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Victoriographies最新文献

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Emilie Taylor-Pirie, Empire Under the Microscope: Parasitology and the British Literary Imagination, 1885–1935 Emilie Taylor-Pirie，《显微镜下的帝国》：寄生虫学与英国文学想象，1885-1935 年
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0532
Nicola Bandler-Llewellyn
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引用次数: 0
Annette Federico, Charles Dickens: But for You, Dear Stranger 安妮特-费德里克，查尔斯-狄更斯：为了你，亲爱的陌生人
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0534
Mary-Catherine Harrison
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引用次数: 0
Tara Macdonald, Narrative, Affect and Victorian Sensation: Wilful Bodies 塔拉-麦克唐纳，《叙事、情感与维多利亚时代的感觉》：肆意的身体
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0533
Emma Butler-Way
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引用次数: 0
‘The ghost I expected to see’: Vernon Lee, the Gothic, and the Spectrality of Perception 我期待看到的幽灵弗农-李、哥特式和感知的幽灵性
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0529
Anna Shane
{"title":"‘The ghost I expected to see’: Vernon Lee, the Gothic, and the Spectrality of Perception","authors":"Anna Shane","doi":"10.3366/vic.2024.0529","DOIUrl":"https://doi.org/10.3366/vic.2024.0529","url":null,"abstract":"Vernon Lee considered the conventional ghost story to be in rather bad taste and, in her own Gothic fiction, evoked ghosts that are never directly apprehended, but are perceived as agential bodies nonetheless. The distinctive ghosts that Lee creates haunt by exploiting the mechanisms of perception that she studied and theorised throughout her career. I analyse Lee’s depictions of perception in three stories, ‘Oke of Okehurst’, ‘Amour Dure’, and ‘The Image’, through the lens of philosopher Alva Noë’s theory of perception as ‘a kind of skilful bodily activity’. Noë argues that we make sense of the world by using our sensorimotor knowledge – ‘a knowledge of the way sensory stimulation varies as a function of movement’. Lee’s ghosts draw on this sensorimotor knowledge of characters and readers, allowing her to convey a potentiality for agency without depicting unambiguously supernatural events. Using mirror neuron studies and cognitive readings of how works of art transport their audiences into virtual environments, I argue that this sensorimotor engagement builds up a cognisance of Lee’s haunting figures as agential bodies that occupy space, acted upon by the material world and, in turn, acting upon it. Lee used these ghosts to adopt speculative perspectives on perception and cognition more broadly, such as questioning the stability and reliability of perception, and suggesting a loss of identity involved in all acts of perception. These perspectives are excluded from her studies and essays but are explored in the fictional space that the Gothic opens up; in her gothic stories, Lee exploits the uncanny aspects of cognition, suggesting and experimenting with queerer and more speculative theories than the objective studies she also pursued could accommodate.","PeriodicalId":512440,"journal":{"name":"Victoriographies","volume":"9 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141704028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An interview with Louisa Yates, Director of Collections and Research at Gladstone’s Library 采访格拉德斯通图书馆馆藏和研究部主任路易莎-耶茨（Louisa Yates
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0527
Amy Kahrmann Huseby, Beth Palmer, Louisa Yates
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引用次数: 0
Josephine M. Guy, ed., The Complete Works of Oscar Wilde: Volume XI: Plays 4: Vera; or The Nihilist and Lady Windermere’s Fan 约瑟芬-M-盖伊编：《奥斯卡-王尔德全集》：第十一卷：戏剧 4：薇拉；或虚无主义者和温德米尔夫人的扇子
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0536
Giles Whiteley
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引用次数: 0
Mona Maclean, Adaptably Amorous 莫娜-麦克林，《风情万种》（Adaptably Amorous
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0530
Annie Burkhart
{"title":"Mona Maclean, Adaptably Amorous","authors":"Annie Burkhart","doi":"10.3366/vic.2024.0530","DOIUrl":"https://doi.org/10.3366/vic.2024.0530","url":null,"abstract":"This article investigates how Margaret Georgina Todd’s Mona Maclean, Medical Student [1892], is largely unapologetic in its presentation of queer female characters. In a quasi-autobiographical product of a Sapphic woman, Todd’s eponymous heroine functions as a fictionalised version of Todd herself. Mona Maclean’s remarkable queerness reveals itself when we subject the text and the relationships therein to what Sharon Marcus refers to as ‘just reading’ in her monograph Between Women. Female amity in Todd’s novel exists within a broad spectrum of desire, from friendly flirtation to what I term ‘New Coupledom’, a queer, coupled complement to New Womanhood for women who use heterosexual marriages to facilitate their same-sex partnerships. This article aims to make the logical next step from examining the force of the New Woman novel to the purchase of a principally queer New Woman novel in the late nineteenth century.","PeriodicalId":512440,"journal":{"name":"Victoriographies","volume":"39 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141693721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ripening and Rotting Heroes: Growth, Decay, and Narrative Abjection in Anthony Trollope's The Small House at Allington and The Last Chronicle of Barset 成熟与腐烂的英雄：安东尼-特罗洛普的《阿林顿的小房子》和《巴塞特最后的纪事》中的成长、衰败与叙事憎恶
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0528
Stephanie Last
{"title":"Ripening and Rotting Heroes: Growth, Decay, and Narrative Abjection in Anthony Trollope's The Small House at Allington and The Last Chronicle of Barset","authors":"Stephanie Last","doi":"10.3366/vic.2024.0528","DOIUrl":"https://doi.org/10.3366/vic.2024.0528","url":null,"abstract":"This essay argues that Anthony Trollope introduces a framework of character growth and decay, evinced through organic metaphors of ripening and rotting, to distinguish good and bad characters in The Small House at Allington and The Last Chronicle of Barset. By comparing a developing protagonist with a mature one who enters a phase of decline, we see how Trollope's commitment to nuanced characterisation is disrupted by his didactic aim of designating, and then torturing, patently bad figures. An analysis of the psychologies and aesthetics of character, framed around Julia Kristeva's theory of abjection, shows how Trollope figures two subtly paralleled protagonists as opposites, establishing one as a palatable figure and the other as a nauseating one. The isolation of a rotten character serves a dual purpose: Trollope teaches his moral lessons by subjecting the character to physical, psychological, and structural decay, while narrative progression, culminating in the imperative happy ending, is structured around the abjection of the bad object.","PeriodicalId":512440,"journal":{"name":"Victoriographies","volume":"24 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141695396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
South African Allegories in Richard Jefferies’s After London; or Wild England (1885) 理查德-杰弗里的《伦敦之后：或狂野的英格兰》（1885 年）中的南非寓言
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0531
Leah Slocum
{"title":"South African Allegories in Richard Jefferies’s After London; or Wild England (1885)","authors":"Leah Slocum","doi":"10.3366/vic.2024.0531","DOIUrl":"https://doi.org/10.3366/vic.2024.0531","url":null,"abstract":"This paper argues that Richard Jefferies’s After London (1885), often praised as a pioneering work of speculative fiction, has not been sufficiently understood within the context of late-Victorian imperial expansion. While After London is frequently read in tandem with Jefferies’s nature essays and speculative fiction like H. G. Wells’s The Time Machine (1895), I locate the novel within the generic conventions of lost world fiction, a subgenre of the imperial romance associated with masculine adventure tales. Analysing After London’s parallels with, and potential influences on, H. Rider Haggard’s King Solomon’s Mines (1885), published later that same year, I argue that Jefferies’s unflattering portrayal of English ‘Bushmen’, coupled with the geography of Wild England, gesture emphatically to South Africa. In turn, the motif of a ‘relapse into barbarism’ serves to rationalise the fantasies of terra nullius [‘nobody’s land’] and extractive treasure hunting that Felix Aquila, the quixotic hero, enacts. By connecting After London to Haggard’s highly influential fiction and drawing on Jefferies’s writings about British colonialism in South Africa and the conventions of travel literature, cartography, and ethnography, this paper provides a more complete understanding of Jefferies’s contributions to the canon of lost world fiction.","PeriodicalId":512440,"journal":{"name":"Victoriographies","volume":"83 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141701117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nicole Dittmer, Monstrous Women and Ecofeminism in the Victorian Gothic, 1837–1871 妮可-迪特莫尔，《维多利亚哥特式中的畸形女性和生态女性主义，1837-1871 年
Victoriographies Pub Date : 2024-07-01 DOI: 10.3366/vic.2024.0535
Rebecca Nesvet
{"title":"Nicole Dittmer, Monstrous Women and Ecofeminism in the Victorian Gothic, 1837–1871","authors":"Rebecca Nesvet","doi":"10.3366/vic.2024.0535","DOIUrl":"https://doi.org/10.3366/vic.2024.0535","url":null,"abstract":"","PeriodicalId":512440,"journal":{"name":"Victoriographies","volume":"60 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141714946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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