Studia Metrica et Poetica最新文献_第5页

Graphic Translation of Experimental Verse as a Strategy of Poetic Text’s Transcreation 实验诗的平面翻译是诗歌文本转换的策略

IF 0.6

Studia Metrica et Poetica Pub Date : 2019-08-29 DOI: 10.12697/smp.2019.6.1.04

V. Feshchenko

{"title":"Graphic Translation of Experimental Verse as a Strategy of Poetic Text’s Transcreation","authors":"V. Feshchenko","doi":"10.12697/smp.2019.6.1.04","DOIUrl":"https://doi.org/10.12697/smp.2019.6.1.04","url":null,"abstract":"The article examines the problem of translating experimental poetic texts into other languages. The focus is on the transfer of verse’s spatial design between the source and the target languages. We analyze some cases of unconventional poetry translation with particular attention to verbal/visual properties of avant-garde poems. Stéphane Mallarmé’s, Guillaume Apollinaire’s, Augusto de Campos’ and Dmitry A. Prigov’s visual poetry provides examples of autographic (hand-written or hand-drawn) and allographic (typewritten or typeset) texts. The former, as we argue, are problematic for translation, just like pictures in painting, whereas the latter may be rendered in another language. The analysis of E. E. Cummings’ allographic experimental verse allows to propose a special strategy for translating this kind of texts. By analogy with ‘phonetic translation’, this strategy can be called ‘graphic translation’. This type of translation preserves the visual and metagraphemic forms of the original text, rearranging its lexical elements in translation. It specifically applies to visually-oriented avant-garde and experimental texts. Graphic translation ‘transcreates’ the text to a certain degree and this contributes to preserve and reinforce the experimental nature of avant-garde verse in languages other than its own.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2019-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45933677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Peter Grzybek (22.11.1957 – 29.05.2019) Peter Grzybek（1957年11月22日至2019年5月29日）

IF 0.6

Studia Metrica et Poetica Pub Date : 2019-08-29 DOI: 10.12697/smp.2019.6.1.05

M. Lotman, Igor Pilshchikov, Maria-Kristiina Lotman

引用次数: 0

On the Poetic of the Double Point and Circle in Dante’s Paradiso 30 and in Desmond Hogan’s Short Story “The Last Time” 论但丁《天堂篇》与德斯蒙德·霍根短篇小说《最后一次》中的双点与圆的诗意

IF 0.6

Studia Metrica et Poetica Pub Date : 2019-08-29 DOI: 10.12697/smp.2019.6.1.03

Ülar Ploom

引用次数: 0

The Finnic Tetrameter – A Creolization of Poetic Form? 芬尼四声部——诗歌形式的克里奥尔化？

IF 0.6

Studia Metrica et Poetica Pub Date : 2019-08-29 DOI: 10.12697/SMP.2019.6.1.02

Frog

{"title":"The Finnic Tetrameter – A Creolization of Poetic Form?","authors":"Frog","doi":"10.12697/SMP.2019.6.1.02","DOIUrl":"https://doi.org/10.12697/SMP.2019.6.1.02","url":null,"abstract":"This article presents a new theory on the origins of the common Finnic tetrameter as a poetic form (also called the Kalevala-meter, regilaul meter, etc.). It argues that this verse form emerged as a creolization of the North Germanic alliterative verse form during a period of intensive language contacts, and that the Finnic ethnopoetic ecology made it isosyllabic. Previous theories have focused on the trochaic, tetrametric structure and viewed other features of poetic form as secondary or incidental. This is the first theory to offer a metrically driven explanation for the distinctive features of the poetic form: the systematic placement of lexically stressed short syllables in metrically unstressed positions and systematic yet unmetricalized use of verse-internal alliteration. The emergence of the poetic form may be viewed simply in terms of hybridization, but its formation as a central mode for epic and ritual poetry demands consideration of social factors. Creolization is considered a social process of hybridization at the level of sign systems that is characterized by a salient asymmetrical relation of power, authority or other value in the cultural sign systems being reconfigured from the perspective of the society or groups involved. An argument is presented that North Germanic contacts also produced systematic verse-internal alliteration in Finnic languages. Discussion then turns to the distinction between the origin and spread of the poetic form. The poetic form’s uniformity across Finnic language areas in spite of its ‘foreign’ metrical features along with the range of genres with which it was used are considered indicators of the poetic form’s spread with language, forming an argument that the tetrameter emerged within an environment that also produced Late Proto-Finnic, and then spread with Late Proto-Finnic language and culture through areas where other Finnic language forms were spoken.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2019-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49394158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Evolution of Verse Form, Plots and Characters in English Plays (mid-16th to mid-19th centuries) 英国戏剧中诗歌形式、情节和人物的演变(16世纪中期至19世纪中期)

IF 0.6

Studia Metrica et Poetica Pub Date : 2019-08-29 DOI: 10.12697/smp.2019.6.1.01

M. Tarlinskaja

引用次数: 0

Spanish Romancero in Russian and the semantization of verse form 西班牙罗曼塞罗在俄语中的翻译和诗歌形式的语义

IF 0.6

Studia Metrica et Poetica Pub Date : 2019-01-28 DOI: 10.12697/smp.2018.5.2.04

V. Polilova

{"title":"Spanish Romancero in Russian and the semantization of verse form","authors":"V. Polilova","doi":"10.12697/smp.2018.5.2.04","DOIUrl":"https://doi.org/10.12697/smp.2018.5.2.04","url":null,"abstract":"In this paper, I analyze Russian translations and close imitations of Spanish Romancero poetry composed between 1789 and the 1930s, as well as Russian original poems of the same period marked by “Spanish” motifs. I discuss the Spanish romance as an international European genre, and show how this verse form’s distinctive features were transferred into Russian poetry and how the Russian version – or, rather, several Russian versions – of this form came into being. I pay special attention to the genesis of the stanza composed of a regular sequence of feminine (F) and masculine (m) clausulae FFFm. In Johann Gottfried Herder’s Der Cid, this clausula pattern was combined with unrhymed trochaic tetrameters, but, in early twentieth-century Russia, it emancipated from this metrical form, having retained the semantic leitmotifs of the Spanish romance, as well as its “Spanish” theme. I contextualize other translation equivalents of romance verse and compare them to the original Spanish verse form. I show (1) which forms poets used in translating romance verse and how those forms correlate (formally and functionally) with the original meter. Further, I discuss (2) when and how the trochaic tetrameters rhyming on even lines (XRXR) – originally used in translations of Spanish romances in German and English poetry – became the equivalent of romance verse in the Russian tradition. Finally, I demonstrate (3) how, in Konstantin Balmont’s translations of Spanish poetry, the FFFm clausula pattern lost its connection with trochee. After Balmont, other poets of the Silver Age of Russian literature started using it in original non-trochaic compositions to express “Spanish” semantics.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":"1 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2019-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41825946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Versification and authorship attribution. A pilot study on Czech, German, Spanish, and English poetry 版本和作者归属。捷克语、德语、西班牙语和英语诗歌的初步研究

IF 0.6

Studia Metrica et Poetica Pub Date : 2019-01-28 DOI: 10.12697/SMP.2018.5.2.02

P. Plecháč, Klemens Bobenhausen, Benjamin Hammerich

引用次数: 23

Morris Halle (1923–2018) 莫里斯·哈雷（1923–2018）

IF 0.6

Studia Metrica et Poetica Pub Date : 2019-01-28 DOI: 10.12697/smp.2018.5.2.06

P. Kiparsky

引用次数: 1

Metrics and versification in poetry and song: the 14th Nordic conference on metrics, 13–15 September, 2018, Stockholm, Sweden 诗歌和歌曲中的韵律与诗体:第十四届北欧韵律会议，2018年9月13日至15日，瑞典斯德哥尔摩