{"title":"Funny Origins of the Big Bang Theory","authors":"Alexandre Bagdonas, Alexei Kojevnikov","doi":"10.1525/HSNS.2021.51.1.87","DOIUrl":"https://doi.org/10.1525/HSNS.2021.51.1.87","url":null,"abstract":"Popularization of science typically follows the lead of scientific research, conveying to lay audiences ideas and discoveries initially published in professional scientific literature and vetted by the expert community. The physicist George Gamow (1904–1968) did not respect this tradition, but promoted some of his most unorthodox scientific hypotheses as funny stories in his popular writings for non-specialists and teenagers, sometimes years before he dared to present them to the purview of academic peers in papers submitted to specialized research journals. Gamow’s proposal of the Big Bang cosmology—the theory that our universe started out in an explosive manner from a superhot and superdense state with thermonuclear reactions forming matter—was discussed by him initially in a series of non-serious articles and books, starting in 1938. Historians of cosmology recognize Gamow’s crucial contribution to the development of the Big Bang theory on the grounds of his subsequent professional publications but have not paid sufficient attention to his popular science writings and their role in changing our conception of the universe.","PeriodicalId":56130,"journal":{"name":"Historical Studies in the Natural Sciences","volume":"13 1","pages":"87-137"},"PeriodicalIF":0.5,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75299667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Secrecy and the Genesis of the 1951 Dutch-Norwegian Nuclear Reactor","authors":"Machiel Kleemans","doi":"10.1525/HSNS.2021.51.1.48","DOIUrl":"https://doi.org/10.1525/HSNS.2021.51.1.48","url":null,"abstract":"Despite the restrictions on knowledge and materials of the Anglo-American nuclear monopoly in the early Cold War, Norway and the Netherlands managed to build and operate a joint nuclear reactor by July 1951. They were the first countries to do so after the Great Powers. Their success was largely due to the combination of the strategic materials of heavy water (Norway) and uranium (the Netherlands). Nonetheless, they had to overcome significant political and technical obstacles. In that process a number of specific nuclear secrets played a central role. This case is used to study how and why knowledge circulation was impeded by secrecy. Specifically, I will explore four different secrets that illustrate how the Netherlands and Norway, being outside the British and American secrecy regimes, chafed against those regimes. Knowledge circulation was enabled through relations within networks that were at the same time scientific, diplomatic, and personal. I will identify three main factors that affected the mobility of information: the availability of strategic nuclear materials, the scientists’ individual interactions, and national interests.","PeriodicalId":56130,"journal":{"name":"Historical Studies in the Natural Sciences","volume":"72 5","pages":"48-86"},"PeriodicalIF":0.5,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72403337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Vaccine","authors":"Dora Vargha","doi":"10.1525/hsns.2021.51.1.162","DOIUrl":"https://doi.org/10.1525/hsns.2021.51.1.162","url":null,"abstract":"","PeriodicalId":56130,"journal":{"name":"Historical Studies in the Natural Sciences","volume":"5 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75559652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Mask","authors":"Sharrona Pearl","doi":"10.1525/hsns.2021.51.1.155","DOIUrl":"https://doi.org/10.1525/hsns.2021.51.1.155","url":null,"abstract":"","PeriodicalId":56130,"journal":{"name":"Historical Studies in the Natural Sciences","volume":"8 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85699596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Ventilator","authors":"Oriana Walker","doi":"10.1525/hsns.2021.51.1.165","DOIUrl":"https://doi.org/10.1525/hsns.2021.51.1.165","url":null,"abstract":"","PeriodicalId":56130,"journal":{"name":"Historical Studies in the Natural Sciences","volume":"71 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82213697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designing the Virus","authors":"Emily Candela","doi":"10.1525/HSNS.2021.51.1.140","DOIUrl":"https://doi.org/10.1525/HSNS.2021.51.1.140","url":null,"abstract":"‘Designing the Virus’ brings together my ongoing research across the histories of science and design in two specific areas: practices of visualizing viruses for both scientific and public communication; and design in response to risk. In 2020, these areas intersected in a way that was impossible, as a researcher, to ignore, when a medical illustration of coronavirus released by the United States Centers for Disease Control and Prevention (CDC) took on life in a way that no previous scientific image has done, as a frequently cut-and-pasted, remixed, and broadcast signal not only of the danger posed by the virus, but of the pandemic itself. \u0000 \u0000By summer 2020, the ‘spiky blob’ coronavirus illustration had grown prevalent in the visual culture of numerous countries across the globe. This essay, written in August 2020 in part as a ‘timestamp’ of the period, questions what it means for a biomedical image to become an icon for a global crisis. I analyse the image from interdisciplinary angles of the history of graphic design for public health communication and scientific image-making practices, draw upon published interviews with the CDC’s medical illustrators, and build on recent research in disaster studies that critiques the notion of ‘natural disaster’. The medical illustration of the coronavirus presents an unusual case in the history of public risk communication, as a stand-alone scientific image that has come to act as a piece of wordless risk communication. I argue that this image, and its widespread dissemination in the US (and beyond), ‘implicitly reinforces a specific position within the politics of risk that have been unfolding in the US during the pandemic: that the overriding threat is the virus itself, divorced from the social, political, and environmental factors that shape how lives across the globe are affected by this pathogen’.","PeriodicalId":56130,"journal":{"name":"Historical Studies in the Natural Sciences","volume":"51 1","pages":"140-145"},"PeriodicalIF":0.5,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82130348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fechner on a Walk","authors":"Josh Bauchner","doi":"10.1525/HSNS.2021.51.1.1","DOIUrl":"https://doi.org/10.1525/HSNS.2021.51.1.1","url":null,"abstract":"The Leipzig physicist Gustav Theodor Fechner (1801–88) is best known for his introduction of psychophysics, an exact, empirical science of the relations between mind and body and a crucial part of nineteenth-century sensory physiology and experimental psychology. Based on an extensive and close reading of Fechner’s diaries, this article considers psychophysics from the vantage of his everyday life, specifically the experience of taking a walk. This experience was not mere fodder for his scientific practice, as backdrop, object, or tool. Rather, on foot, Fechner pursued an investigation of the mind-body parallel to his natural-scientific one; in each domain, he strove to render the mind-body graspable, each in its own idiom, here everyday and there scientific. I give an account of Fechner’s walks as experiences that he both undertook and underwent, that shaped and were shaped by the surrounding everyday cacophony, and that carried a number of competing meanings for Fechner himself; the attendant analysis draws on his major scientific work, Elemente der Psychophysik (1860; Elements of Psychophysics), as the thick context that renders the walks legible as an everyday investigation. What results are three modes of walking—physiopsychical, interpersonal, and universal—each engaging the mind-body at a different level, as also engaged separately in Elemente’s three major sections, outer psychophysics, inner psychophysics, and general psychophysics beyond the human. This analysis ultimately leads to a new view of Fechner’s belief in a God who was “omnipresent and conscious in nature” and whom Fechner encountered daily on his walks in the budding of new blooms and rustling of the wind. More broadly, I aim to bring the analysis of everyday experiences as experiences into the historiography of science.","PeriodicalId":56130,"journal":{"name":"Historical Studies in the Natural Sciences","volume":"20 1","pages":"1-47"},"PeriodicalIF":0.5,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87673209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}