{"title":"Catching the Urban Atmosphere of Taichung, Taiwan","authors":"Theodoor A. M. Richard, Hui‐Chuan Pai","doi":"10.1111/var.12309","DOIUrl":"https://doi.org/10.1111/var.12309","url":null,"abstract":"Abstract This article proposes an ethno‐phenomenographic essay combining writing and photography to examine the contemporary atmosphere in Taichung, Taiwan. It explores the atmospheric effect of painted powerboxes. A selection of situations and atmospheric characteristics is described from different angles, and the history of the painting of these boxes is reflected upon, while themes and colorization of their peinture (painted image, my translation) are presented. Combined methods of photography and commented walk show an overall picture of this effect. The photographs illustrate how these boxes are present as people pass them by in their daily lives. Our comments sketch how these boxes and their environments weave themselves in and out of the perception of passers‐by to create a certain city atmosphere. We use photographs and writing in this way to support each other through dialogue. We contribute to the discussion of the phenomenology of the atmosphere through the use of visual anthropology.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135759461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Elementos mitológicos y arquetipales en el cine","authors":"Teresa Martín Muñoz","doi":"10.37467/revvisual.v13.4531","DOIUrl":"https://doi.org/10.37467/revvisual.v13.4531","url":null,"abstract":"La Princesa Prometida es una producción cinematográfica de culto repleta de elementos simbólicos y contenidos mitológicos. Este estudio sigue la línea de trabajos que afirman que la ficción proyectada en las películas tiene el potencial de ayudar en el camino de la individuación y a crecer en autoconciencia a través de hacer conscientes los elementos simbólicos. (Hauke, 2009; Izod,2000). Partiendo de la noción de inconsciente colectivo de C. G. Jung y «el viaje del héroe» de J. Campbell, se realiza un análisis de los contenidos mitológicos y arquetípicos para aproximarnos a lectura del quinto arte desde una perspectiva psicológica profunda.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135853176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Espejos y autorrepresentación en la era de la híper-mediación digital","authors":"Rodrigo Flechoso Fernández","doi":"10.37467/revvisual.v13.3256","DOIUrl":"https://doi.org/10.37467/revvisual.v13.3256","url":null,"abstract":"Nos proponemos comparar la experiencia del individuo frente al espejo con la mantenida por el usuario con las plataformas virtuales con las que interactúa diariamente (como la web 2.0 o las redes sociales). Ambos dispositivos cumplen un papel intermediario en la imagen que nos devuelven y que tiene un gran peso la construcción identitaria de cada uno. Analizando las características tanto simbólicas como morfológicas que comparten, advertimos hasta qué punto son determinantes para con el carácter del reflejo que emiten, evidenciando la preocupante pérdida de control que el individuo tiene sobre su propia subjetividad.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136209199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Madayin: Eight Decades of Australian Aboriginal Bark Paintings from Yirrkala","authors":"Fred Myers","doi":"10.1111/var.12307","DOIUrl":"https://doi.org/10.1111/var.12307","url":null,"abstract":"Visual Anthropology ReviewEarly View Critique Madayin: Eight Decades of Australian Aboriginal Bark Paintings from Yirrkala Curated by Wukun Wanambi, Djambawa Marawili, Henry Skerritt, Kade McDonald, and the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia in partnership with the Buku-Larrŋgay Mulka Centre, February 4 – May 14, 2023, American University Museum, Katzen Arts Center, Washington, D.C. (February 3 – July 21, 2024 on display at The Fralin Museum of Art in Charlottesville, VA). Fred Myers, Corresponding Author Fred Myers [email protected] orcid.org/0000-0001-5910-2392 New York UniversitySearch for more papers by this author Fred Myers, Corresponding Author Fred Myers [email protected] orcid.org/0000-0001-5910-2392 New York UniversitySearch for more papers by this author First published: 10 October 2023 https://doi.org/10.1111/var.12307Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat References Aikman, Amos. 2022. “Finding A Path to Keep Stories Alive.” The Australian, August 20, 2022, page 4. Lévi-Strauss, Claude. [1962] 1966. In The Savage Mind, edited by George Weidenfeld. Chicago, IL: University of Chicago Press. Morphy, Frances. 2022. “ When Two Worlds Meet: ‘Translation’ and its Dilemmas.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 59–64. New York, NY: Delmonico Books/Kluge-Ruhe. Morphy, Howard, Naminapu Maymuru-White, and Frances Morphy. 2022. “ Milngiyawuy/The Milky Way.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 168–176. New York, NY: Delmonico Books/Kluge-Ruhe. Skerritt, Henry. 2018. “ The Country Speaks through her.” In Noŋgirrŋa Marawili: From my Heart and Mind, edited by Cara Pinchbeck, 34–45. Sydney, NSW: Art Gallery of New South Wales. Smith, Margo. 2022. “ Director's Foreword.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 14–20. New York, NY: Delmonico Books/Kluge-Ruhe. Wanambi, Wukun, Henry Skerritt, and Kade McDonald. 2022. “ Madayin: The Sacred and the Beautiful.” In Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, edited by Wukun Wanambi, Kade McDonald, and Henry Skerritt, 21–30. New York, NY: Delmonico Books/Kluge-Ruhe. Early ViewOnline Version of Record before inclusion in an issue ReferencesRelatedInformation","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136358357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hshouma: Corps et sexualité au Maroc (Shame: Body and Sexuality in Morocco)","authors":"Gwyneth Talley, Zainab Fasiki","doi":"10.1111/var.12306","DOIUrl":"https://doi.org/10.1111/var.12306","url":null,"abstract":"Abstract This Dialogues contribution reviews the work Hshouma: Corps et Sexualité au Maroc ( Hshouma: Body and Sexuality in Morocco ) by Zainab Fasiki and includes an interview of the author. Hshouma is a graphic novel comic book that has received great acclaim for its direct confrontation of shame and taboos in Morocco. However, the book and the author have also received a lot of criticism for Fasiki's use of nudity and her secular approach. What follows is background of the author and discussion of the word hshouma , a review of the work, and a transcription of the May 2022 interview.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"247 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136295589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Swarm Season","authors":"Martin Gruber","doi":"10.1111/var.12305","DOIUrl":"https://doi.org/10.1111/var.12305","url":null,"abstract":"Visual Anthropology ReviewEarly View Critique Swarm Season Directed by Sarah Christman. Grasshopper Film, 2019. 86 minutes, color. Martin Gruber, Corresponding Author Martin Gruber [email protected] orcid.org/0000-0001-7243-2556 University of BremenSearch for more papers by this author Martin Gruber, Corresponding Author Martin Gruber [email protected] orcid.org/0000-0001-7243-2556 University of BremenSearch for more papers by this author First published: 04 October 2023 https://doi.org/10.1111/var.12305Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat No abstract is available for this article. Reference Haraway, Donna. 2003. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago, IL: Prickly Paradigm Press. Early ViewOnline Version of Record before inclusion in an issue ReferencesRelatedInformation","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Weight of a Bird","authors":"Xinyue Liu","doi":"10.1111/var.12308","DOIUrl":"https://doi.org/10.1111/var.12308","url":null,"abstract":"Visual Anthropology ReviewEarly View Critique The Weight of a Bird Review of the Migrant Ecologies Project. https://migrantecologies.org.Created by Lucy Davis, 2009, Accessed February 10, 2023 Xinyue Liu, Corresponding Author Xinyue Liu [email protected] University of Oxford – Ruskin School of ArtSearch for more papers by this author Xinyue Liu, Corresponding Author Xinyue Liu [email protected] University of Oxford – Ruskin School of ArtSearch for more papers by this author First published: 04 October 2023 https://doi.org/10.1111/var.12308Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat References Albrecht, Glenn. 2017. “ Solastalgia and the New Mourning.” In Mourning Nature: Hope at the Heart of Ecological Loss and Grief, edited by Ashlee Cunsolo and Karen Landman, 295–315. Montreal: McGill-Queen's University Press. Bould, Mark. 2021. The Anthropocene Unconscious: Climate Catastrophe Culture. New York: Verso Books. Boym, Svetlana. 2001. The Future of Nostalgia. New York: Basic Books. Butler, Judith, and George Yancy. 2020. “Interview: Mourning Is a Political Act amid the Pandemic and its Disparities (Republication).” Journal of Bioethical Inquiry 17(4): 483–487. https://doi.org/10.1007/s11673-020-10043-6. Craps, Stef. 2020. “Introduction: Ecological Grief.” The American Imago 77(1): 1–7. https://doi.org/10.1353/aim.2020.0000. Cunsolo, Ashlee, and Karen Landman, eds. 2017. Mourning Nature: Hope at the Heart of Ecological Loss and Grief. Montreal: McGill-Queen's University Press. Davis, Lucy. 2016. “Everyday Animisms.” Migrant Ecologies. https://migrantecologies.org/EVERYDAY-ANIMISMS-Migrant-Ecologies-pop-up-exhibition. Davis, Lucy. 2018. “Roosting Post 1.” Migrant Ecologies. https://migrantecologies.org/ROOSTING-POST-1-Tanglin-Halt-2018. Davis, Lucy. 2022. “About.” Migrant Ecologies. https://migrantecologies.org/About. Dillon, Teresa. 2019. “Liquid Loss: Learning to Mourn our Companion Species and Landscapes.” Screen City Biennial Journal, October 16, 2019. https://journal.screencitybiennial.org/2019/10/16/liquid-loss. Ingawanij, May Adadol. 2021. “Cinematic Animism and Contemporary Southeast Asian Artists' Moving-Image Practices.” Screen 62(4): 549–558. https://doi.org/10.1093/screen/hjab056. Islam, S. N., and John Winkel. 2017. “Climate Change and Social Inequality.” UN Department of Economic and Social Affairs (DESA) Working Papers, No. 152, UN, New York. https://doi.org/10.18356/2c62335d-en Leopold, Aldo. 1984. “ The Round River.” In A Sand County Almanac: With Essay","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Gema Bonales Daimiel, Sheila Liberal Ormaechea, Raquel Ávila Muñoz
{"title":"Comunidades en torno al Metaverso en X/Twitter","authors":"Gema Bonales Daimiel, Sheila Liberal Ormaechea, Raquel Ávila Muñoz","doi":"10.37467/revvisual.v13.5114","DOIUrl":"https://doi.org/10.37467/revvisual.v13.5114","url":null,"abstract":"La creciente popularidad del metaverso ligado a la industria del entretenimiento ha llevado a la aparición de influencers que han logrado un aumento significativo en su base de seguidores en X/Twitter. El presente estudio aplica una metodología de investigación mixta sobre las interacciones en X/Twitter. La principal conclusión es que está creciendo muy rápidamente, principalmente en comunidades específicas de usuarios con conocimientos avanzados y muy especializados, como los entusiastas de las criptomonedas o los aficionados a los juegos en línea. Para que el metaverso se convierta en un fenómeno de masas, deberá simplificar su experiencia de uso.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135203159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Co‐Creative Multimodal Storytelling on HIV: Activating Images through Reflexive Authorship","authors":"Angélica Cabezas‐Pino","doi":"10.1111/var.12304","DOIUrl":"https://doi.org/10.1111/var.12304","url":null,"abstract":"This article explores ways to foster reflexivity within a co‐creative research project so as to “activate” images beyond the ethnographic encounter. Drawing on a multimodal research project centered on exploring autobiographical HIV storytelling in Chile, I explore reflexivity as a shared practice from the outset of fieldwork rather than an ex‐post activity, as it has historically been conceived. This reflexive practice led to unexpected outcomes which emerged through co‐creative engagement with a multiplicity of mediums and formats. I argue that image‐making and storytelling became devices for actively disrupting HIV stigma, thus making it possible to engage in forms of worlding and self‐making that extend beyond HIV representations and across different temporalities.","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"30 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86420999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Expanded Visions: A New Anthropology of the Moving Image","authors":"Arthur Ivan Bravo","doi":"10.1111/var.12303","DOIUrl":"https://doi.org/10.1111/var.12303","url":null,"abstract":"","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"41 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77938402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}