Film and History最新文献

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From Kankakee to Venice: Postwar American Travel Consumerism in David Lean's Summertime (1955) 从坎卡基到威尼斯:大卫·莱恩《夏日》中的战后美国旅游消费主义(1955)
Film and History Pub Date : 2020-12-01 DOI: 10.1353/flm.2020.0019
Peter McInnis
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引用次数: 0
Futurist Cinema: Studies on Italian Avant-garde Film ed. by Rossella Catanese (review) 未来主义电影:意大利先锋派电影研究Rossella Catanese主编(评论)
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0013
Nenad Jovanovic
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引用次数: 0
Free and Easy? A Defining History of the American Film Musical Genre by Sean Griffin (review) 免费和轻松?《美国电影音乐剧的定义史》作者:肖恩·格里芬(书评)
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0011
D. Long
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引用次数: 0
Bad Film Histories: Ethnography and the Early Archive by Katherine Groo (review) 《坏电影史:人种学和早期档案》凯瑟琳·格鲁著(书评)
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0006
Maria A. Vélez-Serna
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引用次数: 0
The Ambivalent Legacy of Elia Kazan: The Politics of the Post-HUAC Films by Ron Briley (review) 《伊利亚·卡赞的矛盾遗产:后huac电影的政治》罗恩·布里利著(评论)
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0012
B. F. Dick
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引用次数: 0
Patriotism as Institutional Racism: The Purge and the Fugitive Slave Act 作为制度性种族主义的爱国主义:清洗与逃亡奴隶法案
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0002
C. Warren
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引用次数: 1
The Shining by K.J. Donnelly (review) 《闪灵》K.J.唐纳利(书评)
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0008
M. Gibson
{"title":"The Shining by K.J. Donnelly (review)","authors":"M. Gibson","doi":"10.1353/flm.2020.0008","DOIUrl":"https://doi.org/10.1353/flm.2020.0008","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"50 1","pages":"86 - 87"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43870770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Lost World of DeMille by John Kobal (review) 约翰·科巴尔《失落的德米尔世界》(书评)
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0009
Kevin Brianton
{"title":"The Lost World of DeMille by John Kobal (review)","authors":"Kevin Brianton","doi":"10.1353/flm.2020.0009","DOIUrl":"https://doi.org/10.1353/flm.2020.0009","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"50 1","pages":"88 - 89"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46172079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Huck (Hound) and Jim (Crow): Syndicated Television Cartoons and Southern Segregation 哈克(猎犬)和吉姆(乌鸦):辛迪加电视卡通与南方种族隔离
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0000
Christopher Lehman
{"title":"Huck (Hound) and Jim (Crow): Syndicated Television Cartoons and Southern Segregation","authors":"Christopher Lehman","doi":"10.1353/flm.2020.0000","DOIUrl":"https://doi.org/10.1353/flm.2020.0000","url":null,"abstract":"n 1953, a Democratic Alabama state legislator named Sam Englehardt, Jr., was worried for the future of segregation. The US Supreme Court had just convened to hear arguments in Brown v. Board of Education, and the lawyers advocating for the plaintiffs were proposing that “separate but equal”—the legal principle that served as the foundation of Jim Crow—had no constitutionality in public schools. In addition, the opening remarks in the land’s highest court came just one month after the Republican Party had won national contests in the executive and legislative branches of government, victories achieved when the South was solidly a Democratic region. The country had even elected its first Republican president in two decades. President-Elect Dwight Eisenhower was noncommittal on civil rights, but his two most recent predecessors in the White House had approved desegregation of the defense industry and the US military. Meanwhile, the congressional elections had resulted in a Republican majority after four years of a Democratic Congress. The prospect of the demise of segregation in public schools thus added insult to these injuries for Englehardt and other southern, segregationist Democrats. Englehardt sought salvation in the new medium of television. In January 1953, he stood at the Alabama Capitol to deliver a proposal: establish a state-owned television system to broadcast public school curricula","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"50 1","pages":"14 - 4"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43692715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Emile Durkheim Rides Again: The Death of the Western Hero and the Rise of the Moral Individualist 迪尔凯姆的再次骑行:西方英雄的死亡与道德个人主义的兴起
Film and History Pub Date : 2020-06-01 DOI: 10.1353/flm.2020.0005
Scott Pearce
{"title":"Emile Durkheim Rides Again: The Death of the Western Hero and the Rise of the Moral Individualist","authors":"Scott Pearce","doi":"10.1353/flm.2020.0005","DOIUrl":"https://doi.org/10.1353/flm.2020.0005","url":null,"abstract":"his article examines the function, transition, and ultimate removal of the hero from the Western film genre in the late 1960s. Most examinations of the genre, especially of its mid-twentieth-century heyday, have assumed that the Western requires a “hero.” Even “antihero” Westerns of the late 1960s depend on this assumption, for although the hero is often absent from antihero narratives, the hero and antihero exist on the same spectrum. The result has been a remarkably binary approach to the genre, with heroic figures played by the likes of Errol Flynn, Randolph Scott, Alan Ladd, and John Wayne used as lenses for understanding largescale cultural movements. This article argues instead that revisionist Westerns, which arose as early as The Ox-Bow Incident (Wellman 1943)","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"50 1","pages":"67 - 80"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46416869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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