Joshua Wilson Black, Jennifer Hay, Lynn Clark, James Brand
{"title":"The overlooked effect of amplitude on within-speaker vowel variation","authors":"Joshua Wilson Black, Jennifer Hay, Lynn Clark, James Brand","doi":"10.1515/lingvan-2022-0086","DOIUrl":"https://doi.org/10.1515/lingvan-2022-0086","url":null,"abstract":"We analyse variation in vowel production within monologues produced by speakers in a quiet, well-controlled environment. Using principal component analysis (PCA) and generalized additive mixed models (GAMMs), applied to a large corpus of naturalistic recordings of New Zealand English speakers, we show that the first formant of monophthongs varies significantly with variation in a speaker’s relative amplitude. We also find that amplitude variation is used, potentially agentively, to mark the beginning and ending of topical sections within single-speaker monologues. These results have significant methodological consequences for the study of vocalic variation in the context of research on speaker style and language variation and change. While laboratory research has shown a connection between variation in F1 and amplitude in loud environments or with distant interlocutors, this has not been seen in quiet environments with unscripted speech of the sort often used in sociolinguistcs. We argue that taking account of this variation is an important challenge for both within-speaker investigation of stylistic covariation and across-speaker investigation. In the latter case we recommend, as a minimal step, the inclusion of a measure of relative amplitude within regression models.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"509 4","pages":""},"PeriodicalIF":1.1,"publicationDate":"2023-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138506195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The impact of Star Wars on the English language: Star Wars-derived words and constructions in present-day English corpora","authors":"Christina Sanchez-Stockhammer","doi":"10.1515/lingvan-2023-0029","DOIUrl":"https://doi.org/10.1515/lingvan-2023-0029","url":null,"abstract":"Since George Lucas’s film <jats:italic>A New Hope</jats:italic> was first screened in 1977, the <jats:italic>Star Wars</jats:italic> saga has become a pop-culture phenomenon incorporating films, videogames, books, merchandise, and a quasi-religious philosophy, but linguistic research on <jats:italic>Star Wars</jats:italic> is scarce and has mainly focused on language use in the films. There is as yet no investigation of the impact of <jats:italic>Star Wars</jats:italic> on the English language, and the present study fills this gap using corpus-linguistic methods to investigate the extent to which characteristic words and constructions from the <jats:italic>Star Wars</jats:italic> universe have become established in English. Five <jats:italic>Star Wars</jats:italic>-derived items included in the <jats:italic>Oxford English Dictionary</jats:italic> (<jats:italic>OED</jats:italic>), namely <jats:italic>Jedi</jats:italic>, <jats:italic>Padawan</jats:italic>, <jats:italic>lightsabre</jats:italic> (with spelling variants), <jats:italic>Yoda</jats:italic>, and the characteristic construction <jats:italic>to the dark side</jats:italic> were analysed regarding their frequency of occurrence in four corpora of present-day English (COCA, COHA, BNC, BNC Spoken 2014) and coded regarding their level of independence from the original films. The results show that over one-third of the uses of the investigated <jats:italic>Star Wars</jats:italic>-derived items are innovative (like the BNC example <jats:italic>Other imbibers have gone over to the dark side of beer, rejecting the pasteurised lager produced by the breweries</jats:italic>) and thus well integrated into the English language.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"509 15","pages":""},"PeriodicalIF":1.1,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138506173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From <i>Star Trek</i> to <i>The Hunger Games</i>: emblem gestures in science fiction and their uptake in popular culture","authors":"Peta M. Freestone, Jessica Kruk, Lauren Gawne","doi":"10.1515/lingvan-2023-0006","DOIUrl":"https://doi.org/10.1515/lingvan-2023-0006","url":null,"abstract":"Abstract Research on emblems to date has not drawn on corpus methods that use public data. In this paper, we use corpus methods to explore the use of original fictional gestures in the real world. We look at two examples from popular science fiction, the Vulcan salute from Star Trek and the three-finger salute from The Hunger Games . First, a Twitter corpus of the Vulcan salute emoji shows that it is used to represent Star Trek fandom and wider nerd culture, alongside its use as a greeting. Second, a global news corpus shows the three-finger salute has come to be used as a pro-democracy protest gesture across political and cultural boundaries in South East Asia. These corpus studies show different trajectories for the two gestures, with the three-finger salute escaping the confines of its fictional world, while the Vulcan salute has come to stand in as a reference to the media it originated from. We conclude with a reflection on the opportunities, challenges, and limitations of bringing corpus methods to gesture studies.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"4 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136229682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The language of men and women in Star Trek: The Original Series and Star Trek: Discovery","authors":"Tanja Behrens","doi":"10.1515/lingvan-2023-0023","DOIUrl":"https://doi.org/10.1515/lingvan-2023-0023","url":null,"abstract":"This article investigates the language of men and women in <jats:italic>Star Trek: The Original Series</jats:italic> and <jats:italic>Star Trek: Discovery</jats:italic> through corpus analysis. To that end, the transcripts of 13 episodes of <jats:italic>The Original Series</jats:italic> and five episodes of <jats:italic>Discovery</jats:italic> were analyzed. More specifically, this paper focuses on clause types, particularly interrogatives and imperatives, as well as interruptions and certain recurring phrases. Results indicate that the language of men and women is indicative of more gender equality in <jats:italic>Discovery</jats:italic> than in <jats:italic>The Original Series</jats:italic>.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"509 8","pages":""},"PeriodicalIF":1.1,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138506194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“There was much new to grok”: an analysis of word coinage in science fiction literature","authors":"Matt Gee","doi":"10.1515/lingvan-2023-0011","DOIUrl":"https://doi.org/10.1515/lingvan-2023-0011","url":null,"abstract":"Abstract As can be witnessed in projects such as The Oxford Dictionary of Science Fiction (Prucher, Jeff. 2007. Brave new words: The Oxford dictionary of science fiction . Oxford: Oxford University Press), science fiction has been fertile ground for the creation of new words and concepts. Whereas the aforementioned dictionary was constructed by eliciting examples and citations from volunteers, this paper presents an initial foray into data-driven methods for uncovering lexis unique to science fiction. Words unique to science fiction texts are extracted by comparing a science fiction corpus against the British National Corpus (BNC Consortium. 2007. The British National Corpus, XML edition . Oxford Text Archive. http://hdl.handle.net/20.500.12024/2554 (accessed 29 June 2022)) to produce a list of 306 neologisms from 74 texts. In addition, this study seeks to examine the ways in which authors impart the meaning of such words to the reader, drawing on frameworks of semantic word relations and work in cognitive linguistics. This reveals the use of definitions and glosses by the authors, both in narration and direct speech, co-occurrence with synonyms, and the drip-feeding of attributes pertaining to the concept being referenced. In addition, characters can be shown to struggle with the concepts to which neologisms refer, allowing authors to explore themes of alienation and other-worldliness.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"55 22","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135091620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“So, I trucked out to the border, learned to say <i>ain’t</i>, came to find work”: the sociolinguistics of <i>Firefly</i>","authors":"Catherine Laliberté, Melanie Keller, Diana Wengler","doi":"10.1515/lingvan-2023-0013","DOIUrl":"https://doi.org/10.1515/lingvan-2023-0013","url":null,"abstract":"Abstract Firefly is a TV series that aired in 2002 and 2003 in the United States. The series belongs to the space western subgenre, which allies science fiction and western tropes by layering, in this case, a dystopian society, space travel, standoffs in desolate landscapes, and saloon brawls. This juxtaposition of genres is reflected in the language of Firefly ’s characters in three ways: world-specific slang, Chinese code-switching, and features evoking Southern American English. This study explores the latter, employing quantitative methods used in variationist sociolinguistics. Using a corpus of all episodes of the series and the film Serenity (2005), we show that features reminiscent of Southern varieties of English, specifically nasal fronting and the use of ain’t , are stratified according to the social realities of the world of Firefly . Nonstandard linguistic variants are used to represent rebel smugglers as opposed to characters representing valued professions. This pattern contributes to world-building in Firefly by indexing divisions between the superpower-controlled territories and the recently settled edge of the universe. The use of realistically constrained Southern linguistic features draws upon present-day notions of linguistic (non)standardness to indicate marginality. Firefly therefore relies on its audience’s linguistic knowledge of the real world to create its fictional one.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"55 24","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135091618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A corpus-based study of <i>quoi</i> in French native speech","authors":"Delin Deng, Fenqi Wang","doi":"10.1515/lingvan-2023-0027","DOIUrl":"https://doi.org/10.1515/lingvan-2023-0027","url":null,"abstract":"Abstract Based on data drawn from two corpora collected in Orléans, France, in two waves (ESLO 1, 1968–1971; ESLO 2, 2008–) over a 40-year period, this paper investigated the use of quoi as a discourse marker (DM) in the speech of 234 French native speakers. Our results indicate that the DM quoi has increased in frequency in the more recent corpus. The distribution of its discursive functions has changed between the two corpora. Meanwhile, we also demonstrate that the DM quoi is mainly used in final position and this tendency continues to increase in ESLO 2. Regarding the relation between function and particle position, the planning function is the only function favored by medial position in ESLO 1, while in ESLO 2, the quantification function also becomes one of the favored functions in this position. We suggest that this might indicate potential competition for the same position. Meanwhile, we also point out that the benchmarking function is quasi-categorically used in final position in ESLO 2. The relation between functions and positions changes between the two corpora.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"4 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135431234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tapped /r/ in RP: a corpus-based sociophonetic study across the twentieth century","authors":"Delia Belando","doi":"10.1515/lingvan-2022-0092","DOIUrl":"https://doi.org/10.1515/lingvan-2022-0092","url":null,"abstract":"Abstract This paper aims to explore the use of the tap allophone [ɾ] in Received Pronunciation (RP) in word-internal and linking /r/ contexts over three decades (1940s–1960s) and considering three age cohorts (<35 years old, 35–54 years old, and ≥55 years old). A spoken corpus of formal register materials was compiled to conduct further perceptual and acoustic analysis and classify the articulation of /r/ into tap versus no tap. Results show a decreasing tendency of tap production across decades, and the initial stage of its replacement by the approximant variant. From a sociolinguistic perspective, tapped /r/ may have potentially changed its status, from an indicator to a marker. The fact that the tap allophone has become a sociolinguistic marker can encourage future research on intra-speaker variation. Women and middle-aged speakers (35–54 years old) are the ones leading this sound change, opting for the innovative approximant. This may be due to professional pressures or aspects of social identity, yet further research is needed. Furthermore, the word-internal context seems to favour the production of taps, which could be due to the general low frequency of linking /r/ and the formal register of the materials.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"14 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135876115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Perceiving with strangeness: quantifying a style of altered consciousness as estrangement in a corpus of 1960s American science fiction","authors":"Elizabeth Oakes","doi":"10.1515/lingvan-2022-0165","DOIUrl":"https://doi.org/10.1515/lingvan-2022-0165","url":null,"abstract":"Abstract In 1960s American science fiction, representations of altered consciousness may function as a novum, framing how protagonists perceive and interact with the storyworld, motivating their actions, and estranging readers. Representations of these states are rooted in the lexical particulars of style, which became of central concern to the rising New Wave subgenre. As a result of the defamiliarized focalization of altered consciousness, estranged readers confront in fresh ways core sociocultural concerns of the era embedded in the thematics of the novels. For this reason, it is fruitful to ask how the language of altered consciousness can be characterized. What lexical elements defamiliarize the focalization giving rise to estrangement? This paper addresses this question through a computational literary linguistic approach. Quantifying the lexical composition of altered states with content analysis dictionaries and performing cluster analysis uncovers underlying similarities within a corpus of 1960s American science fiction novels. The language of altered consciousness is then identified as a language of estrangement through stylistic close reading. This provides one route into understanding how a novum may be constructed of language, estrange the reader, and prompt reexamination of the formerly familiar through staying with strangeness.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"1996 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136318817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction to the special issue on “The language of science fiction”","authors":"Sofia Rüdiger, Claudia Lange","doi":"10.1515/lingvan-2023-0031","DOIUrl":"https://doi.org/10.1515/lingvan-2023-0031","url":null,"abstract":"Abstract In this introduction, we provide a short rationale for the genesis of the special issue on “The language of science fiction” and introduce its main theme – science fiction, with particular consideration of the language of estrangement – and main methodological framework – corpus linguistics. In addition, we give an overview of the contributions and motivate their grouping into four parts: (1) the influence of science fiction on non-fictional language, (2) sociolinguistic variation, (3) science fiction and the mind, and (4) lexis and literature.","PeriodicalId":55960,"journal":{"name":"Linguistics Vanguard","volume":"43 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135220247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}