FrancospheresPub Date : 2022-06-01DOI: 10.3828/franc.2022.10
P. Chamoiseau, Jeffrey L Allen, Charly Verstraet
{"title":"The entire Relational beauty of the world","authors":"P. Chamoiseau, Jeffrey L Allen, Charly Verstraet","doi":"10.3828/franc.2022.10","DOIUrl":"https://doi.org/10.3828/franc.2022.10","url":null,"abstract":"","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42465443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FrancospheresPub Date : 2022-06-01DOI: 10.3828/franc.2022.2
Guillaume Pigeard de Gurbert
{"title":"Du nouveau au divers","authors":"Guillaume Pigeard de Gurbert","doi":"10.3828/franc.2022.2","DOIUrl":"https://doi.org/10.3828/franc.2022.2","url":null,"abstract":"\u0000Le Nouveau Monde reçoit sa nouveauté des empires européens qui baptisent cette région du monde, non pas en fonction de sa situation dans l’espace, mais selon sa position dans le temps. La conquête de l’espace a fondamentalement le sens d’une colonisation du temps qui fait que les terres colonisées passent après leur centre de tutelle. Armés de la flèche du temps, les États coloniaux ont mis l’irréversibilité dans l’espace mondial, le commerce triangulaire signant ainsi la naissance de la mondialisation. La notion de Relation, de même que toutes ses déclinaisons - mondialité, rhizome, multiplicité… - présuppose une autre détermination de l’espace par le temps, qu’Édouard Glissant véhicule sans toutefois l’identifier ni a fortiori en exploiter la fécondité. À un monde placé sous la loi de la nouveauté, qui est un produit de la succession, il s’agit de substituer un monde ouvert à la diversité, qui est le fruit de la simultanéité. Que signifie en effet la diversité des espaces contemporains sinon leur présence dans le même temps ? Le sens de l’« en même-temps » est l’insu de la Relation, dont nous ne savons pas assez qu’il dépend de nous.","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49279628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FrancospheresPub Date : 2022-06-01DOI: 10.3828/franc.2022.3
Christian Uwe
{"title":"Stages of coloniality","authors":"Christian Uwe","doi":"10.3828/franc.2022.3","DOIUrl":"https://doi.org/10.3828/franc.2022.3","url":null,"abstract":"\u0000The theatrical trilogy Le Monde incréé offers a condensed vision of Édouard Glissant’s conception of the post-Columbian world. The latter, shaped through the tremendous violence of exterminations, slavery, and colonial expansion, is marked by a coloniality in three stages: conquest, subjugation, abolition. Taking a deliberate distance from historical methods of apprehending human time, Glissant’s trilogy (much like most of his work) builds on a ‘prophetic vision of the past’ to explore the lived experience of this coloniality, as well as the ways in which, despite the latter’s staying power, a creolized world emerges from seemingly insurmountable abyssal origins.","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47229357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FrancospheresPub Date : 2022-06-01DOI: 10.3828/franc.2022.5
Takayuki Nakamura
{"title":"La revue Acoma ou l’ouverture collective aux mondes des Amériques","authors":"Takayuki Nakamura","doi":"10.3828/franc.2022.5","DOIUrl":"https://doi.org/10.3828/franc.2022.5","url":null,"abstract":"\u0000Cet article analyse l’intention générale de la revue Acoma, publiée de 1971 à 1973 sous la direction d’Édouard Glissant, et plus particulièrement son ouverture aux mondes américains. Identifiant les principales caractéristiques structurelles de cette « revue de littérature, de sciences humaines et politiques », l’étude rappelle qu’Acoma a d’abord eu pour fonction de témoigner et de garder trace des activités de l’Institut Martiniquais d’Études (IME), fondé en 1967, et qu’elle constitue en ce sens un lieu du travail collectif que mènent alors Glissant et les membres de l’IME pour produire une ‘agitation culturelle’ dans la société martiniquaise et l’extraire de ce qu’ils considèrent être, selon leur diagnostic, le « stade suprême de la colonisation ». Cependant, la revue s’attacha également à ouvrir l’horizon aux pays d’alentour où se poursuivaient les luttes de libération des peuples (États-Unis, Cuba, Québec, etc.). En effet, l’antillanité revendiquée par Glissant à cette époque est étroitement liée à un imaginaire des Amériques et à l’intention de mettre en relation d’autres pays antillais et américains afin de faire émerger et de partager une conscience collective entre les peuples. Aussi cet article démontre-t-il que la revue Acoma actualise un monde antillais ouvert sur les Amériques, quoique cette réalité soit encore « virtuelle » et à bâtir aujourd’hui.","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49431959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FrancospheresPub Date : 2022-06-01DOI: 10.3828/franc.2022.8
Oana Panaïté
{"title":"The afterwor(l)ds of Édouard Glissant","authors":"Oana Panaïté","doi":"10.3828/franc.2022.8","DOIUrl":"https://doi.org/10.3828/franc.2022.8","url":null,"abstract":"\u0000A decade after Édouard Glissant’s passing, how have his self-proclaimed intellectual heirs and scholars of his work placed this work in the contemporary Western, francophone, Caribbean, or global theoretical landscape? What role does his historical and biographical contextualization, such as describing the thinker as Martinican, Black, or francophone play in shaping his legacy? What are the unacknowledged hierarchies and ideological assumptions that shape these different interpretations of the same body of work? How do notions of influence, filiation, and debt affect the reception and the world-making potentialities of key concepts such as ‘Tout-monde’, ‘chaos-monde’, or ‘Relation’?","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45399215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FrancospheresPub Date : 2021-06-01DOI: 10.3828/franc.2021.1
Jonathan Lewis, A. Wimbush
{"title":"Introduction","authors":"Jonathan Lewis, A. Wimbush","doi":"10.3828/franc.2021.1","DOIUrl":"https://doi.org/10.3828/franc.2021.1","url":null,"abstract":"","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42142572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FrancospheresPub Date : 2021-06-01DOI: 10.3828/franc.2021.10
A. Devi, Jessica Rainey, S. Bootle, Ita Mac Carthy, A. Damlé, Rebekah Vince, Kim Sanderson, Khalid Lyamlahy
{"title":"Une danse de funambule Transpositions in art, text, and language","authors":"A. Devi, Jessica Rainey, S. Bootle, Ita Mac Carthy, A. Damlé, Rebekah Vince, Kim Sanderson, Khalid Lyamlahy","doi":"10.3828/franc.2021.10","DOIUrl":"https://doi.org/10.3828/franc.2021.10","url":null,"abstract":"","PeriodicalId":53133,"journal":{"name":"Francospheres","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70510467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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