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Les îles (2011) d’Isabelle Panneton et l’héritage de Philippe Boesmans : généalogie d’une démarche compositionnelle isabelle Panneton的《Les iles》(2011)和Philippe Boesmans的遗产:作曲方法的谱系学
Circuit Pub Date : 2021-01-01 DOI: 10.7202/1079643ar
Marie-Pierre Brasset
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引用次数: 0
Dissolution and a “Universe of Solutions”: Deliberate Disruptions, Ever-Changing Repetition, and Vocal Prosody in Björk’s Vulnicura 解散和“解决方案的宇宙”:在Björk的Vulnicura故意中断，不断变化的重复和声乐韵律
Circuit Pub Date : 2021-01-01 DOI: 10.7202/1085811ar
Victoria Malawey
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引用次数: 0
Vingt regards sur Harry Halbreich, un éveilleur émerveillé 哈利·哈尔布雷希，一个惊异的觉醒者
Circuit Pub Date : 2021-01-01 DOI: 10.7202/1079640ar
Laurence Mekhitarian
{"title":"Vingt regards sur Harry Halbreich, un éveilleur émerveillé","authors":"Laurence Mekhitarian","doi":"10.7202/1079640ar","DOIUrl":"https://doi.org/10.7202/1079640ar","url":null,"abstract":"Presentation d’un portrait du musicologue belge Harry Halbreich a travers « vingt regards » evoquant ses publications, ses activites de conferencier et d’enseignant, sa participation active au milieu de la musique contemporaine a l’echelle mondiale ainsi que des souvenirs personnels lies a l’homme dans sa vie privee.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88007148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Collaborations Québec/Belgique : une chronologie partielle (1969-2021) 魁北克/比利时合作:部分年表(1969-2021)
Circuit Pub Date : 2021-01-01 DOI: 10.7202/1079638ar
Bruno De Cat
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引用次数: 0
Avant-propos. Björk, Montréal et le Nunavut Avant-propos .Björk, Montré艾尔的le罗比舍湾
Circuit Pub Date : 2021-01-01 DOI: 10.7202/1085808ar
Maxime Mckinley
{"title":"Avant-propos. Björk, Montréal et le Nunavut","authors":"Maxime Mckinley","doi":"10.7202/1085808ar","DOIUrl":"https://doi.org/10.7202/1085808ar","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83411276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Livrés/rivrés/givrés à nous-mêmes 交付/铆接/磨砂给我们
Circuit Pub Date : 2021-01-01 DOI: 10.7202/1079642ar
J. Fafchamps, Michel Gonneville
{"title":"Livrés/rivrés/givrés à nous-mêmes","authors":"J. Fafchamps, Michel Gonneville","doi":"10.7202/1079642ar","DOIUrl":"https://doi.org/10.7202/1079642ar","url":null,"abstract":"En cinq themes, l’article resume un long et amical echange de courriels auquel se sont livres les compositeurs Jean-Luc Fafchamps (Belgique) et Michel Gonneville (Quebec) entre octobre 2020 et janvier 2021. Chacun parle d’abord de la musique de l’autre, et particulierement d’un opera de l’autre, tout recemment ecrit et produit. Ensuite, tous deux se livrent a un exercice de comparaison de leurs demarches creatrices, qu’ils situent brievement dans leurs contextes nationaux respectifs. Partageant une longue experience d’enseignement, les auteurs evoquent enfin la responsabilite de la transmission non seulement de connaissances et d’une culture musicale, mais aussi d’un gout et d’un plaisir de la decouverte esthetique.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85146382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le Centre Henri Pousseur : lieu unique d’expérimentation et de recherche sonores en Belgique depuis 50 ans Henri Pousseur中心:比利时50年来独特的声音实验和研究场所
Circuit Pub Date : 2021-01-01 DOI: 10.7202/1079644ar
Stijn Boeve
{"title":"Le Centre Henri Pousseur : lieu unique d’expérimentation et de recherche sonores en Belgique depuis 50 ans","authors":"Stijn Boeve","doi":"10.7202/1079644ar","DOIUrl":"https://doi.org/10.7202/1079644ar","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85979964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fêtes sonores : les 40 ans de Productions SuperMusique entendus par… 声音庆典:40年的超级音乐制作被…
Circuit Pub Date : 2020-01-01 DOI: 10.7202/1071124ar
Michel F. Côté, J. Derome, Joane Hétu, D. Roger, Scott Thomson
{"title":"Fêtes sonores : les 40 ans de Productions SuperMusique entendus par…","authors":"Michel F. Côté, J. Derome, Joane Hétu, D. Roger, Scott Thomson","doi":"10.7202/1071124ar","DOIUrl":"https://doi.org/10.7202/1071124ar","url":null,"abstract":"La saison artistique 2020-2021 marque le 40e anniversaire de Productions SuperMusique, organisme au coeur de la musique actuelle a Montreal. 25 ans apres le dossier « Definir la musique actuelle ? », paru dans Circuit en 1995, quatre des memes piliers de la musique actuelle – Michel F Cote, Jean Derome, Joane Hetu et Danielle Palardy Roger, encore tres actifs aujourd’hui – reprennent ici la plume pour temoigner d’ou ils en sont maintenant. A ces quatre voix s’ajoute celle de Scott Thomson, musicien anglophone de la nouvelle generation qui amene une perspective a la fois interieure et exterieure sur l’evolution de SuperMusique. Cette collection de cinq textes constitue, ainsi, une source d’informations de premiere main sur l’un des phares de la scene montrealaise des musiques improvisees.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83095691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Is The Honeymoon Over? The Tumultuous Love Affair Between the Museum and the Arts of Sound 蜜月结束了吗?博物馆与声音艺术之间纷乱的爱情
Circuit Pub Date : 2020-01-01 DOI: 10.7202/1069080ar
Lina Džuverović
{"title":"Is The Honeymoon Over? The Tumultuous Love Affair Between the Museum and the Arts of Sound","authors":"Lina Džuverović","doi":"10.7202/1069080ar","DOIUrl":"https://doi.org/10.7202/1069080ar","url":null,"abstract":"This text considers points of intersection between the arts of sound and visual arts institutions and examines their rapidly changing relationships from the beginning of the twenty-first century to the present day. Combining an autoethnographic approach, drawing on the author’s curatorial work with sound-based practices as the director of the London-based commissioning art agency Electra, and sustained observations of broader issues emerging around sound-led work in the field of contemporary art, the text identifies a number of ways in which “sonic substance” enters visual arts institutions. The author considers how these dynamics have changed over the past twenty years and analyses ruptures that emerge along the way.","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87273773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Nouveautés en bref 新产品简介
Circuit Pub Date : 2020-01-01 DOI: 10.7202/038265ar
Réjean Beaucage
{"title":"Nouveautés en bref","authors":"Réjean Beaucage","doi":"10.7202/038265ar","DOIUrl":"https://doi.org/10.7202/038265ar","url":null,"abstract":"","PeriodicalId":53890,"journal":{"name":"Circuit","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85995342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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