{"title":"Performance review: Michaelmas Term by Thomas Middleton","authors":"Jackie Watson","doi":"10.1177/01847678241240373b","DOIUrl":"https://doi.org/10.1177/01847678241240373b","url":null,"abstract":"","PeriodicalId":517401,"journal":{"name":"Cahiers Élisabéthains","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Performance review: Twelfth Night by Sioned Jones","authors":"Kaara L Peterson","doi":"10.1177/01847678241240373h","DOIUrl":"https://doi.org/10.1177/01847678241240373h","url":null,"abstract":"","PeriodicalId":517401,"journal":{"name":"Cahiers Élisabéthains","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Performance review: The Taming of the Shrew by Christopher V. Edwards","authors":"Kaara L Peterson","doi":"10.1177/01847678241240373p","DOIUrl":"https://doi.org/10.1177/01847678241240373p","url":null,"abstract":"","PeriodicalId":517401,"journal":{"name":"Cahiers Élisabéthains","volume":"221 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Mariangela Tempera Award for Shakespeare on Screen (European Shakespeare Research Association / Cahiers Élisabéthains)","authors":"","doi":"10.1177/01847678241240372","DOIUrl":"https://doi.org/10.1177/01847678241240372","url":null,"abstract":"","PeriodicalId":517401,"journal":{"name":"Cahiers Élisabéthains","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140798208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Alice Marion-Ferrand, Adèle Mignard Mocellin, Jean Vivier
{"title":"Shakespeare in the Spotlight of Montpellier's National Dramatic Centre","authors":"Alice Marion-Ferrand, Adèle Mignard Mocellin, Jean Vivier","doi":"10.1177/01847678241235134","DOIUrl":"https://doi.org/10.1177/01847678241235134","url":null,"abstract":"For its 2022–23 season, the National Dramatic Centre of Montpellier put Shakespeare in the spotlight by programming no less than four productions based on his plays. This article aims to review these productions and analyse how they came together during this theatrical season to think contemporary issues through Shakespeare and to explore what it means to stage Shakespeare today.","PeriodicalId":517401,"journal":{"name":"Cahiers Élisabéthains","volume":"292 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140798210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Titus Andronicus and the wicked streets of Rome","authors":"Lisa Hopkins","doi":"10.1177/01847678241235808","DOIUrl":"https://doi.org/10.1177/01847678241235808","url":null,"abstract":"Titus Andronicus is full of dichotomies: Black/white, good/bad, men/women, Goths/Romans, educated/uneducated (is a verse in Horace just a verse in Horace, or ought we to look for a deeper meaning?), whole/mutilated, alive/dead. The way in which the play represents the tensions between inside and outside is however particularly provocative. This essay explores how Titus Andronicus disturbs and undermines the distinction between inside and outside through its use of stage space, its evocation of early modern ideas about Roman architecture, and its deployment of coded reminders of the effects of the English Reformation.","PeriodicalId":517401,"journal":{"name":"Cahiers Élisabéthains","volume":"80 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140156142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Miracles of contingency: Pericles as a drama of possibility","authors":"Andrew Fletcher","doi":"10.1177/01847678241237767","DOIUrl":"https://doi.org/10.1177/01847678241237767","url":null,"abstract":"This article argues that an exploration of contingency in Pericles is central to understand the play's achievement, which is born of the tensions the play sets up between narrative and dramatic accounts of experience, and vesting in the figure of Miranda an ‘otherness’ that opens possibilities that are foreclosed by an anthropocentric, law-based world view. The play's aesthetic is founded on this, and, indeed, on the contingent effect of its damaged state. This encourages an improvisatory approach to performance, which displaces the figure of the author just as the drama itself questions the role of the father.","PeriodicalId":517401,"journal":{"name":"Cahiers Élisabéthains","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140156140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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