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“The End of Our World”: Transnational Feminist Literary Practice and the Right to Self-Determination "我们世界的终结跨国女权主义文学实践与自决权
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-06-01 DOI: 10.1353/aq.2024.a929164
Crystal Parikh
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引用次数: 0
Pertenencia Mutua: Indigenous Oaxacans Contesting Settler Colonial Grammars Pertenencia Mutua：土著瓦哈卡人与殖民定居者语法的较量
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-06-01 DOI: 10.1353/aq.2024.a929165
Brenda Nicolas
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引用次数: 0
Enduring Drugs 持久的药物
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-06-01 DOI: 10.1353/aq.2024.a929167
Nathan Leach
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引用次数: 0
Native Survivance and the Violent Pleasures of Resignifying the Cowboy 原住民的生存之道和牛仔辞职的暴力快感
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-06-01 DOI: 10.1353/aq.2024.a929169
Beenash Jafri
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引用次数: 0
Switching Off with Sleepcasts: Insomniac Listening and Sonic Self-Care 用 Sleepcasts 关掉：失眠聆听和声波自我保健
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-06-01 DOI: 10.1353/aq.2024.a929166
Kiri Miller
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引用次数: 0
Edgework and Excess: Jimi Hendrix, the Phenomenology of Fuzz, and the Rehearsal of Black Liberation 边缘工作与过剩：吉米-亨德里克斯、模糊现象学和黑人解放的排练
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-06-01 DOI: 10.1353/aq.2024.a929163
John Brooks
{"title":"Edgework and Excess: Jimi Hendrix, the Phenomenology of Fuzz, and the Rehearsal of Black Liberation","authors":"John Brooks","doi":"10.1353/aq.2024.a929163","DOIUrl":"https://doi.org/10.1353/aq.2024.a929163","url":null,"abstract":"Abstract:This essay shows how Jimi Hendrix’s experiments with fuzz anticipated notyet-audible sonic worlds and evinced Blackness in sound. Focusing on the American guitarist’s debut album, Are You Experienced (1967), I describe fuzz as an entryway into the politico-theatrical scene of Black sociality. My analysis pivots on two axes: edgework and excess. I argue that Hendrix’s pursuit of new sonic territory, as well as the mathematical-electrical engineering that brought such sounds into being, can be read as an aesthetic practice of edgework, but also that the resulting music—which early reviewers described as “hellish,” “freaky,” “unimaginable,” and “manic”—acts as a sign of fuzz’s unruly excess. Across my analysis, I am in conversation with Matthew Morrison’s theory of “Blacksound,” which shows how US popular music attempts to essentialize and delimit Black performativity. If Hendrix’s fuzz tone is audible as an enactment of fugitivity born from a tradition of radical Black aesthetics, I argue, then its unruly and anarchistic ethos refutes racial essentialism, insisting on agency, beauty, and life in the face of social death. Through this intervention, I develop a theory of “rehearsal” as a future-oriented Black performance sensibility that creates the conditions in which living otherwise becomes imaginable and achievable.","PeriodicalId":51543,"journal":{"name":"AMERICAN QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141398725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Oil Paintings in the Department Store: The Robe and Racialized Tastemaking in 1950s Detroit 百货商店里的油画：20 世纪 50 年代底特律的长袍与种族风尚
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-06-01 DOI: 10.1353/aq.2024.a929162
Joshua Schulze
{"title":"The Oil Paintings in the Department Store: The Robe and Racialized Tastemaking in 1950s Detroit","authors":"Joshua Schulze","doi":"10.1353/aq.2024.a929162","DOIUrl":"https://doi.org/10.1353/aq.2024.a929162","url":null,"abstract":"Abstract:This essay examines the promotion of Twentieth Century–Fox’s production of The Robe (1953)—which exhibited Dean Cornwell’s oil paintings in local department stores in Detroit—in relation to the city’s sociocultural context and racial tensions. It argues that ongoing issues in the city such as property ownership, racialized topographical boundaries, and class aspiration can be traced across Detroit’s film culture in the postwar period, particularly in the burgeoning middlebrow culture of materialistic consumption. The promotional campaign’s use of art exhibitions in department stores represented a significant moment for new ideas about class, culture, and racial identity in the city, contributing to the formation of the white suburban middle class and functioning as an example of racialized tastemaking. Accounts of this postwar cultural shift, particularly as it pertained to film culture, have underemphasized the importance of racial identity and exclusion to such formations. Adopting an interdisciplinary approach that integrates film history, material culture studies, and cultural history, this essay uses the Cornwell exhibition as a case study for understanding the impact of racial tensions on class identity in 1950s Detroit.","PeriodicalId":51543,"journal":{"name":"AMERICAN QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141394245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Note on the Presidential Address 关于主席讲话的说明
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-06-01 DOI: 10.1353/aq.2024.a929161
Sharon P. Holland
{"title":"A Note on the Presidential Address","authors":"Sharon P. Holland","doi":"10.1353/aq.2024.a929161","DOIUrl":"https://doi.org/10.1353/aq.2024.a929161","url":null,"abstract":"","PeriodicalId":51543,"journal":{"name":"AMERICAN QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141406048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"See Detroit Like We Do": White Savior Capitalism and the Myth of Black Obsolescence "像我们一样看待底特律"：白人救世主资本主义与黑人过时的神话
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-03-01 DOI: 10.1353/aq.2024.a921582
David Helps, Christine Hwang
{"title":"\"See Detroit Like We Do\": White Savior Capitalism and the Myth of Black Obsolescence","authors":"David Helps, Christine Hwang","doi":"10.1353/aq.2024.a921582","DOIUrl":"https://doi.org/10.1353/aq.2024.a921582","url":null,"abstract":"Abstract: This essay investigates the phenomenon of wealthy white men who use financial means and power to \"revive\" Detroit after a perceived \"death\" through what we call white savior capitalism. This \"death,\" popularized by media portrayals of decline, relies on projecting an image of Detroit, a Black-majority city on stolen Native land, as a vacant, postindustrial \"frontier\" despite the continued existence and resistance of Black and Indigenous residents. We trace the prehistory of white savior capitalism to the area's eighteenth-century conquest by French settlers, the exclusionary redevelopment policies of Mayor Coleman Young's administration (1974–94), and Detroit's use of federal antipoverty funds and eminent domain to establish a General Motors Plant in the Poletown neighborhood. Finally, we demonstrate how the recent and ongoing \"rediscovery\" of Detroit by businesspeople such as Dan Gilbert gave rise to white savior capitalism. Parallel to these developments, activist movements in the Black Left have presented alternative solutions and imagined futures that include Black and Native Detroit.","PeriodicalId":51543,"journal":{"name":"AMERICAN QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140268971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Networks of Apprehension and the Everywhere Border 逮捕网络与无处不在的边界
IF 0.7 4区 社会学
AMERICAN QUARTERLY Pub Date : 2024-03-01 DOI: 10.1353/aq.2024.a921583
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引用次数: 0
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