Visual Studies最新文献

{"title":"The spectacle of demonstration: the visual representation of political imagination during the coronavirus crisis","authors":"Ruthie Ginsburg","doi":"10.1080/1472586x.2023.2274886","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2274886","url":null,"abstract":"The coronavirus crisis revealed the vulnerability of shared space especially as a space for civic actions. The media, during lockdown and social distancing, become the main channel for maintaining ...","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"115 19","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138455795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Building internal reputation in stigmatised neighbourhoods: the use of remote participatory photo mapping","authors":"Giada Casarin","doi":"10.1080/1472586x.2023.2282578","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2282578","url":null,"abstract":"","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"8 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139238721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A feminist rewriting of cartoon captions","authors":"Fatma Fulya Tepe, Per Bauhn","doi":"10.1080/1472586x.2023.2282875","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2282875","url":null,"abstract":"Published in Visual Studies (Ahead of Print, 2023)","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"10 6","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138297673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The poetics of poetry film: film poetry, videopoetry, lyric voice, reflection","authors":"Reviewed by Gabrielle McNally","doi":"10.1080/1472586x.2023.2277802","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2277802","url":null,"abstract":"Published in Visual Studies (Ahead of Print, 2023)","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"5 10","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138297694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘Let us teach our children’: Online racism and everyday far-right ideologies on TikTok","authors":"Ozge Ozduzen, Nelli Ferenczi, Isabel Holmes","doi":"10.1080/1472586x.2023.2274890","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2274890","url":null,"abstract":"This paper identifies perceptions of injustice, grievance, and alienation as online drivers of radicalisation by concentrating on contemporary visual radicalisation patterns. It focuses on far-righ...","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"10 7","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138297672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"<i>Quiet Spaces: Public Places</i> – visual representation of vulnerable identities","authors":"Nadia Elize Van Der Walt","doi":"10.1080/1472586x.2023.2280143","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2280143","url":null,"abstract":"AbstractThis study examines the visual representation of vulnerable individuals in documentary photography while prioritising ethical considerations and aiming to avoid exploitation. By leveraging the power of symbolic commentary, the research aims to capture social situations that address vulnerability without revealing the identities of the subjects. Focusing on Bet Sheekoom: House of Restoration for Women and Children and Maranatha Mission Station, the documentary series portrays these environments and their residents without disclosing any personal identifiers. This approach safeguards the participants from potential harm and aims to ensure their anonymity, while still engaging in a meaningful societal dialogue. Drawing on principles from documentary photography, visual studies, and ethics, this research contributes to understanding responsible representation and power dynamics within the visual representation of vulnerable identities. By navigating the delicate balance between social commentary and ethical practices, the study offers insight into alternative methods of capturing and highlighting vulnerable populations. The findings shed light on the significance of ethical considerations in documentary photography, demonstrating the importance of respecting the dignity and privacy of vulnerable individuals. This study contributes to the broader discourse on visual representation, offering valuable insight for practitioners, scholars, and those interested in the ethical dimensions of photography. DISCLOSURE STATEMENTNo potential conflict of interest was reported by the author(s).Notes1 Throughout this paper the terms ‘vulnerable identities’ and ‘vulnerable groups’ will make reference to the research participants involved in the photographic documentation conducted at the two safe havens namely, Bet Sheekoom House of Restoration for Women and Children and Maranatha Mission Station.Additional informationNotes on contributorsNadia Elize Van Der WaltNadia is a lecturer at Greenwich University, Vietnam, with an extensive background in documentary photography, videography, film, gender, and queer studies. She earned her master's degree (cum laude) from Nelson Mandela University, South Africa, and currently dedicates herself to her Ph.D. Recently recognised as the Best Presenter at GWS2023 in Thailand and a presenter at the National Conference on Vulnerability Studies in India, she is also a highlighted speaker at the World Conference on Gender and Women's Studies 2023, London. Her research interests intersect the fields of visual media and gender studies, offering a unique perspective on identity and representation.","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"17 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134991535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Radicalisation in competitive authoritarian contexts: visualising refugees with DIY media","authors":"Hasret Dikici Bilgin, Umut Korkut, Roland Fazekas","doi":"10.1080/1472586x.2023.2275688","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2275688","url":null,"abstract":"AbstractThis article focuses on how visual media interacts with the government practices in competitive authoritarian regimes. We argue that while the visual representation of refugees can in general mainstream radicalisation, it gains additional traction in authoritarian context as it streams political discontent away from the governments to ‘ungrateful’ refugees. The paper is built on an analysis of do-it-yourself (DIY) videos in Turkey and Hungary in relation to two specific events involving refugees. The extant research mostly looks into online activism via DIY media. However, we approach them from an opposite perspective and show that not only social movements, but also states benefit from the audience-making potential of DIY media insomuch as these videos appear less as government propaganda and more as representative of public opinion. Disclosure StatementNo potential conflict of interest was reported by the author(s).Additional informationFundingThis work was supported by Horizon 2020 Framework Programme [Project No.959198, De-radicalisation in Europe and].Notes on contributorsHasret Dikici BilginHasret Dikici Bilgin is an Associate Professor of Political Science in the Department of International Relations of Istanbul Bilgi University. She focuses on radicalisation, party politics and elections in the Middle East, and class issues in political Islam. She has published extensively in these areas in international journals and books. Her most recent publications are: ‘Süslüman: on class and gender issues in the Turkish political Islam’ (Turkish Studies, 2021), ‘Revisiting the moderation controversy with space and class: the Tunisian Ennahda’ (Third World Quarterly, 2021). She co-edited the book entitled Karşılaştırmalı siyaset: temel konular ve yaklaşımlar, which was awarded by the Turkish Academy of Sciences in 2014. She acts as the principal researcher of Turkey for the Horizon 2020 Project No.959198, De-radicalisation in Europe and beyond: detect, resolve, re-integrate. Dikici Bilgin serves as the summer schools coordinator at the International Political Science Association (IPSA) and vice-president of the Turkish Political Science Association (TPSA).Umut KorkutUmut Korkut is a Professor of International Politics at Glasgow School for Business and Society at Glasgow Caledonian University. He is also a member of the GCU Wise Centre for Economic Justice. He serves International Political Science Association (IPSA) as a Vice-President. Prof Korkut holds expertise in Turkish and Hungarian politics, and he has published numerous books and articles on issues covering religion, nationalism, gender, migration, and challenges of liberalisation in these states. He has a forthcoming edited book with Amsterdam University Press entitled The end of cosmopolitan Europe? Euroscepticism, crisis, and borders. Prof Korkut currently leads the EC Horizon 2020 funded research projects, De-radicalisation in Europe and beyond: detect, resolve, re-integrate (htt","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"52 50","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134902334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sonic signatures: Music, migration and the city at night <b> <i>Sonic signatures: Music, migration and the city at night</i> </b> edited by Derek Pardue, Ailbhe Kenny, and Katie YoungBristol, UK/Chicago: Intellect, 2023, 234 pagesISBN: 978-1-78938-699-8(paperback)Price: $24.95","authors":"Caitlin Woolsey","doi":"10.1080/1472586x.2023.2278703","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2278703","url":null,"abstract":"","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"19 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134993463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘Breaking the chains’: reflections on the making of an ethnographic documentary on human rights violations against people with mental illness in Indonesia","authors":"Erminia Colucci","doi":"10.1080/1472586x.2023.2274892","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2274892","url":null,"abstract":"Breaking the Chains is an ethnographic documentary about the use of physical restraint and confinement of people with mental illness in Indonesia, a practice known as pasung. The film contributes to an understanding of the socio-cultural meanings of pasung, the sets of beliefs and customs that support such practices (including beliefs about mental illness and healing), and the challenges that must be overcome to eradicate this human rights abuse while highlighting the efforts to eradicate this practice at several levels. This article provides a reflection on the author's experiences and motivations for making Breaking the Chains. It also presents an opportunity to reflect upon the use of film as an applied, public and activist research methodology and the limits and possibilities presented by relying on film-documentary as a ‘generator’ of ethnographic knowledge.","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134991540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"From <i>bricoleur</i> to <i>carver</i> – A methodological provocation from video ethnographic inquiry","authors":"Yosuke Washiya","doi":"10.1080/1472586x.2023.2274896","DOIUrl":"https://doi.org/10.1080/1472586x.2023.2274896","url":null,"abstract":"This article discusses video ethnographic inquiry and its methodological implications. Equipped with only a video camera and amateurism, the author dives into a unique judo practice. By illustrating the failures and regrets from the attempts in the field, the article highlights the methodological significance of using audio-visual recording in comparison to writing. By drawing on Henri Bergson’s criticism of spatialised time, the article develops the possibility of the method of subtraction, arguing that while text-based practice is open for additions, video recording, rather, is a subtractive attempt. The metaphor of the carver is proposed, along with discussion of Lévi-Strauss’ bricoleur and engineer, to illuminate how the practice of subtraction aims to achieve duration, missing from dominant studies today.","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"114 42","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135138240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}