum182","url":null,"abstract":"By representing and manipulating locations that hold widespread cultural significance, artists mediate the relationship between individuals and city spaces. The photographic work of Cui Xiuwen explores the complexity of identity formation in the Forbidden City, the political center of China. Studying the nuances of her piece One Day in 2004 No. 6 reveals the tension of the relationship between the body and the spaces it inhabits. Though Cui has emphasized the dominating presence of Tiananmen Gate looming over her youthful female figure, the image also supports the agency of this young girl. Rather than defining the piece as a representation of either subordination to the weight of cultural history or the assertion of individual identity, this paper recognizes the paradox inherent in the work. In my analysis of the photographic image, I embrace contradictory readings of its meaning to emphasize the importance of visual culture in how individuals define themselves in city spaces. The paper draws on the shifting cultural meaning of Tiananmen Gate and contextualizes Cui’s work with pieces by other contemporary Chinese artists, including Hu Ming and Lin Xin, engaging in similar themes. Analyzing specific elements of Cui’s piece, such as the Young Pioneer’s Uniform and the young girl’s cyborg hand, reveals the significance of gender when considering identity formation in the Forbidden City. This paper outlines the subtleties of Cui’s artwork to place it in conversation with academic and artistic representations of the Forbidden City, as the historical significance of this space continues to influence self-conception.","PeriodicalId":79731,"journal":{"name":"Spectrum (Lexington, Ky.)","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86578957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introducing ‘Synaptic,’ a new podcast from Spectrum","authors":"","doi":"10.53053/etef6279","DOIUrl":"https://doi.org/10.53053/etef6279","url":null,"abstract":"","PeriodicalId":79731,"journal":{"name":"Spectrum (Lexington, Ky.)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72549383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘VIP’ interneurons may govern autism traits in Dravet syndrome","authors":"Lauren Schenkman","doi":"10.53053/ztai2285","DOIUrl":"https://doi.org/10.53053/ztai2285","url":null,"abstract":"","PeriodicalId":79731,"journal":{"name":"Spectrum (Lexington, Ky.)","volume":"102 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80053881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Heading to INSAR 2023: New research and sessions to address simmering tensions","authors":"P. Hess","doi":"10.53053/arie6952","DOIUrl":"https://doi.org/10.53053/arie6952","url":null,"abstract":"","PeriodicalId":79731,"journal":{"name":"Spectrum (Lexington, Ky.)","volume":"345 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76914874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}