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Studies in American Humor最新文献

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Freedom in Laughter: Dick Gregory, Bill Cosby, and the Civil Rights Movement 笑声中的自由:迪克·格里高利、比尔·科斯比和民权运动
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.409
Michael H. Epp
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引用次数: 0
From Blackface to Black Twitter: Reflections on Black Humor, Race, Politics, and Gender by Jannette L. Dates and Mia Moody Ramirez (review) 《从黑脸到黑人推特:对黑人幽默、种族、政治和性别的思考》作者:珍妮特·l·达茨和米娅·穆迪·拉米雷斯
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.405
B. Edmonds
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引用次数: 1
How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 by Jean Lee Cole (review) 《另一半是怎样笑的:1895-1920年美国文化中的喜剧情感》作者:吉恩·李·科尔
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.392
Rick Cousins
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引用次数: 1
The Routledge Comedy Studies Reader 劳特利奇喜剧研究读本
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.395
E. Russell
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引用次数: 0
At Wit's End: The Deadly Discourse of the Jewish Joke 《无计可施:犹太笑话的致命话语
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.402
Amelia Precup
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引用次数: 0
Matters of Empire in American Humor: An Introduction to the Special Issue 美国幽默中的帝国问题:特刊简介
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.0269
J. Y. Lee
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引用次数: 0
Caricature and the Colonization Machine: The Nib's "Empire" Issue as a Comic Stretch of the Imagination 漫画和殖民机器:笔尖的“帝国”问题作为想象力的漫画延伸
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.0347
Christopher J. Gilbert
{"title":"Caricature and the Colonization Machine: The Nib's \"Empire\" Issue as a Comic Stretch of the Imagination","authors":"Christopher J. Gilbert","doi":"10.5325/studamerhumor.7.2.0347","DOIUrl":"https://doi.org/10.5325/studamerhumor.7.2.0347","url":null,"abstract":"ABSTRACT:To see comicality in the reach of imperialism is to see the rhetorical force of empire itself in collective imaginations. This article approaches matters of empire through the lens of caricature. More specifically, it frames caricature as a rhetorical counterforce to images and ideas of imperialism. Comics publication the Nib put out an \"Empire\" issue in 2019. In an effort to figure out how a comic stretch of the imagination represents empire across histories, geographic locations, and cultural milieus for what it is—a mechanism of disimagination—I explore several standout comics and editorial cartoons in the issue. Looking at themes of monumentality and the taint of collective memory, historical revisionism and historiographical ridicule, and cultural dominion, I argue that caricature in the Nib's \"Empire\" issue reimagines imperialism, comically, as a complex (even if reductive) way of organizing a lack of imagination.","PeriodicalId":53944,"journal":{"name":"Studies in American Humor","volume":"1 1","pages":"347 - 376"},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73047271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Crazy Funny: Popular Black Satire and The Methods of MadnessLaughing to Keep from Dying: African American Satire in the Twenty-First Century 疯狂的幽默:流行的黑色讽刺和疯狂的笑免于死亡的方法:21世纪的非裔美国讽刺
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.377
Jessyka Finley
{"title":"Crazy Funny: Popular Black Satire and The Methods of MadnessLaughing to Keep from Dying: African American Satire in the Twenty-First Century","authors":"Jessyka Finley","doi":"10.5325/studamerhumor.7.2.377","DOIUrl":"https://doi.org/10.5325/studamerhumor.7.2.377","url":null,"abstract":"","PeriodicalId":53944,"journal":{"name":"Studies in American Humor","volume":"234 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86197355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“I Wonder Which of You is Real” “我不知道你哪一个是真的”
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.0329
Orr
{"title":"“I Wonder Which of You is Real”","authors":"Orr","doi":"10.5325/studamerhumor.7.2.0329","DOIUrl":"https://doi.org/10.5325/studamerhumor.7.2.0329","url":null,"abstract":"\u0000 In response to Judith Yaross Lee's introduction of a framework designed to probe the relationship between empire and American humor, this article analyzes John Kneubuhl's “The Night of the Two-Legged Buffalo,” a 1966 episode of The Wild Wild West (1965-69). Kneubuhl (1920-92) was a Samoan American playwright who wrote for theater, television, and film. Like Mark Twain, he demonstrated a lifelong interest in the trope of the confidence man. In “The Night of the Two-Legged Buffalo” he depicts protagonists and antagonists alike in the US borderlands as con artists contending for power. While agents Jim West and Artemus Gordon emerge as cultural impersonators who serve the ideology of Manifest Destiny, the Prince of the South Sea Coral Islands, a Polynesian aristocrat, deploys American hegemony in Oceania. Kneubuhl draws on conventions of the fale aitu, a Samoan theatrical genre, as well as his association with Sam Amalu, a Native Hawaiian humorist and con man known for his elaborate pranks and swindles. As a site of contest between what Lee terms “neocolonial hybridity” and “postcolonial discontinuity,” “The Night of the Two-Legged Buffalo” exemplifies Kneubuhl's unique trickster aesthetics.","PeriodicalId":53944,"journal":{"name":"Studies in American Humor","volume":"32 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83248227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Vaudeville and the Making of Modern Entertainment, 1890-1925 by David Monod (review) 《歌舞杂耍与现代娱乐的形成，1890-1925》，作者:大卫·莫诺德
IF 1
Studies in American Humor Pub Date : 2021-10-01 DOI: 10.5325/studamerhumor.7.2.388
Teresa Prados-Torreira
{"title":"Vaudeville and the Making of Modern Entertainment, 1890-1925 by David Monod (review)","authors":"Teresa Prados-Torreira","doi":"10.5325/studamerhumor.7.2.388","DOIUrl":"https://doi.org/10.5325/studamerhumor.7.2.388","url":null,"abstract":"","PeriodicalId":53944,"journal":{"name":"Studies in American Humor","volume":"36 1","pages":"388 - 391"},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88453118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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