OCTOBERPub Date : 2022-11-01DOI: 10.1162/octo_a_00471
{"title":"Four Texts on Claes Oldenburg","authors":"","doi":"10.1162/octo_a_00471","DOIUrl":"https://doi.org/10.1162/octo_a_00471","url":null,"abstract":"Abstract Tacita Dean, Julia Robinson, and Joshua Shannon offer recollections of Claes Oldenburg and his work, and Thomas Hirschhorn presents a photo-essay/artwork in response to the artist's recent passing.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"97-110"},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41445858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-08-01DOI: 10.1162/octo_a_00465
M. Turvey
{"title":"Theory, Philosophy, Film Studies, and Science: A Response to D. N. Rodowick's Philosophy's Artful Conversation and Murray Smith's Film, Art and the Third Culture∗","authors":"M. Turvey","doi":"10.1162/octo_a_00465","DOIUrl":"https://doi.org/10.1162/octo_a_00465","url":null,"abstract":"Abstract Two film theorists, D. N. Rodowick and Murray Smith, have recently addressed the place of the natural sciences in the study of film and art, and they reach diametrically opposed conclusions. Rodowick argues that natural-scientific explanations have little or no role to play in the study of film and art as “cultural practices,” while Smith advocates a “naturalized aesthetics of film,” which he describes as “an approach that … treats [film] as a phenomenon which is likely to be illuminated by various types of scientific as well as traditional humanistic research.” In this paper, I argue that, while both views contain important insights, they are ultimately mistaken. Rodowick overlooks the important role the natural sciences can play in explaining the perceptual, cognitive, affective, and bodily capacities that shape and constrain our engagement with art as well as the properties of artworks that elicit and inform this engagement. Nevertheless, this does not mean, I maintain, that aesthetics should be naturalized, as Smith believes, given that the types of explanations standardly proffered in film studies and other humanistic disciplines can be autonomous from those of the natural sciences in the sense of being explanatorily self-sufficient.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"7-60"},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49484351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-08-01DOI: 10.1162/octo_a_00466
Arnaud Gerspacher
{"title":"Zoonotic Undemocracy∗","authors":"Arnaud Gerspacher","doi":"10.1162/octo_a_00466","DOIUrl":"https://doi.org/10.1162/octo_a_00466","url":null,"abstract":"Abstract On a surreal day in August 2019, smoke clouds rising from the burning Amazon plunged Sa?o Paulo into darkness. Pasture-clearing cattle industries in Brazil, largely responsible for these fires, soon became a matter of global concern. A different sort of crisis took hold half year later—the COVID-19 pandemic, which likely originated in a bat. These two events, though seemingly disconnected, involve consuming animal bodies in ways that have compromised planetary habitability—one through deforestation and greenhouse gases, the other through confinement and a novel coronavirus. This essay argues for the urgency of re-thinking politics from a posthumanist perspective, one that considers the impact of environmental harm caused by the uses of nonhuman animals. Democracy is shaped by such eco-political realities, as demonstrated in the multi-species authoritarianism of Brazilian president Jair Bolsonaro's “bancadas de bi?blia, bo?i, e bala” (“senate seats filled with bibles, beef, and bullets”). This essay focuses on Wilson Coutinho's experimental short film Cildo Meireles (1979) as well Meireles art installations that incorporate nonhuman animals. Coutinho and Meireles were prescient in their attention to the role of nonhuman animals within the histories of colonialism/neocolonialism and the immiseration of indigenous communities at the hands of such undemocratic forces as corrupt politicians and ranchers. Their work offers a multi-species analysis of global warming, biodiversity loss, racist food politics, and the incubation of zoonotic illnesses—all of which have led to a withering of democracy within Brazil's borders and beyond.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"61-92"},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41839671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-08-01DOI: 10.1162/octo_a_00464
Rosalind E. Krauss
{"title":"Beyond Painting","authors":"Rosalind E. Krauss","doi":"10.1162/octo_a_00464","DOIUrl":"https://doi.org/10.1162/octo_a_00464","url":null,"abstract":"Abstract Rosalind Krauss argues that the 2020 Donald Judd retrospective at the Museum of Modern Art shows that the painterly side of this famously “anti-painter” artist was more pronounced than he would have ever admitted.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"3-6"},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46667287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-08-01DOI: 10.1162/octo_a_00467
{"title":"On Leo Bersani: Ten Texts","authors":"","doi":"10.1162/octo_a_00467","DOIUrl":"https://doi.org/10.1162/octo_a_00467","url":null,"abstract":"Abstract Ten writers—Zahid R. Chaudhary, Anne A. Cheng, Joan Copjec, Tim Dean, David L. Eng, David Halperin, David Kurnick, D. A. Miller, Mignon Nixon, and Spyros Papapetros—celebrate the recently departed Leo Bersani.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"93-112"},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47752939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-08-01DOI: 10.1162/octo_a_00468
Max Jorge Hinderer Cruz
{"title":"On Bolivia: A Debt to Beauty","authors":"Max Jorge Hinderer Cruz","doi":"10.1162/octo_a_00468","DOIUrl":"https://doi.org/10.1162/octo_a_00468","url":null,"abstract":"Abstract After the coup d’état in Bolivia, in November 2019, a presidential decree was passed that potentially criminalized journalists, bloggers, and artists by holding that to the extent their work could be characterized as confusing public opinion it would be considered to constitute a danger to public health. The present text “A Debt to Beauty” offers a brief analysis of the historical relationship between silence and beauty, as well as the ethical dimension of the act of contemplating beauty in a museum—the debt one incurs, as it were, to beauty.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"113-118"},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41996467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-06-01DOI: 10.1162/octo_a_00457
John Miller
{"title":"Double Dan","authors":"John Miller","doi":"10.1162/octo_a_00457","DOIUrl":"https://doi.org/10.1162/octo_a_00457","url":null,"abstract":"Abstract “Double Dan” is an account of helping to produce a Dan Graham multiple for Veronica Gonzalez's Rocky Point Press.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"126-130"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42492611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-06-01DOI: 10.1162/octo_a_00460
Tiffany L Sia
{"title":"Handbook of Feelings","authors":"Tiffany L Sia","doi":"10.1162/octo_a_00460","DOIUrl":"https://doi.org/10.1162/octo_a_00460","url":null,"abstract":"Abstract Hong Kong's National Security Law was passed on June 30, 2020, followed by a film-censorship amendment on October 27, 2021. While the public experienced the ensuing censorship as an absence and an occlusion of works, the mechanisms of censorship are opaque and bureaucratic, made effective through myriad methods. This article focuses on a first-person telling that weaves personal conversations, rumors, and everyday experiences in the new normal to analyze the evolving codes and reveal the trip wires that threaten the creation and presentation of films, artworks, and print materials in Hong Kong. Artists and filmmakers face a developing shadow bureaucracy, which they are only slowly coming to understand. Tracing the visible and invisible red lines through a group of mostly anonymized artists and practitioners—except for the author or those cited in the news—this essay confronts the haunting power of newly passed national-security laws to atomize fear, threaten some more than others, and generally to produce paranoia.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"137-149"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42107341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-06-01DOI: 10.1162/octo_a_00458
John Miller
{"title":"Dan Graham: Sunday Painter","authors":"John Miller","doi":"10.1162/octo_a_00458","DOIUrl":"https://doi.org/10.1162/octo_a_00458","url":null,"abstract":"Abstract “Sunday Painter” is a contemporary re-consideration of Dan Graham's 1967 essay “Eisenhower and the Hippies.”","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"131-132"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44953450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OCTOBERPub Date : 2022-06-01DOI: 10.1162/octo_a_00456
E. D. de Bruyn
{"title":"On Dan Graham: Memories in Alteration","authors":"E. D. de Bruyn","doi":"10.1162/octo_a_00456","DOIUrl":"https://doi.org/10.1162/octo_a_00456","url":null,"abstract":"Abstract Written in memory of Dan Graham, “Memories in Alteration” considers the important legacy of the artist's work, focusing on the topological and paralogical devices that characterize his discursive and artistic practice. The text adumbrates how the multidisciplinary work of Graham—addressing such diverse cultural phenomena as suburbia, 1960s counterculture, television, and punk music—traced the emergence of a postwar “liberal” order of capitalism and its constitutive technologies of colonization and the domestication of social and urban environments.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"121-125"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42200661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}