JAHRBUCHER FUR GESCHICHTE OSTEUROPAS最新文献_第8页

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2019-01-01 DOI: 10.25162/jgo-2019-0011

Leah Goldman

引用次数: 1

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2019-01-01 DOI: 10.25162/JGO-2019-0013

Michel Abesser

{"title":"Progressiv weil national?","authors":"Michel Abesser","doi":"10.25162/JGO-2019-0013","DOIUrl":"https://doi.org/10.25162/JGO-2019-0013","url":null,"abstract":"The article analyses debates on jazz after 1953 through the lens of Soviet national cultures. Within the context of Cultural Cold War and the limited opening of the country, the question of a unique Soviet Jazz quickly gained political relevance. Soviet Estonia, at the multinational empire’s periphery, was often imagined as the “Soviet West” by contemporaries. The republic was home to a small but well-educated jazz scene that already developed during the time of the anti-western campaigns of the late 1940s. In the post-Stalin period, Party and cultural elites in Moscow and Leningrad increasingly struggled with a growing number of young jazz enthusiasts that aimed at establishing jazz as art music based on improvisation and influenced by the American model. In these debates on the establishment of a specifically Soviet Jazz, conservative and reform-minded members of the cultural elites envisioned Estonian jazz as an early role model for a number of reasons: Its members were not only highly qualified, but also willing to make traditional Estonian folklore a key element of jazz. What is more, the musicians kept close ties with the Estonian cultural institutions. The growing number of jazz festivals hosted in the Estonian Soviet Republic provided an important public space for the emerging young Soviet jazz culture. At the same time, many Estonian jazz musicians advocated a more critical approach towards improvisation than musicians from Moscow and Leningrad. Their discussions resembled arguments against American superficiality brought forward by party ideologists in the late 1940s. The article questions narratives of jazz as cultural resistance to political oppression, and argues that a focus on cultural transfer from behind the Iron Curtain is too narrow for explaining the genesis, heterogeneity and durability of late Soviet culture. Greater emphasis on the non-Russian peripheries as cradles of culture can provide us with more nuanced interpretations on the renewal of Soviet culture after Stalin’ death.","PeriodicalId":54097,"journal":{"name":"JAHRBUCHER FUR GESCHICHTE OSTEUROPAS","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69177682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Schundsänger gegen die organisierte Langeweile 闭嘴好吗

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2019-01-01 DOI: 10.25162/JGO-2019-0014

Ingo Grabowsky

引用次数: 1

Picturing Soviet Childhood 描绘苏联的童年

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2019-01-01 DOI: 10.25162/JGO-2019-0003

Monica Rüthers

{"title":"Picturing Soviet Childhood","authors":"Monica Rüthers","doi":"10.25162/JGO-2019-0003","DOIUrl":"https://doi.org/10.25162/JGO-2019-0003","url":null,"abstract":"Using the key concept of socialist realism as interpretational frame, the paper investigates the visual construction of the spaces of the ‘happy Soviet childhood’ in provincial contexts. Sources are photo albums of pioneer summer camps from the 1960s and 1970s situated in the southern Urals and in the Moscow region, interviews with former camp leaders, and instruction materials. The elaborate albums were conceived as internal reports for local authorities and submitted to a regional competition for the best camp. As adult narrations of a happy childhood, the albums are part of a cultural system that created and represented a specific topography of Soviet happy childhood. At the same time, the photographic reports are witnesses of the gaze upon this childhood. The paper explores not so much the single photographs, but the albums as artefacts. The emphasis is on the social practices surrounding the (re)production of the images and narrations by making, choosing and arranging photographs with slogans and emblems in the albums. The visual approach is combined with a spatial one: The summer camps were part of a Soviet topography of childhood offering heterotopic spaces in the context of the Soviet cult of childhood. They also provided the opportunity, namely for women, to escape temporarily from the mind-numbing and controlled spaces of work and family chores.","PeriodicalId":54097,"journal":{"name":"JAHRBUCHER FUR GESCHICHTE OSTEUROPAS","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69175644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Verflechtung wider Willen? 无意识的融合?

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2019-01-01 DOI: 10.25162/JGO-2019-0009

Michel Abesser

引用次数: 0

'To Remember Pskov' How the Medieval Republic was Stamped on the National Memory 《纪念普斯科夫》中世纪共和国是如何烙印在民族记忆中的

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2019-01-01 DOI: 10.25162/jgo-2018-0017

A. Filyushkin

引用次数: 1

osmikon löst die Virtuelle Fachbibliothek Osteuropa (ViFaOst) ab osmikon正在接管整个东海岸学术图书馆

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2018-10-01 DOI: 10.25162/jgo-2018-0016

Arnost Stanzel

引用次数: 0

Inakomysliashchie and Orthodoxy – the Case of the Priests Nikolai Eshliman and Gleb Iakunin Andersdenken(de) und Orthodoxie – Der Fall der Priester Nikolaj Ėšliman und Gleb Jakunin

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2018-10-01 DOI: 10.25162/JGO-2018-0014

Christian Föller

引用次数: 0

Revisionismus: Elemente, Ursprünge und Wirkungen der Debatte um den Stalinismus „von unten“. Elements, Origins and Outcomes of the Debate on Stalinism ‘from below’ 修正主义:斯大林主义争论的要素、起源和闪现。元素、始创和衣服中斯大林主义的风格

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2018-01-01 DOI: 10.25162/JGO-2018-0020

M. Wagner

引用次数: 0

“Re-Fighting the Civil War”: Second Lieutenant Mikhail Aleksandrovich Gubanov 《再战内战》:米哈伊尔·亚历山德罗维奇·古巴诺夫少尉

JAHRBUCHER FUR GESCHICHTE OSTEUROPAS Pub Date : 2018-01-01 DOI: 10.25162/JGO-2018-0010

O. Beyda

{"title":"“Re-Fighting the Civil War”: Second Lieutenant Mikhail Aleksandrovich Gubanov","authors":"O. Beyda","doi":"10.25162/JGO-2018-0010","DOIUrl":"https://doi.org/10.25162/JGO-2018-0010","url":null,"abstract":"This article sets out to present a biography of Second Lieutenant Mikhail Aleksandrovich Gubanov, a Russian White emigrant. After surviving the Civil War in Russia, Gubanov spent many years in exile in Czechoslovakia, where he played an active role in the Gallipoli Union in Prague. After completing higher military-technical courses, he served as one of the lecturers. Following the attack by Nazi Germany on the USSR, Gubanov enlisted in the Wehrmacht as a translator and set off for the German-Soviet front, where he took part in the Battle of Rzhev. After the war, he lived in Germany and published in military-historical journals of the Russian emigration. The biography of this unremarkable “small man” brings together general tendencies that characterised a whole group of people in the White military emigration. Gubanov’s life can serve as a collective example, a standard image of the fate of such White emigre “defeatists” - of people who considered that in the struggle against the USSR any means were justified, including collaboration. It has been possible to reconstruct his life using materials from various Russian and German archives: the bulk of the documents came from the State Archive of Russian Federation (GARF), with additional important pieces from Stadtarchiv Gottingen, as well as Bundesarchiv-Militararchiv and others. Gubanov himself was a prolific author: various articles penned by him in Russian military emigre journals and bulletins were also used. The present work also provides for the first time a historical account of the establishing, in Prague, of courses for foreign officers, as well as examining the use that was made of Russian emigres by the German army. It is concluded that the emigres, clinging to the concept of “irreconcilability” and living in an illusory world, in the end supported the German invasion of the USSR and took part in the genocidal campaign.","PeriodicalId":54097,"journal":{"name":"JAHRBUCHER FUR GESCHICHTE OSTEUROPAS","volume":"12 1","pages":"245-273"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86723628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1