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Self-Reflexivity as Infra-Structure: A review of Karen Benezra, Dematerialization: Art and Design in Latin America 作为基础设施的自我反思:评卡伦·贝内兹拉《去物质化:拉丁美洲的艺术与设计》
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-07-27 DOI: 10.1353/pmc.2020.0030
J. Andermann
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引用次数: 1
Black is the Color of Solidarity: Art as Resistance in Melanesia 黑色是团结的颜色:美拉尼西亚的艺术抵抗
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-07-27 DOI: 10.1353/pmc.2020.0027
J. Enomoto
{"title":"Black is the Color of Solidarity: Art as Resistance in Melanesia","authors":"J. Enomoto","doi":"10.1353/pmc.2020.0027","DOIUrl":"https://doi.org/10.1353/pmc.2020.0027","url":null,"abstract":"Abstract:This essay centers on three Melanesian women artist activists who use art as a tool for social justice and as visual archive: Camari Serau and Mere Tuilau both of iTaukei descent living on the island of Viti Levu, Fiji, and Sonja Larson of Papuan Tolai descent living in New Mexico. This essay adds to Black/Indigenous Studies in conveying a more nuanced understanding of Blackness from within the Pacific. In this context, Black Oceania is not merely a conceptual counterpoint to the Black Atlantic but a center point of political and artistic solidarity that recognizes the sacredness of Black lives in unexpected and unpredictable ways. Drawing upon the activism and mentorship of the late Dr. Teresia Teaiwa, this essay also illustrates the necessity of highlighting and acknowledging the work of Black/Pacific women artists engaged in West Papua’s struggle for self-determination and collective liberation.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48353455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Other Intimacies: Black Studies Notes on Native/Indigenous Studies 其他亲密关系：黑人研究原住民/原住民研究笔记
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-07-27 DOI: 10.1353/pmc.2020.0022
C. Infante, Sandra Harvey, K. Taylor, Tiffany King
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引用次数: 0
Notes on Contributors: Volume 31, Numbers 1 & 2, September 2020 and January 2021 投稿人说明:第31卷，第1和第2号，2020年9月和2021年1月
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-07-27 DOI: 10.1353/pmc.2020.0020
{"title":"Notes on Contributors: Volume 31, Numbers 1 & 2, September 2020 and January 2021","authors":"","doi":"10.1353/pmc.2020.0020","DOIUrl":"https://doi.org/10.1353/pmc.2020.0020","url":null,"abstract":"Abstract:Bridging Black and Native Studies, this essay juxtaposes the speeches of late-nineteenth century social reformers with Black and Indigenous place-making practices to show that white settler spatial imaginaries depict both Black and Indigenous peoples as placeless within the lands currently called the United States. Moving beyond an analytical separation of Black and Native Studies, it employs a relational approach that reveals how racial and colonial discourses of place are co-constitutive in historical practice. The association of past and present in this essay is an invitation to consider the recursive and repetitive production of white settler spatial practices and imaginaries as ongoing sites of struggle.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"31 1","pages":"- - - - - - - - - - - - - - - - - - - - - - -"},"PeriodicalIF":0.3,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46303415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors: Volume 32, Number 1, September 2021 投稿人备注:第32卷第1期，2021年9月
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-01-01 DOI: 10.1353/pmc.2021.0016
{"title":"Notes on Contributors: Volume 32, Number 1, September 2021","authors":"","doi":"10.1353/pmc.2021.0016","DOIUrl":"https://doi.org/10.1353/pmc.2021.0016","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66299990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors: Volume 31, Number 3, May 2021 投稿人备注:第31卷第3期，2021年5月
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-01-01 DOI: 10.1353/pmc.2021.0001
{"title":"Notes on Contributors: Volume 31, Number 3, May 2021","authors":"","doi":"10.1353/pmc.2021.0001","DOIUrl":"https://doi.org/10.1353/pmc.2021.0001","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"23 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66300434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Idyllic Visions of the Past and/or the Death Drive? Right-Wing Responses to a Crisis of Futurity: A review of Mathias Nilges, Right-Wing Culture in Contemporary Capitalism: Regression and Hope in a Time Without Future 田园诗般的过去和/或死亡驱动?右翼对未来危机的回应——对马赛厄斯·尼尔吉斯《当代资本主义中的右翼文化:在没有未来的时代中的回归与希望》的评论
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-12-29 DOI: 10.1353/pmc.2020.0013
Adam Dylan Hefty
{"title":"Idyllic Visions of the Past and/or the Death Drive? Right-Wing Responses to a Crisis of Futurity: A review of Mathias Nilges, Right-Wing Culture in Contemporary Capitalism: Regression and Hope in a Time Without Future","authors":"Adam Dylan Hefty","doi":"10.1353/pmc.2020.0013","DOIUrl":"https://doi.org/10.1353/pmc.2020.0013","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47878827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
So-Called Indigenous Slavery: West African Historiography and the Limits of Interpretation 所谓的土著奴隶制：西非史学与阐释的局限
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-12-29 DOI: 10.1353/pmc.2020.0018
Sara-Maria Sorentino
{"title":"So-Called Indigenous Slavery: West African Historiography and the Limits of Interpretation","authors":"Sara-Maria Sorentino","doi":"10.1353/pmc.2020.0018","DOIUrl":"https://doi.org/10.1353/pmc.2020.0018","url":null,"abstract":"Abstract:This essay explores the mobilization of so-called \"indigenous slavery\" in the historiography of slavery in West Africa in order to expose the limits of historiographical interpretation and the tensions between black studies and African studies, which are here constituted around a shared negativity. This discussion provides some context for the debates of historians Walter Rodney and J.D. Fage, while also bringing these concerns into explicit conversation with a line of thought in radical black studies, namely Afro-pessimism. Considering indigenous slavery through the critical analytic of Afro-pessimism exposes the role of the paradigm of racial slavery in determining how slavery comes to be understood in relation to nation building in Africa, with Ghana serving as a particular example.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43735985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Negative Ecology: Robert Smithson's Spiral Jetty at 50 负生态：罗伯特·史密森50岁时的螺旋码头
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-12-29 DOI: 10.1353/pmc.2020.0011
John Culbert
{"title":"Negative Ecology: Robert Smithson's Spiral Jetty at 50","authors":"John Culbert","doi":"10.1353/pmc.2020.0011","DOIUrl":"https://doi.org/10.1353/pmc.2020.0011","url":null,"abstract":"Abstract:This essay reassesses the significance of Robert Smithson's land art for environmental politics in a time of climate crisis. Drawing on analyses of fossil capital and petrocultures, it argues that Smithson's aesthetics of entropy—particularly as conveyed in the 1970 earthwork Spiral Jetty—provide a valuable dialectical methodology for critical theory in the Capitalocene. The essay proposes a \"negative ecology\" that can challenge logics of resilience and survival shared by ecologists and extractivists alike.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48299352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Radical Friends: Botany and Us: A review of Natania Meeker and Antónia Szabari, Radical Botany: Plants and Speculative Fiction 激进之友：植物学与我们：Natania Meeker和Antónia Szabari评论，《激进植物学：植物与思辨小说》
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-12-29 DOI: 10.1353/pmc.2020.0016
Erin Obodiac
{"title":"Radical Friends: Botany and Us: A review of Natania Meeker and Antónia Szabari, Radical Botany: Plants and Speculative Fiction","authors":"Erin Obodiac","doi":"10.1353/pmc.2020.0016","DOIUrl":"https://doi.org/10.1353/pmc.2020.0016","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42009935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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