{"title":"Book Review: Television studies in Queer times","authors":"Stéfany Boisvert","doi":"10.1177/17496020241259569","DOIUrl":"https://doi.org/10.1177/17496020241259569","url":null,"abstract":"","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":"14 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141340738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Turkish drama serials the importance and influence of a globally popular TV phenomenon","authors":"Özlem Arda","doi":"10.1177/17496020241260201","DOIUrl":"https://doi.org/10.1177/17496020241260201","url":null,"abstract":"","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":"48 24","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141345783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Cinematic digital television: negotiating the nexus of production, reception and aesthetics","authors":"David R. Coon","doi":"10.1177/17496020241259294","DOIUrl":"https://doi.org/10.1177/17496020241259294","url":null,"abstract":"","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":"23 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141359173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Film and television production in the age of climate crisis towards a greener screen","authors":"Marta Lopera-Mármol","doi":"10.1177/17496020241259548","DOIUrl":"https://doi.org/10.1177/17496020241259548","url":null,"abstract":"","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":" 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141369132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Television and Repetition","authors":"Anthony N Smith","doi":"10.1177/17496020241259555","DOIUrl":"https://doi.org/10.1177/17496020241259555","url":null,"abstract":"","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":" 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141370306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A See change? The problematic (visual) politics of screening the Anthropocene","authors":"Robert A. Saunders","doi":"10.1177/17496020241258698","DOIUrl":"https://doi.org/10.1177/17496020241258698","url":null,"abstract":"Using the concept of the Anthropo(s)cene, this article interrogates the visual politics of See (2019-2022) to examine the ways in which screened landscapes can be deployed to engage with subconscious guilt associated with the despoiling of the natural environment. Employing a critical assessment of See’s narrative, visuals and production practices, this article argues that the series serves as an example of humanity’s attempt to address its impact on the planet, while simultaneously functioning as a testament to the species’ failure to move beyond the ocularcentrism that many critics suggest sustains the very ideologies that have wrought the New Human Epoch.","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":" 26","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141373818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Screening Greenland in Borgen—Power & Glory: The on- and off-screen contestedness of Arctic landscapes and locations","authors":"Anders Grønlund, Anne Marit Waade","doi":"10.1177/17496020241258709","DOIUrl":"https://doi.org/10.1177/17496020241258709","url":null,"abstract":"This article shows how the Arctic landscapes in the Danish political drama series Borgen—Power & Glory (2022) demonstrate Greenland as a contested land in distinct ways: culturally due to the postcolonial tension between Denmark and Greenland; politically due to the conflicted interests from Denmark and other nations for the country’s natural resources; environmentally due to the looming transformation of the Arctic landscapes due to global warming, and commercially due to increasing interest in screen production from Greenlandic tourism actors. Furthermore, we contribute to the location study method approach by focusing on location management and the contestedness of the industry itself.","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":"33 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141271465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The underground and end of geologic imaginations in the Finnish/Swedish TV Series White Wall","authors":"I. Souch","doi":"10.1177/17496020241258712","DOIUrl":"https://doi.org/10.1177/17496020241258712","url":null,"abstract":"In this article, I analyse how underground landscapes are represented in the Finnish/Swedish television series, White Wall (2020). Subterranean imaginations, I argue, help reconceptualise the agency of the inorganic, mineral and geological along with that of the biological and social. Juxtaposing the underground with the surface, White Wall unfolds not only horizontal but also vertical ways of thinking about human/non-human relations in the Anthropocene. I also discuss how the series engages with fantastical nineteenth-century stories of Earth’s exploration. Through dialogue with literary predecessors, White Wall grapples with how retrospective and prospective designations of the new geologic epoch collide.","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":"24 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141272893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Positive masculinity or toxic positivity? Apple TV+’s Ted Lasso as a capitalist utopia","authors":"Alexander Hudson Beare, Robert Boucaut","doi":"10.1177/17496020241228162","DOIUrl":"https://doi.org/10.1177/17496020241228162","url":null,"abstract":"Ted Lasso (2020-present) follows American Football coach, Ted Lasso, as he transforms the waning English Premier League team, AFC Richmond, through his relentless optimism and his mantra of ‘believe’. The show has been praised by critics for its emphasis on kindness and particularly for its exploration of ‘positive’ and ‘vulnerable’ masculinities. It is placed front and centre not just in promotion for Apple TV+ but also for the broader Apple brand which is heavily integrated into the show’s storyworld. Through a textual analysis of the series, this article critically examines Ted Lasso’s representations of masculinity and homophobia within the context of professional football. We argue that Ted Lasso subtly replicates the corporate identity of Apple in which real-world issues are selectively harnessed and distorted to create a utopic world-vision. Despite a celebrated veneer of ‘positive masculinities’ the show still exists in service of a sporting culture that is overtly steeped in hypermasculinity. Instead of challenging sports-based homophobia as it exists in the real-world, the show minimizes its existence at the (almost total) expense of including gay characters and storylines. In ‘dismantling’ toxic masculinity through such shallow means, we contend that Ted Lasso is ultimately symptomatic of a show sublimating its narrative wants to Apple’s corporate needs.","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":"88 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139612949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Geopolitics, Northern Europe, And Nordic Noir: What Television Series Tell Us About World Politics","authors":"Jaakko Seppälä","doi":"10.1177/17496020231222731","DOIUrl":"https://doi.org/10.1177/17496020231222731","url":null,"abstract":"","PeriodicalId":516135,"journal":{"name":"Critical Studies in Television: The International Journal of Television Studies","volume":"23 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139452401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}