Punk & Post-Punk最新文献

Podcast confessional: Punk and post-punk archiving, history and ‘afterlife’ conversations on the C86 Show 播客自白：朋克和后朋克的存档、历史和 C86 节目中的 "来世 "对话

Punk & Post-Punk Pub Date : 2024-05-20 DOI: 10.1386/punk_00233_1

David A. Gray

{"title":"Podcast confessional: Punk and post-punk archiving, history and ‘afterlife’ conversations on the C86 Show","authors":"David A. Gray","doi":"10.1386/punk_00233_1","DOIUrl":"https://doi.org/10.1386/punk_00233_1","url":null,"abstract":"Among the recurrent preoccupations of punk and post-punk is a critical consideration of the individual’s relationship to society. The emergence of podcasts in which hosts and musicians engage in historically contextualized conversations therefore presents an intriguing turn of events that will be of interest to punk and post-punk scholars. This article considers the possibilities of conversational podcasts via a discussion of the C86 Show, a popular UK-based podcast featuring interviews with punk, post-punk and indie musicians of the 1980s. Aided by the empathic interviewing style of its host, David Eastaugh, the show’s long-form, in-depth conversations connect musicians’ experiences and memories to historical contexts associated with the Thatcher era. Engaging two main fields of research – audio studies and punk and post-punk scholarship – I argue that the C86 Show offers listeners a rich window into punk, post-punk and indie during that time. By inviting musicians to reflect on their pasts (and their lives since the 1980s), the show sheds light also on how these musical movements and genres are remembered today. No less important, the show’s online collection of over one thousand interviews represents a significant archiving project that will be of interest to punk and post-punk scholars.","PeriodicalId":514045,"journal":{"name":"Punk & Post-Punk","volume":"69 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141121409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘It won’t be the witches that are burning this time’: The anarchist temporalities of folk punk 这次烧死的不会是女巫"：民间朋克的无政府主义时间性

Punk & Post-Punk Pub Date : 2024-05-09 DOI: 10.1386/punk_00230_1

David Fox

引用次数: 0

Fun with friends in the pogodrome: Dancing the disorder in French punk culture 与朋友们在波格罗姆广场上嬉戏：法国朋克文化中的乱舞

Punk & Post-Punk Pub Date : 2024-05-02 DOI: 10.1386/punk_00232_1

Sacha Thiébaud, Audrey Tuaillon Demésy

{"title":"Fun with friends in the pogodrome: Dancing the disorder in French punk culture","authors":"Sacha Thiébaud, Audrey Tuaillon Demésy","doi":"10.1386/punk_00232_1","DOIUrl":"https://doi.org/10.1386/punk_00232_1","url":null,"abstract":"Based on French expressions of contemporary punk culture, this article looks at the formation of the pogo during gigs. Although this dance is one of the characteristics of punk expression, it remains little studied. From an interactionist perspective, using a comparative approach between different ethnographic fields, the aim is to understand how the order of the pogo is negotiated by the actors involved. More than that, the aim is to understand how this improvised collective dance produces disorder and gives rise to a community experience. To do this, we are interested in the context in which the pogo takes place. Venues play a decisive role in the implementation of this dance and help to create a playful space–time. A new world of meaning is created: the pogodrome. From then on, the physical commitment of the participants is linked to the rules of the pogodrome, and the breaks in interaction reveal the limits of the framework thus formed. Finally, the pogo appears to be a tool for embodying disorder, both physical and sociopolitical. In fact, the pogodrome becomes a territory of disorder, taken over by communities of practitioners that sometimes last beyond the time of the concert.","PeriodicalId":514045,"journal":{"name":"Punk & Post-Punk","volume":"4 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141020436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Between necessity and fragments of alternativity: DIY experiences in French roller derby 在必要性与交替性片段之间：法国轮滑比赛中的 DIY 体验

Punk & Post-Punk Pub Date : 2024-04-09 DOI: 10.1386/punk_00231_1

Orlane Messey

{"title":"Between necessity and fragments of alternativity: DIY experiences in French roller derby","authors":"Orlane Messey","doi":"10.1386/punk_00231_1","DOIUrl":"https://doi.org/10.1386/punk_00231_1","url":null,"abstract":"Between 1935 and 1970, roller derby was a co-ed North American sport practised on roller skates and played on a banked track. The 2000s marked its revival when a group of women decided to give it a new lease of life: roller derby is now exclusively for women and takes place on a flat track. Teams assert their independence from established institutions and follow a model of ‘do-it-yourself’ organization. According to some critics, the roller derby revival is a continuation of the feminist Riot Grrrl movement. This article aims to understand how French roller derby players use the ‘alternative’ heritage of American women. By mobilizing the frameworks of Cultural Studies and Sport Subculture, the article reflects on the ways in which the legacy of Riot Grrrl, as a movement to challenge a dominant order, enables derby teams to create alternatives to mainstream sports models. Through 90 interviews and participant observation conducted between January 2020 and the present day, the study was able to show a use of the DIY ethos articulated between resourcefulness and a claim to independence. While Riot Grrrl radically defends the values of the punk movement, against the prevailing economic and gender order, French roller derby and its teams propose a hybrid sporting model, articulated between reflections on a different way of looking at sport and a move away from the DIY model of the early days.","PeriodicalId":514045,"journal":{"name":"Punk & Post-Punk","volume":"90 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140723340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Nihilism and the ‘death of God’ in the work of Siouxsie and the Banshees 虚无主义和 "上帝之死 "在苏西和女妖乐队作品中的体现

Punk & Post-Punk Pub Date : 2024-04-06 DOI: 10.1386/punk_00229_1

Grace Healy

引用次数: 0

Punk &amp; Post-Punk最新文献

Punk & Post-Punk最新文献