{"title":"“All That You Can’t Leave Behind”","authors":"Daphne A. Brooks","doi":"10.1215/15366936-8565979","DOIUrl":"https://doi.org/10.1215/15366936-8565979","url":null,"abstract":"\u0000 As numerous scholars have shown, Hurricane Katrina exacerbated the already-ongoing precarity of African American communities in New Orleans. The crisis demanded a reckoning with the afterlives of slavery at the national and global level. This article focuses on the work of Black women popular music artists whose early twenty-first century recordings and stirring performances addressed the traumas, the challenges, and the spectacular subjugation of Black women who fell victim to brutal disenfranchisement in the midst of the disaster. Beyonce’s B-Day album and Mary J. Blige’s history-making Katrina telethon performance are central to this discussion. The original title of this article was “‘All That You Can’t Leave Behind’: Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe.”","PeriodicalId":54178,"journal":{"name":"Meridians-Feminism Race Transnationalism","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79880737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dominican Futurism: The Speculative Use of Negative Aesthetics in the Work of Rita Indiana","authors":"Kristie Soares","doi":"10.1215/15366936-8308465","DOIUrl":"https://doi.org/10.1215/15366936-8308465","url":null,"abstract":"Abstract:This article looks at Rita Indiana’s performance work and latest novel as an example of Dominican futurism. Dominican futurism, like its counterpart Afrofuturism, centers the Dominican body in a technologically enhanced future, positioning it within a speculative world in which Dominicans are the agents of change. This article argues that Indiana’s version of Dominican futurism engages with “negative aesthetics”—defined here as the aesthetics of disorientation, dystopia, and disgust. Negative aesthetics offer a way of staying with the pain and unrest of trauma in speculative texts. The author posits a lineage of negative aesthetics in the Dominican literary tradition, which we can trace back to the work of the Dominican pessimist writers in the late nineteenth and early twentieth centuries. While the writers articulating this outlook were invested in colonial attitudes such as anti-Blackness, however, Indiana puts forth a feminist and queer of color version that continues the aesthetic practice while also offering a radical departure by critiquing colonial and neocolonial categories. This article contends that in her Dominican futurism, Indiana pairs the speculative with negative aesthetics to point toward a future that is hopeful while being attentive to the trauma of the past and present.","PeriodicalId":54178,"journal":{"name":"Meridians-Feminism Race Transnationalism","volume":"19 1","pages":"401 - 426"},"PeriodicalIF":0.3,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42382323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Petition for a Comprehensive Law against Gender-Based Violence in Cuba: Havana, November 21, 2019","authors":"Lucía M. Suárez","doi":"10.1215/15366936-8308454","DOIUrl":"https://doi.org/10.1215/15366936-8308454","url":null,"abstract":"We also invoke Article 2 of People’s Power National Assembly (PPNA), which defines itself as the “supreme organ of state power” and thus “represents and expresses the sovereign will of the entire nation and is the only body with constituent and legislative power in the Republic.” In addition, we address the Permanent Commission on Childhood Affairs, Youth Affairs, and Women’s Equal Rights which, according to","PeriodicalId":54178,"journal":{"name":"Meridians-Feminism Race Transnationalism","volume":"19 1","pages":"383 - 400"},"PeriodicalIF":0.3,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46111948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Structure of Terror in Jamaica Kincaid's A Small Place","authors":"Lauren E. Shoemaker","doi":"10.1215/15366936-8117735","DOIUrl":"https://doi.org/10.1215/15366936-8117735","url":null,"abstract":"Abstract:Literature by women of the third world is capable of expressing emergent feelings attached to objects and everyday activities, which reveal underlying economic processes. One such activity that inspires diverging feelings, the Caribbean vacation, reveals a continued exploitative colonial economy. Jamaica Kincaid's essays in A Small Place dramatize the competing narratives of vacation as happiness object and misery-causing activities within the framework of the structure of terror. Many critics read differences of race and class developed through figures of the tourist and the native in the early essays as necessarily divisive post-colonial critique, but they read Kincaid's final essay as an attempt to transcend such divisions. Many have lauded Kincaid's call to throw off old categories and focus on shared (biological) humanity, yet this very category of \"human\" has been constructed through (social) discourses of race, gender, and class. Instead, I argue that Kincaid continues insisting on multiple subject positions, subverting the argument she seems to make on the surface and critiquing colonial epistemologies—in discourse and visual regimes—through application of Sylvia Wynter's interrogation of dominant worldviews of both humanism and an approach to environments.","PeriodicalId":54178,"journal":{"name":"Meridians-Feminism Race Transnationalism","volume":"19 1","pages":"106 - 85"},"PeriodicalIF":0.3,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44934724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}