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Icône crétoise inédite de St. Romain qui guérit un cheval de la "sklepa" (dernier quart du XVe siècle) de la Collection de Rumen Manov 在Rumen Manov收藏的“sklepa”(15世纪最后25年)中，克里特岛独特的圣罗马雕像治愈了一匹马
Zograf Pub Date : 2020-01-01 DOI: 10.2298/ZOG2044179T
Alexandra Trifonova Ph.
{"title":"Icône crétoise inédite de St. Romain qui guérit un cheval de la \"sklepa\" (dernier quart du XVe siècle) de la Collection de Rumen Manov","authors":"Alexandra Trifonova Ph.","doi":"10.2298/ZOG2044179T","DOIUrl":"https://doi.org/10.2298/ZOG2044179T","url":null,"abstract":"Dans le présent article nous publions une icône inédite de saint Romain, qui guérit un cheval de la « sklepa », du dernier quart du XVe siècle, de la Collection de Rumen Manov. L’icône est l’œuvre d’un peintre anonyme de l’École crétoise, qui a probablement pris comme modèle la scène identique de l’église de Saint Phanourios (deuxième quart du XVe siècle) à Valsamonero en Crète. L’icône est d’une valeur exceptionnelle, car elle est la seule, à notre connaissance, qui présente saint Romain dans un tel contexte, à la différence de la peinture murale, proposant quatre scènes semblables, qui ne sont connues qu’en Crète et datent de la seconde moitié du XIIIe au deuxième quart du XVe siècle. Mots-clés: XIIIe–XVe siècles, fresques, École crétoise, Collection de Rumen Manov, saint Romain Sklepodioktis, saint Romain guérit un cheval de la « sklepa »","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"179-188"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68385995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Highly venerated icons in medieval Serbia 中世纪塞尔维亚备受尊崇的圣像
Zograf Pub Date : 2020-01-01 DOI: 10.2298/ZOG2044127M
Bojan Miljkovic
{"title":"Highly venerated icons in medieval Serbia","authors":"Bojan Miljkovic","doi":"10.2298/ZOG2044127M","DOIUrl":"https://doi.org/10.2298/ZOG2044127M","url":null,"abstract":"","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"127-156"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68385482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Iconographical details of Western origin in some scenes of the Crucifixion from the end of the sixteenth and the seventeenth centuries 16世纪末和17世纪耶稣受难的一些场景中源自西方的肖像细节
Zograf Pub Date : 2020-01-01 DOI: 10.2298/ZOG2044205K
Maria Kolusheva
{"title":"Iconographical details of Western origin in some scenes of the Crucifixion from the end of the sixteenth and the seventeenth centuries","authors":"Maria Kolusheva","doi":"10.2298/ZOG2044205K","DOIUrl":"https://doi.org/10.2298/ZOG2044205K","url":null,"abstract":"The article discusses the presence of iconographical details of Western origin in the scene of Christ’s Crucifixion in the post-Byzantine period. It focuses on the role of works by painters from the Cretan and Epirote schools in their distribution among the next generation of icon-painters. From here a detailed examination of the compositions of the Crucifixion on three monuments in the territory of modern-day North Macedonia, Montenegro and Bosnia and Herzegovina, dated to the late sixteenth and early seventeenth centuries, is carried out. The comparison with monuments from the same period originating mainly in Greek territories leads to hypotheses regard-ing the painters’ provenance or the place of their education. A rare version of the scene from the second half of the seventeenth century from the territory of Bulgaria is also discussed.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"205-225"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68386050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New evidence for church decoration in the early ninth century 九世纪早期教堂装饰的新证据
Zograf Pub Date : 2020-01-01 DOI: 10.2298/ZOG2044017O
R. Ousterhout
{"title":"New evidence for church decoration in the early ninth century","authors":"R. Ousterhout","doi":"10.2298/ZOG2044017O","DOIUrl":"https://doi.org/10.2298/ZOG2044017O","url":null,"abstract":"This paper examines church decoration during the Transitional period (ca. 650–850), focusing on unpublished elements from the Fatih Camii (Hagios Stephanos?) in Zeytinbağı (Trilye). Located on the south shore of the Sea of Marmara, the church may be securely dated to the early years of the ninth century. Among the variety of decorative details uncovered during an unauthorized restoration in 1997 are more than a dozen fragments of opus sectile. The variety of these panels expands the corpus of geometric patterns known from the period; in addition, opus sectile seems to have been used both on the walls and the floor.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"17-35"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68385385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Byzantine church as a dwelling place. Monastic seclusion practices in Byzantium and Old Rus’ in the ninth-thirteenth centuries 作为住所的拜占庭教堂。9 - 13世纪拜占庭和老罗斯的修道院隐居实践
Zograf Pub Date : 2019-01-01 DOI: 10.2298/zog1943023f
Anna A. Freze
{"title":"Byzantine church as a dwelling place. Monastic seclusion practices in Byzantium and Old Rus’ in the ninth-thirteenth centuries","authors":"Anna A. Freze","doi":"10.2298/zog1943023f","DOIUrl":"https://doi.org/10.2298/zog1943023f","url":null,"abstract":"The juxtaposition of historical and architectural evidence supports the possibility of seclusion practice in the church proper. This hypothesis is valid for both the Byzantine Empire and Old Rus?. Seclusion in a church led to a higher authority and religious status of an ascetic. The structural pair of a cell and a chapel above it was introduced into a number of Middle Byzantine, mediaeval Serbian and Old Russian monuments. Idiosyncratic features of this module suggest its development for the specific needs of recluses imitating the life of a stylite.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68384949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The wall-paintings of the Protaton Church revisited 重新参观了普罗顿教堂的壁画
Zograf Pub Date : 2019-01-01 DOI: 10.2298/zog1943113v
M Konstantinos Vapheiades
{"title":"The wall-paintings of the Protaton Church revisited","authors":"M Konstantinos Vapheiades","doi":"10.2298/zog1943113v","DOIUrl":"https://doi.org/10.2298/zog1943113v","url":null,"abstract":"During the course of conservation work on the wall-paintings in the Protaton Church on Mount Athos a number of letters were found that can form the name ?Eutychios? or ?Eutychiou?, the name of one of the two painters who decorated the Peribleptos Church in Ohrid. This discovery has overturned the findings of previous research and also poses new questions. The answers to these questions constitute the aim of the present article. More specifically, the wall-paintings in the Protaton are attributed to two painters, Michael Astrapas and the painter of the Chapel of St. Euthymios in Thessalonica, and are dated to between 1309 and 1311/1312. Since there are many problematic points in Astrapas? artistic development, this article reexamines certain ensembles of wall-paintings, and particularly that of the Bogorodica Ljeviska Church, as a key to interpreting and solving the problem of ?Michael Astrapas?.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68384629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The medieval revival and historical topographic representations in The Byzantine monuments of Serbia 塞尔维亚拜占庭古迹中的中世纪复兴和历史地形表现
Zograf Pub Date : 2019-01-01 DOI: 10.2298/zog1943197b
Igor Borozan
{"title":"The medieval revival and historical topographic representations in The Byzantine monuments of Serbia","authors":"Igor Borozan","doi":"10.2298/zog1943197b","DOIUrl":"https://doi.org/10.2298/zog1943197b","url":null,"abstract":"The work of Felix Kanitz titled Serbiens byzantinische Monumente. Gezeichnet und beschrieben von F. Kanitz [The Byzantine Monuments of Serbia. Drawn and Described by F. Kanitz] published in German and Serbian in 1862 has never been subjected to more detailed analysis from the perspective of art history. The need for the contextualization of illustrated books and their relation to the European culture of historicism, to nature and landscape, as well as their relationship with various artistic phenomena of the mid-nineteenth century, demands the placement of Kanitz?s book into the wider cultural framework of the epoch.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68384996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
St. Moses the Ethiopian or the black. Cult and representation in the middle ages 圣摩西，埃塞俄比亚人，还是黑人。中世纪的祭祀和代表
Zograf Pub Date : 2019-01-01 DOI: 10.2298/zog1943001s
Tatjana Starodubcev
{"title":"St. Moses the Ethiopian or the black. Cult and representation in the middle ages","authors":"Tatjana Starodubcev","doi":"10.2298/zog1943001s","DOIUrl":"https://doi.org/10.2298/zog1943001s","url":null,"abstract":"The paper presents extant texts narrating about St. Moses the Ethiopian or the Black written in Greek, Coptic, Ge?ez, Syrian, Arabic and Old Church Slavonic and reviews the cult of the saint connected to the Baramus Monastery in the Scetis Desert or the Nitrian Desert. His preserved images in Egypt, Palestine, Byzantium, and in the countries whose churches used various recensions of the Old Church Slavonic language are listed. The final part of the study proposes some conclusions on his cult and representation.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68384894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
From the mother’s arms to the holy table. On the influence of the iconography of the presentation of Christ in the temple on the programmatic evolution of altar paintings in Byzantine churches 从母亲的怀抱到神圣的餐桌。论基督在圣殿中表现的肖像学对拜占庭教堂祭坛画的程序化演变的影响
Zograf Pub Date : 2019-01-01 DOI: 10.2298/ZOG1943045M
Todor Mitrović
{"title":"From the mother’s arms to the holy table. On the influence of the iconography of the presentation of Christ in the temple on the programmatic evolution of altar paintings in Byzantine churches","authors":"Todor Mitrović","doi":"10.2298/ZOG1943045M","DOIUrl":"https://doi.org/10.2298/ZOG1943045M","url":null,"abstract":"This research explores the relationship between iconographicprogrammatic innovations in altar wall paintings of post-Iconoclastic churches intended to facilitate liturgical interpretation and depictions of the Theotokos (with Christ) usually placed in the apsidal conch. The conclusion on the existence of direct semantic ties between this type of portrait and the discovery of the motif of Christ-Child-on-the-Altar-Table is the result of a contextual analysis of a specific series of artistic explorations based on the spatial dispersion of Presentation of Christ in the Temple compositions on the very edges of the altar spaces, which preceded this iconographic discovery and were ended shortly thereafter.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68385035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An early version of the Novgorod iconography of Sophia the divine wisdom and the circumstances of its appearance 早期版本的诺夫哥罗德索菲亚的肖像，神圣的智慧和它的出现的情况
Zograf Pub Date : 2019-01-01 DOI: 10.2298/zog1943151c
T. Tsarevskaya
{"title":"An early version of the Novgorod iconography of Sophia the divine wisdom and the circumstances of its appearance","authors":"T. Tsarevskaya","doi":"10.2298/zog1943151c","DOIUrl":"https://doi.org/10.2298/zog1943151c","url":null,"abstract":"The article clarifies the dating of the earliest examples of the Novgorod Sophia iconography - a fresco of 1441 in the Novgorod Archbishop?s chamber and a double-sided icon from the Annunciation Cathedral of the Moscow Kremlin. A reasonable challenge to the life of this iconography is considered on the basis of its content in the context of the ecclesiastical political position of the Novgorod archbishop Euthymius II on the dialogue with the Catholic Church and the reaction of the Russian Church to the Florentine Union.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68384697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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