Image最新文献

{"title":"OPTIMALISASI STRATEGI PENGETAHUAN UNTUK KEUNGGULAN BERSAING PERGURUAN TINGGI","authors":"Askolani Askolani, Annisa Ciptagustia, Wendy Septian Nugraha","doi":"10.17509/image.v7i1.23120","DOIUrl":"https://doi.org/10.17509/image.v7i1.23120","url":null,"abstract":"","PeriodicalId":75924,"journal":{"name":"Image","volume":"110 3 1","pages":"13-22"},"PeriodicalIF":0.0,"publicationDate":"2018-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89752795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENGARUH BRAND IMAGE DAN PRICING POLICY TERHADAP KEPUTUSAN PEMBELIAN MELALUI BRAND TRUST","authors":"Ezra Karamang","doi":"10.17509/image.v7i1.23138","DOIUrl":"https://doi.org/10.17509/image.v7i1.23138","url":null,"abstract":"","PeriodicalId":75924,"journal":{"name":"Image","volume":"66 1","pages":"23-28"},"PeriodicalIF":0.0,"publicationDate":"2018-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73887706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BUDAYA ORGANISASI DALAM MENDUKUNG IMPLEMENTASI KNOWLEDGE SHARING DOSEN PADA PERGURUAN TINGGI NEGERI DI KOTA BANDUNG","authors":"Fahmi Jahidah Islamy, Risris Nurjaman","doi":"10.17509/image.v7i1.23139","DOIUrl":"https://doi.org/10.17509/image.v7i1.23139","url":null,"abstract":"","PeriodicalId":75924,"journal":{"name":"Image","volume":"20 1","pages":"29-37"},"PeriodicalIF":0.0,"publicationDate":"2018-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84530418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENGARUH TINGKAT PENDIDIKAN, PELATIHAN DAN PENGALAMAN KERJA TERHADAP KINERJA KARYAWAN","authors":"Veronica Hitalessy, H. Roni, I. Iswandi","doi":"10.17509/image.v7i1.23137","DOIUrl":"https://doi.org/10.17509/image.v7i1.23137","url":null,"abstract":"","PeriodicalId":75924,"journal":{"name":"Image","volume":"55 1","pages":"38-44"},"PeriodicalIF":0.0,"publicationDate":"2018-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73403282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KAJIAN EXPERIENTIAL MARKETING DALAM MEMBENTUK CITRA PARIWISATA KOTA BANDUNG","authors":"Mohamad Hadi Prasetyo, Terra Saptina Maulani","doi":"10.17509/IMAGE.V7I1.23136","DOIUrl":"https://doi.org/10.17509/IMAGE.V7I1.23136","url":null,"abstract":"Jurnal Image, Prodi Manajemen, Fakultas Pendidikan Ekonomi dan Bisnis, UPI ; Vol.8 No.2 November 2017 - issn : 2339-2878 ; Mohamad Hadi Prasetyo (hadi.p@ekuitas.ac.id) dan Terra Saptina Maulani (terra.saptina@ekuitas.ac.id) - Sekolah Tinggi Ilmu Ekonomi Ekuitas","PeriodicalId":75924,"journal":{"name":"Image","volume":"98 1","pages":"1-12"},"PeriodicalIF":0.0,"publicationDate":"2018-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79266696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Designscapes of Harley Parker: Print and Built Environments","authors":"G. Genosko","doi":"10.17742/image.ma.8.3.11","DOIUrl":"https://doi.org/10.17742/image.ma.8.3.11","url":null,"abstract":"| In this paper I present two views of Harley Parker, Marshall McLuhan’s longstanding collaborator. In the first I underline how Parker’s training in the arts as a typographic designer was put to work on the print projects for which he is best known, namely, on the original series of Explorations. I debate the claim that his work on Explorations 8 was not his own, and in this phase of argument I draw upon the legacy of other notable designers working in Toronto, namely, Allan R. Fleming of Cooper & Beatty Inc., the developers and promoters of Flexitype. Second, I resituate Parker’s link to installation and performance art in Canada by following the line established by his eldest son Blake Parker as resident poet of the experimental electronic band Intersystems, whose activities in 1967-68 included installations and performances at Perception 67 on the University of Toronto campus. The Mind Excursion psychedelic maze had its debut a few weeks after Harley Parker’s Hall of Fossils opened at the Royal Ontario Museum and marks the group’s origin proper. The connection between father and son is explored through the influences of elder Parker’s artistic proclivities as a painter, typographer, exhibition designer, critic, his collaborations with Marshall McLuhan, and the blend of McLuhan’s ideas, psychedelia, and kinetic art that animated Intersystems. Resume | Dans cet essai je présenterai deux perspectives de Harley Parker, qui pour un longtemps collaboré avec Marshall MacLuhan. Premièrement, j’explique comment Parker a utilisé son training typographique pour le travail dont il est plus connu, le journal Explorations. Je dirais que son travail sur l’Explorations est original et son propre en utilisant l’histoire des autres designers notables à Toronto, spécifiquement, les producteurs de Flexitype, Allan R. Fleming de Cooper & Beatty Inc. Deuxièmement, je désire à resituer le connexion entre Parker et l’exposition au musée d’art et le performance au Canada, par suivais la ligne de son fils, Blake Parker, et la groupe musique expérimentale d’Intersystems. Pendant 1967-68, cette groupe a performé dans un labyrinthe psychédélique, The Mind Excursion, durant l’évènement du Perception 67 à l’Université de Toronto. Le Hall de Fossiles de Harley Parker au Musée Royale d’Ontario a ouvert en janvier et quelques semaines plus tard The Mind Excursion a ouvert. Le groupe d’Intersystems a commencé avec cet évènement. J’explore les relations entre père et fils par voie des influences artistiques de Harley, et son collègue MacLuhan, et la combinaison la culture de psychédélique et l’art kinésique. Ces idées ont animé d’Intersystems.","PeriodicalId":75924,"journal":{"name":"Image","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81563854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Printing a Film to Make it Resonate: Sorel Etrog and Marshall McLuhan’s Spiral","authors":"Elena Lamberti","doi":"10.17742/IMAGE.MA.8.3.2","DOIUrl":"https://doi.org/10.17742/IMAGE.MA.8.3.2","url":null,"abstract":"| This essay investigates the collaboration between McLuhan and the Romanian born Canadian artist, Sorel Etrog. In 1975, Etrog’s movie Spiral was shown at the Centre for Culture and Technology, established by McLuhan at the University of Toronto. Following that event, McLuhan suggested that Etrog select “stills from the film so that he could provide an annotation to those images – a free form text of quotations from various writers – as well as a commentary”. Thanks to another great protagonist of the Canadian cultural scene, Barry Callaghan, that idea became a tangible object a few years after McLuhan had passed away: Spiral. Images from the film. Text by Marshall McLuhan, was in fact published in 1987 by Exile Editions in Toronto. Today, it remains as a memento of an original artistic encounter. It also remains as a tool to reconsider our environment through poetry and images, as words and still-shots are cast to pose an intellectual challenge to an increasingly materialistic society. As a book, Spiral is conceived to make ideas on media and society resonate through a witty juxtaposition of images from the film and literary quotations from a broad Western tradition that encourages readers to navigate the ongoing profound cultural shift. Known but not often investigated when discussing McLuhan’s artistic associations, the collaboration between Etrog and McLuhan ought to be delved into for different reasons. It is, in fact, strategic to appreciate how McLuhan has acted as a facilitator of a renewed 20th century inter-art dialogue. Then, it helps to consider the conscious shift from modernist avant-garde to new avant-gardes and art forms of the 1970s in relation to McLuhan’s environmental explorations. Finally, it also pays homage to an artist that deserves to be remembered as one of the most original voices of the Canadian artistic renaissance. Résumé | Cet essai étudie la collaboration entre McLuhan et l’artiste canadien d’origine roumaine, Sorel Etrog. En 1975, le film Spiral d’Etrog a été présenté au Centre for Culture and Technology, créé par McLuhan à l’Université de Toronto. En réponse à cet événement, McLuhan a suggéré qu’Etrog sélectionne « des images du film pour qu’il puisse leur fournir une annotation – un texte libre de citations de divers auteurs – ainsi qu’un commentaire ». Grâce à un autre grand protagoniste de la scène culturelle canadienne, Barry Callaghan, cette idée devint un objet tangible quelques années après la mort de McLuhan : Spiral. Images from the film. Text by Marshall McLuhan fut publié en 1987 par Exile Editions à Toronto. Aujourd’hui, il demeure un souvenir d’une rencontre artistique originale. Il demeure également un outil pour reconsidérer notre environnement à travers la poésie et les images, alors que les mots et les images fixes sont jetés pour poser un défi intellectuel à une société de plus en plus matérialiste. Comme livre, Spiral est conçu pour faire résonner des idées sur les médias et la société par un","PeriodicalId":75924,"journal":{"name":"Image","volume":"4 1","pages":"1-19"},"PeriodicalIF":0.0,"publicationDate":"2017-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87545478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mansaram and Marshall McLuhan: Collaboration in Collage Art","authors":"A. Kuskis","doi":"10.17742/image.ma.8.3.3","DOIUrl":"https://doi.org/10.17742/image.ma.8.3.3","url":null,"abstract":"| Mansaram is an Indo-Canadian artist who immigrated to Canada in 1966 with a prior interest in the media ideas of Marshall McLuhan, sparked by reading about him in LIFE Magazine. In Toronto the media guru soon introduced him to Av Isaacs at his Yonge Street gallery, which led to a 1967 Happening there called East-West Intersect, influenced by McLuhan’s ideas. Between 1966 and 1972 Mansaram worked on his Rear View Mirror series of paintings and collages, to one of which McLuhan contributed several items of textual content. Collage with its mosaic structures appealed to McLuhan because he thought it better represented the post-literate “allatonceness” of electronic media and acoustic space, which better integrated the full human sensorium and called for pattern recognition for comprehension. McLuhan had a high regard for artists for their integral awareness and sensitivity to changes in sense perception, enabling them to act as a distant early warning (DEW) line against potentially harmful effects of technology. He viewed their art as anti-environments to the electronic media maelstrom. Mansaram has enjoyed increasing recognition through recent exhibitions, but some of Canada’s premier art galleries have yet to acquire or recognize his art, although the Royal Ontario Museum is planning to do so. Résumé | Mansaram est un artiste indo-canadien qui a immigré au Canada en 1966 possédant un intérêt antérieur pour les idées médiatiques de Marshall McLuhan, suscité par la lecture d’articles à son sujet dans LIFE Magazine. À Toronto, le gourou des médias l’a rapidement présenté à Av Isaacs à sa galerie de Yonge Street, ce qui a mené à un « happening » en 1967 appelé East-West Intersect influencé par les idées de McLuhan. Entre 1966 et 1972, Mansaram a travaillé sur sa série de peintures et de collages Rear View Mirror, dont une à laquelle McLuhan a apporté plusieurs éléments textuels. Le collage, avec ses structures en mosaïque, plaisait à McLuhan parce qu’il trouvait qu’il représentait mieux la « concordance » postlittéraire des médias électroniques et de l’espace acoustique, qui intégrait mieux l’ensemble du sensorium humain et appelait à la reconnaissance des formes pour la compréhension. McLuhan avait un grand respect pour les artistes en raison de leur conscience intégrale et leur sensibilité aux changements dans la perception des sens, leur permettant d’agir en tant que réseau d’alerte avancé (DEW, pour « Distant Early Warning ») contre les effets potentiellement néfastes de la technologie. Il considérait leur art comme des antienvironnements au tourbillon des médias électroniques. Mansaram est de plus en plus reconnu à travers les expositions récentes, mais certaines des plus grandes galeries d’art du Canada n’ont pas encore acquis ou reconnu son art, bien que le Musée royal de l’Ontario ait l’intention de le faire.","PeriodicalId":75924,"journal":{"name":"Image","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82637228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Songlines, not Stupor: Cheryl L'Hirondelle's nikamon ohci aski: songs because of the land as Technological Citizenship on the Lands Currently Called “Canada”","authors":"Jessica Jacobson-Konefall, M. Chew, D. Warren","doi":"10.17742/image.ma.8.3.5","DOIUrl":"https://doi.org/10.17742/image.ma.8.3.5","url":null,"abstract":"| Marshall McLuhan’s ideas have been foundational in shaping understandings about the role of media and mediation in landscape, identity, and nationhood. At the same time, his theories remain tethered to a liberal humanist schematic of citizenship and technological modernity, which advances—implicitly or not—colonial constructions of the land as terra nullius, and thus severely limits or frustrates attempts to enlist them in anti-colonial analyses. In response, this paper places McLuhan into dialogue with Cree artist and scholar Cheryl L’Hirondelle, arguing that such a move can begin to disrupt the settler underpinnings in McLuhan’s ideas, and also broaden the potential for these ideas to be applied within contemporary queries into decolonial citizenships on Turtle Island. Our paper focuses on L’Hirondelle’s nikamon ohci askiy (songs because of the land). An interactive digital platform framed through Cree cosmology, nikamon ohci askiy is a multilayered work that explores technological mediations of nation, land, and Indigenous citizenship. Similar to other Indigenous theories of new media, this work challenges the view of land as barren/hostile, in particular by emphasizing land-based animate relationships. Ultimately, this paper argues that the new media ecologies proffered through L’Hirondelle’s work contest settler liberal citizenship, and reorients understandings of “networks” and “the digital” as crucially grounded in Indigenous notions of reciprocality and relationality Résumé | Les idées de Marshall McLuhan ont été fondamentales dans l’élaboration des compréhensions sur le rôle des médias et de la médiation dans le paysage, l’identité, et l’idée de la nation. En même temps, ses théories restent attachées à schéma humaniste libéral de la citoyenneté et de la modernité technologique qui avance, implicitement ou non, les constructions coloniales de la terre comme terra nullius, et limite ainsi ou freine sévèrement les tentatives de les enrôler dans des analyses anticoloniales. En réponse, cet article établit un dialogue entre McLuhan et Cheryl L’Hirondelle, artiste et universitaire crie, soutenant qu’un tel mouvement peut commencer à perturber les fondements qu’ont les colons des idées de McLuhan, et également élargir la possibilité que ces idées soient appliquées dans les requêtes contemporaines de décolonisation des citoyennetés sur l’Île de la Tortue. Notre article se concentre sur les nikamon ohci askiy de L’Hirondelle (chansons à cause de la terre). Plateforme numérique interactive encadrée par la cosmologie crie, nikamon ohci askiy est un travail complexe qui explore les médiations technologiques de la nation, de la terre, et de la citoyenneté autochtone. Comme d’autres théories autochtones sur les nouveaux médias, ce travail remet en question la vision de la terre comme stérile/hostile, en particulier en mettant l’accent sur les relations animées terrestres. En fin de compte, cet article soutient que les écologies des nouveaux médi","PeriodicalId":75924,"journal":{"name":"Image","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86584412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"McLuhan’s Photographic Gestalt (and the project of the object world)","authors":"T. McGlynn","doi":"10.17742/image.ma.8.3.6","DOIUrl":"https://doi.org/10.17742/image.ma.8.3.6","url":null,"abstract":"The copyright for each article belongs to the author and has been published in this journal under a Creative Commons Attribution NonCommercial NoDerivatives 3.0 license that allows others to share for non-commercial purposes the work with an acknowledgement of the work’s authorship and initial publication in this journal. The content of this article represents the author’s original work and any third-party content, either image or text, has been included under the Fair Dealing exception in the Canadian Copyright Act, or the author has provided the required publication permissions. To cite this article: McGlynn, Tom “McLuhan’s Photographic Gestalt (and the project of the object world).” Imaginations 8:3 (2017): Web (date accessed) 83-98. DOI: 10.17742/IMAGE.MA.8.3.6","PeriodicalId":75924,"journal":{"name":"Image","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74234221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}