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Depiction of the martyrdom of Saint Ignatius Theophorus in the prothesis of Novo Hopovo 在Novo Hopovo的假体中描绘圣依纳爵·西奥弗鲁斯的殉难
Zograf Pub Date : 2015-01-01 DOI: 10.2298/zog1539193p
M. Popović
{"title":"Depiction of the martyrdom of Saint Ignatius Theophorus in the prothesis of Novo Hopovo","authors":"M. Popović","doi":"10.2298/zog1539193p","DOIUrl":"https://doi.org/10.2298/zog1539193p","url":null,"abstract":"In the art of the Christian East, the depictions of the martyrdom of Saint Ignatius Theophorus, bishop of Antioch, can usually be found among the illustrations of the Menologion. The scene from the monastery of Novo Hopovo, dated to the 1600s, is one of the rare independent depictions of Saint Ignatius’s martyrdom. The paper discusses the iconography of this scene and possible reasons for placing it in the prothesis of the katholikon of Novo Hopovo. The inclusion of a scene showing the martyrdom of the bishop of Antioch into the thematic repertoire of this compartment is a solitary example in Serbian medieval and Byzantine monumental painting. [Projekat Ministarstva nauke Republike Srbije, br. 177036: Srpska srednjovekovna umetnost i njen evropski kontekst]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"193-203"},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68383052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
To picture and to perform: The image of the Eucharistic liturgy at Markov Manastir (II) 描绘和表演:马尔科夫马纳斯蒂尔圣体礼仪的形象(二)
Zograf Pub Date : 2015-01-01 DOI: 10.2298/zog1539129t
Marka Tomić-Đurić
{"title":"To picture and to perform: The image of the Eucharistic liturgy at Markov Manastir (II)","authors":"Marka Tomić-Đurić","doi":"10.2298/zog1539129t","DOIUrl":"https://doi.org/10.2298/zog1539129t","url":null,"abstract":"The themes in the sanctuary decoration at Markov Manastir (Christ Emmanuel, Virgin Orans, Descent of the Holy Spirit on the Apostles), whose peculiar iconographic elements reveal the mysteries of the Holy Trinity and the archpriesthood of Christ in the liturgical and theological context of the fourteenth century, are discussed in this paper. The remains of the text in the leitourgikon held by Christ the Archpriest have been re-examined. It seems plausible to assume that the inscription or a part of it referred to the opening dialogue of the anaphora. The iconographic peculiarities of individual items carried in the Great Entrance procession, modelled according to the structure of the archieratical Divine liturgy, have been reconsidered. It has been established that the way in which the large aer was carried, and its place in the procession escorting the Eucharistic gifts - which was very close to the holy offerings - followed the iconographic tradition of the Heavenly Liturgy in the dome, while the evidence for its shape and size can be found in a somewhat later liturgical source - the Patriarchal liturgical Diataxis of Dimitrios Gemistos. [Projekat Ministarstva nauke Republike Srbije, br. 177003: Medieval heritage of the Balkans: institutions and culture]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"129-150"},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68382438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Byzantine wall-paintings in the church of Saint Theodore at Platanos, Kynouria (Arcadia) 基努里亚(阿卡迪亚)普拉塔诺斯圣西奥多教堂的拜占庭壁画
Zograf Pub Date : 2015-01-01 DOI: 10.2298/zog1539091a
Maria Agrevi
{"title":"The Byzantine wall-paintings in the church of Saint Theodore at Platanos, Kynouria (Arcadia)","authors":"Maria Agrevi","doi":"10.2298/zog1539091a","DOIUrl":"https://doi.org/10.2298/zog1539091a","url":null,"abstract":"The church of St Theodore (also known as \"Sts Theodoroi\") at Platanos, Kynouria, is a single-nave building of small dimensions. The interior surfaces of its walls preserve their Byzantine paintings, which are partially visible under the coat of plaster that covers most of them. The paintings exhibit affinity with wall-paintings of churches in the Peloponnese (neighbouring Laconia included), and can be dated to the last quarter of the thirteenth century.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"91-105"},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68382568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The iconography of light. A possible interpretation of the decoration of a three nozzle lamp from Viminacium 光的图像。一个可能的解释，从Viminacium三喷嘴灯的装饰
Zograf Pub Date : 2014-01-01 DOI: 10.2298/ZOG1438023V
Branka Vranešević
{"title":"The iconography of light. A possible interpretation of the decoration of a three nozzle lamp from Viminacium","authors":"Branka Vranešević","doi":"10.2298/ZOG1438023V","DOIUrl":"https://doi.org/10.2298/ZOG1438023V","url":null,"abstract":"This paper focuses on offering a possible iconographic interpretation of the decoration of a rare three nozzle lamp discovered in the ancient city of Viminacium, on the locality of a necropolis called Pecine, dated to the early fourth century. Among the numerous lamps unearthed at the site of this prominent Roman city, capital of Moesia Superior, this example stands out for its rectangular shape, three nozzles and a decoration of high artistic merit consisting of geometric and floral ornaments. Considering the function and meaning of lamps within the framework of Early Christian teachings, liturgy and burial practices, this imagery can be understood as visualization of concepts related to perceptions of eternity and otherworldly, divine light. [Projekat Ministarstva nauke Republike Srbije, br. 177036]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"24 1","pages":"23-29"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68381248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Salvific imagery in the Barberini psalter (Rome, Biblioteca Apostolica Vaticana, Barb. gr. 285) Barberini诗篇中的救赎意象(罗马，梵蒂冈使徒图书馆，Barb。gr 285)。
Zograf Pub Date : 2014-01-01 DOI: 10.2298/ZOG1438031M
Fanar Maayan Emma
{"title":"Salvific imagery in the Barberini psalter (Rome, Biblioteca Apostolica Vaticana, Barb. gr. 285)","authors":"Fanar Maayan Emma","doi":"10.2298/ZOG1438031M","DOIUrl":"https://doi.org/10.2298/ZOG1438031M","url":null,"abstract":"","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"31-44"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68381469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the trail of a painting bequeathed to St. George’s abbey on the islet near Perast the testaments of Nycolaus and Johannes Glauacti (as of 1327 and 1336) 在一幅遗赠给佩拉斯特附近小岛上的圣乔治修道院的画的足迹上，尼科劳斯和约翰内斯·格劳亚蒂的遗嘱(截至1327年和1336年)
Zograf Pub Date : 2014-01-01 DOI: 10.2298/ZOG1438113Z
V. Zivkovic, V. Zivkovic
{"title":"On the trail of a painting bequeathed to St. George’s abbey on the islet near Perast the testaments of Nycolaus and Johannes Glauacti (as of 1327 and 1336)","authors":"V. Zivkovic, V. Zivkovic","doi":"10.2298/ZOG1438113Z","DOIUrl":"https://doi.org/10.2298/ZOG1438113Z","url":null,"abstract":"The paper reviews the last will of the Kotor nobleman Nycolaus Marini Glauacti made in 1327 to bequeath to St. George’s church on the small island near Perast a depiction of the Madonna, St. Nicholas and St. John the Baptist. On the one hand, the legacy is analyzed in the context of the compositions involving the three saints in Kotor’s religious medieval art and, on the other, in the context of ad pias causas bequests and the concept of preparing for a good death (ars moriendi). The contents of the testaments of Nycolaus and his brother Johannes Marin Glauacti as of 1336 are contrasted, especially in terms of the number of pro remedio animae items bequeathed and their distribution. A special emphasis is laid on the comparison of the representations between the Franciscan and Benedictine Orders as the recipients of pious bequests. [Projekat Ministarstva nauke Republike Srbije, br. 177003: Medieval heritage of the Balkans: institutions and culture]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"113-121"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68381905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Deesis row from Piva: A contribution to the study of the iconostasis and icon painting of the monastery of Piva 来自Piva的Deesis row:对Piva修道院的圣像和圣像绘画研究的贡献
Zograf Pub Date : 2014-01-01 DOI: 10.2298/zog1438203v
D. Vojvodic, Miloš Živković, Miloš Živković
{"title":"The Deesis row from Piva: A contribution to the study of the iconostasis and icon painting of the monastery of Piva","authors":"D. Vojvodic, Miloš Živković, Miloš Živković","doi":"10.2298/zog1438203v","DOIUrl":"https://doi.org/10.2298/zog1438203v","url":null,"abstract":"The paper is devoted to the chronology of the genesis of the iconostasis and the choros of the monastery of Piva and to the attribution of some of their icons. It presents the hitherto unpublished Deesis row which formed part of the original altar screen and was painted sometime between 1586 and 1604. The Deeisis and the somewhat younger Crucifix (1606) were mounted on the old iconostasis above the despotic icons painted by Longin in 1573/1574. At least one of the two-sided icons from the subsequently made choros (1610/1611) is not his work. For the new carved wooden iconostasis (1638/1639) the Serbian painter Jovan painted the despotic icons and the icon of the Descent of the Holy Spirit in the upper tier. A disciple of his painted the other eleven icons of the Great Feasts. [Projekat Ministarstva nauke Republike Srbije, br. 177036: Srpska srednjovekovna umetnost i njen evropski kontekst i br. 177032: Tradicija, inovacija i identitet u vizantijskom svetu]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"203-220"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68381864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Michael Glabas Tarchaneiotes - the ktetor of the Treskavac Monastery Michael Glabas tarchaniotes，特雷斯卡瓦茨修道院的院长
Zograf Pub Date : 2014-01-01 DOI: 10.2298/ZOG1438077M
M. Markovic
{"title":"Michael Glabas Tarchaneiotes - the ktetor of the Treskavac Monastery","authors":"M. Markovic","doi":"10.2298/ZOG1438077M","DOIUrl":"https://doi.org/10.2298/ZOG1438077M","url":null,"abstract":"In this paper, the monastery of Prisklabetza (Πρισκλάβητζα) in Prilep, mentioned as the endowment of Michael Glabas Tarchaneiotes in the shortened version of the History by George Pachymeres, is identified with the monastery of Treskavac near Prilep. This conclusion is supported by the similarity between the names of the two monasteries, the composition with a ktetor in the porch of the main entrance to Treskavac, and the nature of construction works carried out in the monastery between 1280 and 1320. [Projekat Ministarstva nauke Republike Srbije, br. 177036: Srpska srednjovekovna umetnost i njen evropski kontekst]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"77-98"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68381199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Stratigraphy of the wall paintings in the main church of the Praskvica Monastery Praskvica修道院主教堂壁画的地层学
Zograf Pub Date : 2014-01-01 DOI: 10.2298/ZOG1438153V
D. Vojvodic
{"title":"Stratigraphy of the wall paintings in the main church of the Praskvica Monastery","authors":"D. Vojvodic","doi":"10.2298/ZOG1438153V","DOIUrl":"https://doi.org/10.2298/ZOG1438153V","url":null,"abstract":"In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic. [Projekat Ministarstva nauke Republike Srbije, br. 177036: Srpska srednjovekovna umetnost i njen evropski kontekst i br. 177032: Tradicija, inovacija i identitet u vizantijskom svetu]","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"21 1","pages":"153-163"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68381691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The wall paintings of the sixteenth and seventeenth centuries at Stemnitsa in the Peloponnese, Greece 16和17世纪希腊伯罗奔尼撒半岛的斯坦尼察壁画
Zograf Pub Date : 2014-01-01 DOI: 10.2298/ZOG1438165P
Xanthi Proestaki
{"title":"The wall paintings of the sixteenth and seventeenth centuries at Stemnitsa in the Peloponnese, Greece","authors":"Xanthi Proestaki","doi":"10.2298/ZOG1438165P","DOIUrl":"https://doi.org/10.2298/ZOG1438165P","url":null,"abstract":"Five churches with mural paintings of the sixteenth and seventeenth centuries have survived in Stemnitsa, a wealthy post-Byzantine town with a rich historical heritage in the central Peloponnese. In the sixteenth century the Church of St Nicholas and in the seventeenth century the wall-paintings in four churches, Panagia Baphero, Prophet Elijah, St Panteleemon and the katholikon of the monastery of the Zoodochos Pege are consistent with the general clime of seventeenth-century painting in the Peloponnese where many and different trends developed in this period.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"165-201"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68381803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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