Journal for Eighteenth-Century Studies最新文献_第10页

Friends, Neighbours, Sinners: Religious Difference and English Society, 1689-1750. By Carys Brown. Cambridge: Cambridge University Press. 2022. 284 pp. £75 (hb). ISBN 978-1-00-922138-2. 《朋友、邻居、罪人：宗教差异与英国社会》，1689-1750。作者：CarysBrown。剑桥：剑桥大学出版社。2022年，284页，75英镑（hb）。是978‐1‐00‐922138‐2。

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2023-02-09 DOI: 10.1111/1754-0208.12877

Tessa Whitehouse

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Trust and Distrust: Corruption in Office in Britain and its Empire, 1600-1850. By Mark Knights. Oxford: Oxford University Press. 2021. 512 pp. £35. ISBN: 978-0-19879-624-4. 《信任与不信任：英国及其帝国的腐败》，1600-1850年。MarkKnights。牛津：牛津大学出版社。2021.512350亿英镑：978-0-19879-624-4。

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2023-01-09 DOI: 10.1111/1754-0208.12875

Paul Kosmetatos

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Suppressing Piracy in the Early Eighteenth Century: Pirates, Merchants and British Imperial Authority in the Atlantic and Indian Oceans. By David Wilson. Woodbridge: The Boydell Press. 2021. 312 pp. £80. ISBN: 978-1-78327-595-3. 18世纪初的海盗镇压：大西洋和印度洋的海盗、商人和大英帝国当局。DavidWilson著。伍德布里奇：博伊德尔出版社。2021年，312页，80英镑。ISBN:978‐1‐78327‐595‐3。

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2022-12-13 DOI: 10.1111/1754-0208.12874

Sara Caputo

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François-Jean de Chastellux (1734-1788): Un soldat-philosophe dans le monde atlantique à l'époque des Lumières. By Iris Rode. Paris: Honoré Champion. 2022. 738 pp. €95. ISBN 978-2-7453-5684-0. 弗朗索瓦·让·德·查斯特卢克斯（1734-1788）：启蒙时代大西洋世界的士兵哲学家。由Iris Rode。巴黎：荣誉冠军。2022.738页。95欧元。ISBN 978-2-7453-5684-0。

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2022-11-29 DOI: 10.1111/1754-0208.12873

Julia Osman

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François‐Jean de Chastellux (1734‐1788): Un soldat‐philosophe dans le monde atlantique à l'époque des Lumières. By IrisdeRode. Paris: Honoré Champion. 2022. 738 pp. €95. ISBN 978‐2‐7453‐5684‐0. 弗朗索瓦·让·德·查斯特卢克斯（1734-1788）：启蒙时代大西洋世界的士兵哲学家。由Irisderode。巴黎：荣誉冠军。2022.738页。95欧元。ISBN 978-2-7453-5684-0。

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2022-11-29 DOI: 10.1111/1754-0208.12873

Julia Osman

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Correction to “Forgetting Oneself: Epigraphs and Escapism in Ann Radcliffe's Novels” 对“忘我:安·雷德克里夫小说中的题词与逃避主义”的修正

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2022-11-16 DOI: 10.1111/1754-0208.12862

{"title":"Correction to “Forgetting Oneself: Epigraphs and Escapism in Ann Radcliffe's Novels”","authors":"","doi":"10.1111/1754-0208.12862","DOIUrl":"https://doi.org/10.1111/1754-0208.12862","url":null,"abstract":"\u0000 Yem, E. J. (2022) Forgetting Oneself: Epigraphs and Escapism in Ann Radcliffe's Novels. Journal for Eighteenth-Century Studies, 45: 305–321. https://doi.org/10.1111/1754-0208.12813In notes 12 and 34, Corrina Readioff's name was corrected. Furthermore, ‘page 189’ was changed to ‘page 198’ in note 34. Notes 12 and 34 should appear as follows:12. For other examples, see Corrina Readioff, ‘Paratext and Self-Promotion in the Memoirs of the First Forty-Five Years of the Life of James Lackington, Bookseller (1791)’, Journal for Eighteenth-Century Studies, 43.2 (June 2020), 183–201.34. Other examples include William Chaigneau, The History of Jack Connor, 2 vols (London: W. Johnston, 1752); Sarah Fielding and Jane Collier, The Cry: A New Dramatic Fable, 3 vols (London: R. and J. Dodsley, 1754); [Anon.], The Histories of Some of the Penitents in the Magdalen-House, as Supposed to Be Related by Themselves, 2 vols (London: John Rivington and J. Dodsley, 1760); Elizabeth Helme, Louisa; or, The Cottage on the Moor, 4th edn (London: G. Kearsley, 1787); Anna Maria Mackenzie, Calista: A Novel, 2 vols (London: W. Lane, 1789); John Moore, Zeluco: Various Views of Human Nature, Taken from Life and Manners, Foreign and Domestic, 2 vols (London: A. Strahan and T. Cadell, 1789). See Corrina Readioff, ‘Paratext and Self-Promotion in the Memoirs of the First Forty-Five Years of the Life of James Lackington, Bookseller (1791)’, Journal for Eighteenth-Century Studies, 43.2 (June 2020), 198.We apologize for this error.","PeriodicalId":55946,"journal":{"name":"Journal for Eighteenth-Century Studies","volume":"45 4","pages":"545"},"PeriodicalIF":0.4,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1754-0208.12862","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"137857602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Notation, Performance, and the Significance of Print in the Music of Ignatius Sancho ( c . 1729–1780) 1 Ignatius Sancho音乐中的符号、表演和版画的意义（c.1729–1780）1

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2022-11-15 DOI: 10.1111/1754-0208.12860

Rebecca Cypess

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Notation, Performance, and the Significance of Print in the Music of Ignatius Sancho (c. 1729–1780)† Ignatius Sancho（约1729–1780）音乐中的符号、表演和版画的意义†

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2022-11-15 DOI: 10.1111/1754-0208.12860

Rebecca Cypess

{"title":"Notation, Performance, and the Significance of Print in the Music of Ignatius Sancho (c. 1729–1780)†","authors":"Rebecca Cypess","doi":"10.1111/1754-0208.12860","DOIUrl":"https://doi.org/10.1111/1754-0208.12860","url":null,"abstract":"The posthumously published correspondence of the Black British writer, butler, musician, and shopkeeper Ignatius Sancho (c. 1729–1780) has received extensive critical attention in recent decades, especially because it contributed to opening a space for Black authorship in the Atlantic world. Absent from discussions of Sancho's negotiation of orality, writing, and print have been Sancho's books of musical compositions—the volumes published during his lifetime, apparently with his involvement and oversight. Consideration of his instrumental dance music within the context of the genres in which he wrote reveals that he navigated the boundary between orality and print deliberately and meaningfully. His musical notation engages with the sentimental style, and his explicit use of French horns—extremely rare or perhaps unique among eighteenth-century publications of dance music for small ensembles—refers to the presence of Black musicians in Britain. By engaging with and subverting conventions of musical notation and print, Sancho's music points beyond itself, guiding the reader or listener from the notated scores to the ineffable, transient sounds of the eighteenth-century Black experience.","PeriodicalId":55946,"journal":{"name":"Journal for Eighteenth-Century Studies","volume":"46 2","pages":"185-211"},"PeriodicalIF":0.4,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1754-0208.12860","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50134219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Authorship, Image-Making, and Excess: William Hunter's Anatomia uteri humani gravidi tabulis illustrata (1774) 作者、图像制作和过度：William Hunter的Anatomia uteri humani gravidi tabulis插图（1774）

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2022-11-11 DOI: 10.1111/1754-0208.12859

Alicia Hughes

{"title":"Authorship, Image-Making, and Excess: William Hunter's Anatomia uteri humani gravidi tabulis illustrata (1774)","authors":"Alicia Hughes","doi":"10.1111/1754-0208.12859","DOIUrl":"10.1111/1754-0208.12859","url":null,"abstract":"In 1774, the physician-anatomist William Hunter (1718–1783) published Anatomia uteri humani gravidi tabulis illustrata/The Anatomy of the Human Gravid Uterus, Exhibited in Figures (1774). Issued as an elephant folio, the book is the culmination of twenty-four years of work and includes thirty-four plates with life-size hyper-naturalistic engravings by artists such as Robert Strange after drawings by Jan Van Rymsdyk. Anticipating potential critique of the book's stylistic choices, Hunter took pains in his preface to assure readers that although the book was lavishly illustrated, it was not excessively so, stating that he had ‘actually kept back several drawings which had been made, and two plates which had been engraved’. The decision to exclude these extra images was based on a desire ‘that the work not be overcharged’. On the eve of the 250th anniversary of the publication of Anatomia, this article takes Hunter's claim of authorial restraint as a departure point from which to examine the anatomist's construction of authorship within the illustrated book. Analysing the paratextual features of the book alongside previously unstudied contemporary reviews reveals how Hunter exerted rhetorical control over the production and reception of the book and its complex visual language. Through examination of the yet unstudied material remnants of the book's production, the drawings and prints Hunter excluded from the book are identified and examined to determine the extent to which Hunter's authorial control manifested in the material conditions of the book's production. Through the close analysis of Hunter's authorship within the context of eighteenth-century anxieties about excess, this article offers a new understanding of the production and reception of the Anatomia as well as the collaborative process of scientific image-making practices and book production in the eighteenth century.","PeriodicalId":55946,"journal":{"name":"Journal for Eighteenth-Century Studies","volume":"46 2","pages":"213-237"},"PeriodicalIF":0.4,"publicationDate":"2022-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1754-0208.12859","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47827526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Voltaire, Lettres sur les Anglais. Edited by Nicholas Cronk. Oxford: Voltaire Foundation. 2022. 703 pp. (Vol. 6A) + 611 pp. (6B) + 328 pp. (6C). £350. ISBN 978-0-7294-1234-6. 伏尔泰，《英语快报》。由Nicholas Cronk编辑。牛津：伏尔泰基金会。2022.703 sandpp。（第6A卷）：++611（6B）++328页。（6C）。3500英镑是978-0-7294-1234-6英镑。

IF 0.4 3区社会学

Journal for Eighteenth-Century Studies Pub Date : 2022-10-25 DOI: 10.1111/1754-0208.12864

Caio Moraes Ferreira

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