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Framing Colonial Australia: A Socio-historical Articulation of the Display of Art 框定殖民地时期的澳大利亚：艺术展示的社会历史阐述
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.15038
Anita Gowers
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引用次数: 0
The Reversed Canvas: A Topos of Conflict Between Commercial and Aesthetic Values in Nineteenth-Century Paris and London 颠倒的画布十九世纪巴黎和伦敦商业价值与审美价值冲突的拓扑图
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.15019
Richard Read
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引用次数: 0
In and Out of the Frame: The Construction of Meaning in Henry Peacham’s Minerva Britanna (1612) 画框内外：亨利-皮查姆的《密涅瓦-不列颠娜》（1612 年）中的意义建构
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.14979
Cezara Bobeica
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引用次数: 0
Framing the Land: Canadian Landscapes Revisited in Jin-me Yoon and Lorraine Gilbert’s Photography 定格土地：在尹真我和洛林-吉尔伯特的摄影作品中重新审视加拿大风景
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.15174
Gwendolyne Cressman
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引用次数: 0
Shakespeare During Covid-19: Expanding Our Theatrical Horizons 19世纪科维德时期的莎士比亚：拓展我们的戏剧视野
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.15219
Méline Dumot
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引用次数: 0
Ceci n’est pas le territoire: Transcending the Visual and Literary Frame Ceci n'est pas le territoire：超越视觉和文学框架
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.15109
D. Coult
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引用次数: 0
Framing the Golgotha in Renaissance Painting 文艺复兴绘画中的 "各各他 "框架
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.14888
Péter Bokody
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引用次数: 0
Tracing the Divine Office: On Frames and Patterns in Medieval Latin Psalter Manuscripts 追溯圣事：论中世纪拉丁诗篇手稿中的框架和模式
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.14849
Karin Becker
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引用次数: 0
The Dividing Sword: Basil Bunting’s The Spoils 分割之剑：巴西尔-邦廷的《战利品
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.15314
Jeffrey Twitchell-Waas
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引用次数: 0
Who’s In and Who’s Out? War News from Mexico and the Framing of Evil 谁加入谁退出？来自墨西哥的战争新闻与邪恶的定格
Sillages Critiques Pub Date : 2023-11-14 DOI: 10.4000/sillagescritiques.15078
Alan Hirsch
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引用次数: 0
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