重新谈判民族文化的边界:二十世纪波兰移民作曲家与民族音乐史

Muzyka Pub Date : 2024-07-12 DOI:10.36744/m.2704
Lisa Cooper Vest
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引用次数: 0

摘要

这篇对《来自波兰的音乐:海外波兰作曲家 100 年(1918-2018 年)》的评论将该项目置于文化外展传统的背景之下。该项目本身(旨在面向普通受众)和它所讲述的故事(在动荡的二十世纪离开波兰的移民艺术家的故事)都代表了文化的跨国界流动。召集人试图将经常被遗忘的移民艺术家重新纳入波兰民族音乐史的范畴。在此过程中,该卷成为一个成功而有用的工具,向读者介绍了新的曲目,并邀请他们就艺术家文化流动的各种动机和影响提出复杂的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Renegotiating the Borders of National Culture: Polish Émigré Composers and National Music Histories in the Twentieth Century
This review of From Poland with Music: 100 Years of Polish Composers Abroad (1918–2018) contextualises the project within a tradition of cultural outreach. Both the project itself (which aims to reach a general audience) and the stories it tells (of émigré artists who left Poland during the turbulent twentieth century) represent the movement of culture across borders. The conveners seek to reintroduce oft-omitted émigré artists into the canons of Polish national music history. In so doing, the volume serves as a successful and useful tool, introducing readers to new repertoire and inviting them to pose complex questions about the various motivations and effects of artists’ cultural mobility.
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