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Writing Names in Music Books. Case Studies from the Viadrina Collection Held in the Music Department at University of Warsaw Library 在音乐书籍中书写名字。华沙大学图书馆音乐系收藏的 Viadrina 藏品案例研究
Muzyka Pub Date : 2024-07-15 DOI: 10.36744/m.2697
Antonio Chemotti
{"title":"Writing Names in Music Books. Case Studies from the Viadrina Collection Held in the Music Department at University of Warsaw Library","authors":"Antonio Chemotti","doi":"10.36744/m.2697","DOIUrl":"https://doi.org/10.36744/m.2697","url":null,"abstract":"The Music Department at University of Warsaw Library houses a corpus of musical sources originating from the library of Viadrina University in Frankfurt an der Oder, predominantly comprising musical prints from the late sixteenth to early seventeenth century. The present article offers an overview and inventory of this corpus. Furthermore, it delves into four case studies, examining sources with annotations containing personal names. These annotations provide insights into the social context surrounding these sources, contributing both to the study of the musical culture of early modern Central European universities, and to the investigation of annotations in music books.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":" 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141833506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kompozytor Tadeáš Salva, słowacki uczeń Bolesława Szabelskiego i Witolda Lutosławskiego 斯洛伐克作曲家 Tadeáš Salva 是 Boleslaw Szabelski 和 Witold Lutoslawski 的学生
Muzyka Pub Date : 2024-07-15 DOI: 10.36744/m.2705
Jolanta Guzy-Pasiak
{"title":"Kompozytor Tadeáš Salva, słowacki uczeń Bolesława Szabelskiego i Witolda Lutosławskiego","authors":"Jolanta Guzy-Pasiak","doi":"10.36744/m.2705","DOIUrl":"https://doi.org/10.36744/m.2705","url":null,"abstract":"Omówienie pierwszej monografii słowackiego kompozytora Tadeáša Salvy (1937–95), zaliczanego do czołowych postaci awangardy lat sześćdziesiątych XX w. w Czechosłowacji. Autor, poza nakreśleniem losów artysty, tworzy periodyzację jego twórczości (zainspirowany myślą Mieczysława Tomaszewskiego) i dokonuje analizy jego procedur kompozytorskich (wykorzystując metodę Jana Kapra). Praca zawiera kompletny katalog dzieł, wykaz źródeł archiwalnych, bibliografię i obszerny materiał ikonograficzny.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":" 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141832834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Taste and Historical Awareness in the Music Collection of Leonardo Grimani (c.1778–1832) 莱昂纳多-格里马尼（约 1778-1832 年）音乐收藏中的品味与历史意识
Muzyka Pub Date : 2024-07-15 DOI: 10.36744/m.2699
Emina Smailbegović
{"title":"Taste and Historical Awareness in the Music Collection of Leonardo Grimani (c.1778–1832)","authors":"Emina Smailbegović","doi":"10.36744/m.2699","DOIUrl":"https://doi.org/10.36744/m.2699","url":null,"abstract":"This paper intends to reflect on the phenomenon of music collecting starting with the collection of Leonardo Grimani, today kept at the Institute of Musicology at the University of Vienna, assembled at the turn of the century and partly related to the repertoire of the Istituto Filarmonico Veneto (1810–22) of which this collector was the founder and patron. The characteristics of this collection – to which external sources such as period newspapers are added – prompt reflections on the different roles played by the Grimani as a collector, without however neglecting the investigation of the fortune and historicization of certain authors and specific opera pieces.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":" 21","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141832663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How and Where Did Students Learn Music in the Late Middle Ages and Renaissance? 中世纪晚期和文艺复兴时期的学生是如何学习音乐的？
Muzyka Pub Date : 2024-07-15 DOI: 10.36744/m.2703
Grantley McDonald
{"title":"How and Where Did Students Learn Music in the Late Middle Ages and Renaissance?","authors":"Grantley McDonald","doi":"10.36744/m.2703","DOIUrl":"https://doi.org/10.36744/m.2703","url":null,"abstract":"Musicologists have traditionally focused on mature musicians working in musical centres such as courts and cathedrals. However, archives also contain much information about music in places that were geographically or administratively less central. Such places often render valuable information about musical education. The chapters in the book reviewed here present case-studies in musical education from the late Middle Ages until the early modern period. Many focus on the city and province of Padua, while others examine music education in German universities, Parisian parish schools, and French riding academies.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":" 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141833094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Newly Discovered Photocopy of the Lost Keyboard Tablature Manuscript from the Holy Spirit Monastery in Kraków and the Aleksander Poliński Collection 克拉科夫圣灵修道院和亚历山大-波林斯基收藏馆新发现的失传键盘谱手稿影印本
Muzyka Pub Date : 2024-07-12 DOI: 10.36744/m.2698
Grzegorz Joachimiak
{"title":"Newly Discovered Photocopy of the Lost Keyboard Tablature Manuscript from the Holy Spirit Monastery in Kraków and the Aleksander Poliński Collection","authors":"Grzegorz Joachimiak","doi":"10.36744/m.2698","DOIUrl":"https://doi.org/10.36744/m.2698","url":null,"abstract":"After the failure of the Warsaw Uprising (1944), German Brandkommando units burned down the most valuable collections of Warsaw libraries. Also destroyed was the manuscript of keyboard tablature from the Holy Spirit Monastery in Kraków (TKD). Access to its content was only possible through microfilm at Harvard Library. As a result of my query at the Staatliches Institut für Musikforschung Preußischer Kulturbesitz in Berlin, it was found that a copy of TKD was also made in this institution. These are photographs that significantly supplement the existing information about its musical and provenance contents, including its belonging to the Aleksander Poliński collection.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":"140 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Polonez a-moll „Pożegnanie ojczyzny”: między legendą a rzeczywistością. Postscriptum A 小调波兰舞曲《告别故乡》：传说与现实之间。后记
Muzyka Pub Date : 2024-07-12 DOI: 10.36744/m.2702
A. Leszczyńska
{"title":"Polonez a-moll „Pożegnanie ojczyzny”: między legendą a rzeczywistością. Postscriptum","authors":"A. Leszczyńska","doi":"10.36744/m.2702","DOIUrl":"https://doi.org/10.36744/m.2702","url":null,"abstract":"Komunikat stanowi komentarz do artykułu Wojciecha Gurgula (Muzyka 2024 nr 1), w którym autor wskazując na trzy gitarowe opracowania poloneza a−moll z l. 1829−37, dowodzi, że twórcą kompozycji nie mógł być Kasper Napoleon Wysocki. Zgadzając się z tą konstatacją, wyjaśniam powody, dla których podtrzymuję wcześniejszą tezę (Muzyka 2023 nr 3), że utworu tego nie napisał Michał Kleofas Ogiński. Jednym z argumentów przeciwko jego autorstwu jest to, że polonez a-moll odbiega pod względem struktury od innych kompozycji tego gatunku przezeń napisanych.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":"171 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Od rewolucji cyfrowej do zwrotu kuratorskiego. Przemiany w nowej muzyce w pierwszych dekadach XXI wieku 从数字革命到策展转向。21 世纪头几十年新音乐的变革
Muzyka Pub Date : 2024-07-12 DOI: 10.36744/m.2701
Monika Pasiecznik
{"title":"Od rewolucji cyfrowej do zwrotu kuratorskiego. Przemiany w nowej muzyce w pierwszych dekadach XXI wieku","authors":"Monika Pasiecznik","doi":"10.36744/m.2701","DOIUrl":"https://doi.org/10.36744/m.2701","url":null,"abstract":"Ożywienie krytycznego zainteresowania warunkami produkcji i recepcji nowej muzyki, jakie obserwujemy w twórczości kompozytorskiej ostatnich kilku lat, a także publikacje naukowe, sympozja i projekty edukacyjne poświęcone kuratorstwu muzycznemu świadczą o tym, iż mamy obecnie do czynienia ze zwrotem kuratorskim w nowej muzyce. Autorka bada okoliczności, w jakich rozwinęła się świadomość kuratorska w nowej muzyce i pokazuje, że przemiany technologiczne i estetyczne, jakie dokonały się w pierwszych dekadach XXI w., miały fundamentalne znaczenie dla rozwoju tego zjawiska.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":"184 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Riond-Bosson i Ignacy Jan Paderewski w relacji Ludwika Bronarskiego (na podstawie fragmentów dzienników przechowywanych w polskiej misji katolickiej w Marly) 里昂德-博松和伊格纳西-扬-帕德雷夫斯基在路德维克-布罗纳尔斯基（根据波兰天主教马利传教团日记摘录）中的描述
Muzyka Pub Date : 2024-07-12 DOI: 10.36744/m.2700
Małgorzata Sieradz
{"title":"Riond-Bosson i Ignacy Jan Paderewski w relacji Ludwika Bronarskiego (na podstawie fragmentów dzienników przechowywanych w polskiej misji katolickiej w Marly)","authors":"Małgorzata Sieradz","doi":"10.36744/m.2700","DOIUrl":"https://doi.org/10.36744/m.2700","url":null,"abstract":"Artykuł odnosi się do pierwszej wizyty Ludwika Bronarskiego w posiadłości Ignacego Jana Paderewskiego Riond-Bosson. Podstawą tekstu stały się fragmenty z dzienników Bronarskiego (dołączone w aneksie), na które autorka natrafiła podczas kwerend w Polskiej Misji Katolickiej w Marly (Szwajcaria). W artykule zwrócono uwagę na kilka wątków, które pojawiły się w relacji, naświetlając pokrótce tło, które może dodatkowo pomóc podczas ich lektury. Przedstawione źródło nie stanowi wprawdzie przełomu w badaniach nad życiem ani Paderewskiego, ani Bronarskiego, przedstawia jednak obie postaci w nowym, mniej znanym świetle.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":"85 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Renegotiating the Borders of National Culture: Polish Émigré Composers and National Music Histories in the Twentieth Century 重新谈判民族文化的边界：二十世纪波兰移民作曲家与民族音乐史
Muzyka Pub Date : 2024-07-12 DOI: 10.36744/m.2704
Lisa Cooper Vest
{"title":"Renegotiating the Borders of National Culture: Polish Émigré Composers and National Music Histories in the Twentieth Century","authors":"Lisa Cooper Vest","doi":"10.36744/m.2704","DOIUrl":"https://doi.org/10.36744/m.2704","url":null,"abstract":"This review of From Poland with Music: 100 Years of Polish Composers Abroad (1918–2018) contextualises the project within a tradition of cultural outreach. Both the project itself (which aims to reach a general audience) and the stories it tells (of émigré artists who left Poland during the turbulent twentieth century) represent the movement of culture across borders. The conveners seek to reintroduce oft-omitted émigré artists into the canons of Polish national music history. In so doing, the volume serves as a successful and useful tool, introducing readers to new repertoire and inviting them to pose complex questions about the various motivations and effects of artists’ cultural mobility.","PeriodicalId":511716,"journal":{"name":"Muzyka","volume":"84 s1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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