Imafronte-Revista de Historia del Arte最新文献

{"title":"Catalina de Médici: Retratos al servicio de una imagen de poder","authors":"María Cristina Grau","doi":"10.6018/IMAFRONTE.460331","DOIUrl":"https://doi.org/10.6018/IMAFRONTE.460331","url":null,"abstract":"El artículo presente analiza la evolución iconográfica en la construcción y en la promoción de la imagen de poder de Catalina de Médici, reina de Francia de la decimosexta centuria.\u0000 The present article analyzes the iconographic evolution in the construction and promotion of the image of power of Catherine de’ Medici, Queen of France in the sixteenth century.","PeriodicalId":53885,"journal":{"name":"Imafronte-Revista de Historia del Arte","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42775871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"En torno al templo parroquial de Nuestra Señora de la Asunción de Cieza (siglos XVIII-XIX)","authors":"Manuel Marín Rodríguez","doi":"10.6018/imafronte.460351","DOIUrl":"https://doi.org/10.6018/imafronte.460351","url":null,"abstract":"En este artículo se realiza un estudio histórico-artístico sobre la Basílica de Nuestra Señora de la Asunción de Cieza, desde sus orígenes hasta el final de su construcción en 1873, dando a conocer los diversos canteros y arquitectos que intervinieron en el proceso de sus obras, periodo que, según se desprende de la bibliografía y la documentación consultada, parece ser que abarcó desde finales del siglo XVII hasta finales del siglo XIX, momento en el que se concluye su torre campanario por parte del arquitecto murciano José Marín Baldo, cuyo proyecto original redactado en 1873, queda plasmado en el apéndice documental que lo acompaña.\u0000 In this article a historical-artistic study is carried out on the Basilica of Our Lady of the Assumption of Cieza, from its origins until the end of its construction in 1873, making known the various stonecutters and architects who intervened in the process of their works, a period that, as can be seen from the bibliography and the documentation consulted, seems to have spanned from the end of the 17th century until the end of the 19th century, at which time its bell tower is completed by the Murcian architect José Marín Baldo, whose project original written in 1873, is reflected in the accompanying documentary appendix.","PeriodicalId":53885,"journal":{"name":"Imafronte-Revista de Historia del Arte","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71331245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La conformación de la Colección de Fotografía del Museo de Bellas Artes de Bilbao","authors":"Dolors Fabra Antón","doi":"10.6018/imafronte.376501","DOIUrl":"https://doi.org/10.6018/imafronte.376501","url":null,"abstract":"El presente artículo se basa en las conclusiones de la Tesis doctoral La Colección de Fotografía del Museo de Bellas Artes de Bilbao (1914-2014): estudio, catalogación y análisis1. Más allá del estudio de los fondos fotográficos que custodia el Museo, la investigación plantea cuestiones adyacentes que aluden a la problemática de la conservación del Patrimonio fotográfico, como a las dificultades que tenido el medio en su introducción en las instituciones, especialmente en lo que atañe a los museos. Con ello se perfila con contexto en el que ubicar el papel que tuvo el Bilboko Arte Ederren Museoa=Museo de Bellas Artes de Bilbao en su principal etapa de conformación de la Colección de fotografía, desde 1980 hasta 1997. Por otro lado, se busca dar a conocer los fondos conservados en el Museo, como aportación a la cartografía del Patrimonio fotográfico español y a la problemática de su indefinición. \u0000 \u00001Dirigida por José Manuel Susperregui y Concha Casajús, fue defendida en la Universidad Complutense de Madrid el 20 de febrero del 2019. Asimismo, la investigación tuvo como punto de partida la Beca BBK-Museo, que me fue concedida durante los años 2014 hasta 2016, con el fin de catalogar y hacer un primer estudio de la Colección de Fotografía del Bilboko Arte Ederren Museoa=Museo de Bellas Artes de Bilbao. \u0000\u0000 This article is based on the conclusions of the doctoral thesis The Photography Collection of the Museum of Fine Arts of Bilbao (1914-2014): study, cataloging and analysis1. Beyond the study of the photographic collections that the Museum keeps, the research raises adjacent issues that allude to the problematic of the conservation of the photographic heritage, as well as the difficulties that the medium had in its introduction in the institutions, especially as regards to the museums. With this, it is outlined with context in which to locate the paper that the Museum of Fine Arts of Bilbao in its main stage of conformation of the Photography Collection, from 1980 to 1997. On the other hand, it is sought to give to know the funds preserved in the Museum, as a contribution to the cartography of the Spanish photographic heritage and the problems of its lack of definition. \u0000 \u00001Directed by José Manuel Susperregui and Concha Casajús, it was defended at the Complutense University of Madrid on February 20, 2019. Likewise, the research had as its starting point the BBK-Museum Scholarship, which was granted to me during the years 2014 to 2016, in order to catalog and make a first study of the Photography Collection of the Bilboko Arte Ederren Museoa = Museum of Fine Arts of Bilbao. \u0000 \u0000 ","PeriodicalId":53885,"journal":{"name":"Imafronte-Revista de Historia del Arte","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49566125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}