发布求助
文献互助 智能选刊 最新文献

Lebenswelt-Aesthetics and Philosophy of Experience最新文献

筛选
英文 中文
Gestures, Peirce, and the French philosophy of mathematics 手势、皮尔斯与法国数学哲学
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2019-01-08 DOI: 10.13130/2240-9599/11109
G. Maddalena
{"title":"Gestures, Peirce, and the French philosophy of mathematics","authors":"G. Maddalena","doi":"10.13130/2240-9599/11109","DOIUrl":"https://doi.org/10.13130/2240-9599/11109","url":null,"abstract":"The idea of ‘gesture’ is present in the philosophical world in various forms. All of them might find an important theoretical grounding in pragmatist philosophy, if we combine pragmatism with some French philosophies of mathematics and read it as a way out of the Kantian philosophy of representation. The paper uses the insights of Jean Cavailles (1903-1944) to set out the problem of the weakness of the epistemic Kantian defense of mathematical and logical thought. Cavailles rejected the possible amendments to Kant’s explanation provided by both Husserl and Bolzano and their heirs. He used the word ‘gesture’ in order to explain the activity of mathematicians who have to act synthetically, following rules, with some physical representation, and being aware of the possibility of failure. Cavailles conceived the use of gesture as an alternative to the Heidegerian idea of event defended by Albert Lautman. The paper then follows the idea of gesture in the French philosophy of mathematics of Gilles Châtelet and Giuseppe Longo. Finally, the paper illustrates how Peirce’s study of Existential Graphs and the main insights of pragmatism complete Cavailles’s idea by giving to gestures a phenomenological and semiotic structure. The pragmatist philosophy of gesture is thus a new way of overthrowing Kant’s philosophy of representation without surrendering to irrationalism.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"13 1","pages":"67-76"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43288315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Gesto, lavoro e teoria delle categorie. Per un dialogo tra Peirce e Bloch 手势，工作和分类理论。皮尔斯和布洛赫之间的对话
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2019-01-08 DOI: 10.13130/2240-9599/11111
G. Borrelli
{"title":"Gesto, lavoro e teoria delle categorie. Per un dialogo tra Peirce e Bloch","authors":"G. Borrelli","doi":"10.13130/2240-9599/11111","DOIUrl":"https://doi.org/10.13130/2240-9599/11111","url":null,"abstract":"In this paper, I will try to establish a parallel between Charles S. Peirce’s (1839-1914) and Ernst Bloch’s (1885-1977) theory of categories. Both the authors hypothesise a phenomenological foundation for their theory of categories: categories are elements of Experience (according to Peirce) and products of Praxis (according to Bloch). Nevertheless, Bloch’s phenomenology is characterised by a peculiar aspect: according to Bloch, the gestural dimension plays a fundamental role in the Knowledge Process, positing the category of ‘Possibility’. In line with Maddalena’s analyses on the relation between ‘Complete Gesture’ and ‘Work’, I will try to illustrate that the parallel between Bloch and Peirce can be extended, by including the semiotic dimension of gesture.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43436121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Gesto’ e identità personale. Per una epistemologia del sé in chiave pragmatista “手势”和个人身份。对于语用学钥匙中的自我认识论
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2019-01-08 DOI: 10.13130/2240-9599/11114
M. Bella
{"title":"‘Gesto’ e identità personale. Per una epistemologia del sé in chiave pragmatista","authors":"M. Bella","doi":"10.13130/2240-9599/11114","DOIUrl":"https://doi.org/10.13130/2240-9599/11114","url":null,"abstract":"This article aims to show the validity of an actualization of William James’s pragmatist epistemology of psychology for the construction of personal identity. Following Giovanni Maddalena’s theoretical hypothesis of “gesture” as a complete synthetic tool for the acquisition of knowledge, an in-depth analysis of the continuous and dynamic conception of personal identity proposed by James may be helpful today to better develop the emotional-somatic dimension of synthetic reasoning. As far as the epistemology of the Self is concerned, significant continuities and discontinuities are drawn from James’s naturalized integrated conception of personal identity in the light of this new Peirce’s inspired interpretation. This attempt is part of a wider project in which recovering the character of psychological and ontological processual continuity in James’s epistemology makes a considerable contribution to the development of a comprehensive understanding of mental models, one that avoids to tighten up these models as it happens in most of the contemporary epistemologies of the self.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48865346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nel gesto, nell’atto. L’arte della performance tra opera e evento 在手势中，在行动中。歌剧和活动之间的表演艺术
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2019-01-08 DOI: 10.13130/2240-9599/11116
Lisa Giombini
{"title":"Nel gesto, nell’atto. L’arte della performance tra opera e evento","authors":"Lisa Giombini","doi":"10.13130/2240-9599/11116","DOIUrl":"https://doi.org/10.13130/2240-9599/11116","url":null,"abstract":"What kind of art is performance art?  In what sense – if any – can it be defined? This paper is an attempt to answer these questions by drawing on the category of ‘performative gesture’. One crucial manifestation of the character of performance art is the way it challenges our traditional ideas about what art is. A pivotal point is that performance art does not hold up to the traditional notion of artistic creativity as either a process of ‘production’ or ‘reproduction’. It is rather committed to putting the focus of artistic creativity on a special kind of gestures, differing from both the gestures of traditional art and from the gestures of theater. Performative gestures do not ‘bring anything into being’; analogously, they do not ‘mimic’ nor ‘represent’. Instead, they suggest the worrying idea that everything and anything can be considered art: not only every object, but even every ordinary act in everyday life. In this sense, performance art attempts at blurring the boundaries between art and life.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"13 1","pages":"129-142"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46434993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Generalizzare, proiettare, evitare i gesti incompleti come strumento di analisi psicologica 概括，投射，避免不完整的手势作为心理分析的工具
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2019-01-08 DOI: 10.13130/2240-9599/11115
Matteo Santarelli
{"title":"Generalizzare, proiettare, evitare i gesti incompleti come strumento di analisi psicologica","authors":"Matteo Santarelli","doi":"10.13130/2240-9599/11115","DOIUrl":"https://doi.org/10.13130/2240-9599/11115","url":null,"abstract":"This article aims to apply the classification of incomplete gestures introduced by Maddalena (2015) as a tool for understanding and classifying different attachment patterns (West 2001; Ainsworth, Blehar, Waters, Wall 1978; Talia, Miller-Bottome, Daniel 2017). In the first section the classification of incomplete gestures proposed by Maddalena will be reconstructed. In the second part the relationship between communication and attachment will be introduced through a brief critical survey of the psychological literature dedicated to this subject. In the third part I aim to show how the specific communication of the insecure avoidant pattern is characterized by two specific types of incomplete gestures: schematization and projection. Specifically, the avoidant seems to adopt communicative strategies that allow to minimize, deactivate or at least limit the conjunction between the two phenomenological qualities of firstness and secondness (Peirce). In the conclusions, I will briefly analyse some theoretical repercussions of the approach adopted, especially with regard to the relationship between incompleteness and completeness.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49036140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Karen Pinkus, Fuel. A speculative dictionary 卡伦·平克斯，燃料公司。投机词典
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2018-07-15 DOI: 10.13130/2240-9599/10373
Claudia Lombardo
{"title":"Karen Pinkus, Fuel. A speculative dictionary","authors":"Claudia Lombardo","doi":"10.13130/2240-9599/10373","DOIUrl":"https://doi.org/10.13130/2240-9599/10373","url":null,"abstract":"","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42005947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Stuff that matters. Mimesis and (the end of) magic in Walter Benjamin 重要的东西。米梅斯与沃尔特·本雅明的魔法终结
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2018-07-15 DOI: 10.13130/2240-9599/10366
A. Barale
{"title":"Stuff that matters. Mimesis and (the end of) magic in Walter Benjamin","authors":"A. Barale","doi":"10.13130/2240-9599/10366","DOIUrl":"https://doi.org/10.13130/2240-9599/10366","url":null,"abstract":"The paper focuses on the quite famous but also still quite mysterious idea of “immaterial similarity” (or more literally “nonsensous similarity”) by Walter Benjamin. Benjamin argues that the production of an immaterial similarity is in some way an act of magic. But it is also at the same time an overcoming of magic itself. And the reason is that the “immaterial similarity” can open the way to a “materialistic perspective”. How can that be? In order to answer, we’ll consider Benjamin’s idea of “matter”. In Benjamin’s early writings matter (Materie) appears, as we shall see, as something magic. But there is another idea, which is quite near to matter but is not exactly the same: the idea of “stuff” (Stoff). The stuff is the “material” things are made of. If we search for a definition of it, we can find that it is “the mute, soft and flocky element that – like the snow in the snow globes – clouds over inside the core of things”. We are going to examine this problematic definition. We’ll discover that way that the idea of stuff marks, in comparison to matter, a possibility. A possibility that has to be seized, before it “flits past.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42898658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ritornare a Schlick: semantica modellistica e uso descrittivo del linguaggi 回到Schlick:语义模型和语言的描述性使用
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2018-07-15 DOI: 10.13130/2240-9599/10363
G. Raimo
{"title":"Ritornare a Schlick: semantica modellistica e uso descrittivo del linguaggi","authors":"G. Raimo","doi":"10.13130/2240-9599/10363","DOIUrl":"https://doi.org/10.13130/2240-9599/10363","url":null,"abstract":"In this article, I argue that fregean approach to semantics, like that of modelling semantics, doesn’t have the conceptual tools to define the notions of truth and reference. The reason is that these programs ignore what Wittgenstein taught us, namely the link between meaning and use. More specifically, I intend to show how a theory of descriptive language can only be constructed by clarifying the connection between the notions of linguistic game, meaning and description. But how can this connection be clarified? Wittgenstein, in the second phase of his thought, had never been interested in a theory of this type (ie the construction of a theory of descriptive use), and all his reflections on use and meaning had the sole purpose of “curing” from that essentialist attitude (the claim to capture the \"essence\" of the terms) that had characterized the Tractatus , and which still today characterizes almost the whole analytic philosophy. This means that it is not in Wittgenstein's thought that we can find such a theory, but in Moritz Schlick’s works, who attempted to build a theory of linguistic meaning based on the connection between the notions of image, use and verification.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46218349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
J. Harbord, Ex-centric cinema. Giorgio Agamben and film archaeology J.Harbord，《非中心电影》。乔治·阿甘与电影考古学
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2018-07-15 DOI: 10.13130/2240-9599/10372
Lia Turtas
{"title":"J. Harbord, Ex-centric cinema. Giorgio Agamben and film archaeology","authors":"Lia Turtas","doi":"10.13130/2240-9599/10372","DOIUrl":"https://doi.org/10.13130/2240-9599/10372","url":null,"abstract":"","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43423762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The potentiality of imagination in Mikel Dufrenne’s philosophy Mikel Dufrenne哲学中想象力的潜力
Lebenswelt-Aesthetics and Philosophy of Experience Pub Date : 2018-07-15 DOI: 10.13130/2240-9599/10367
Fabrizia Bandi
{"title":"The potentiality of imagination in Mikel Dufrenne’s philosophy","authors":"Fabrizia Bandi","doi":"10.13130/2240-9599/10367","DOIUrl":"https://doi.org/10.13130/2240-9599/10367","url":null,"abstract":"Alain (Emile Chartier), 1920: Systeme des beaux-arts , Paris, Gallimard, 1920. Burdea, G.C., Coiffet P., 1993: Virtual Reality Technology , Hoboken, New Jersey, John Wiley & Sons Inc., 2003. Dufrenne M., 1953: Phenomenology of aesthetic experience, by E. Casey, Northwestern University Press, Evanston, 1973. Dufrenne M., 1963: Le poetique , Paris, P.U.F., 1963. Dufrenne M., 1966: Jalons , Nijhoff, La Haye, 1963. Dufrenne M., 1967: Esthetique et Philosophie , vol. I, Paris, Klincksieck, 1967. Dufrenne M., 1976a: Esthetique et Philosophi e, vol. II,  Paris, Klincksieck, 1967. Dufrenne M., 1981a: L'inventaire des a priori: recherche de l'originaire , Paris, Bourgois, 1981. Dufrenne M.,  1981b: Esthetique et Philosophie , vol. III,  Klincksieck, Paris. 1981. Dufrenne M.,  1987: L'oeil et l'oreille , Montreal,  L'HEXAGONE, 1987. Franzini E., 1982: Natura e Poesia, Su un inventario degli a priori di Mikel Dufrenne , in Fenomenologia e scienze dell'uomo , Padova, CLESP editrice, pp. 67-90. Sartre J.P., 1940: The psychology of imagination ,  New York, Philosophical library, 1948.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42584691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信