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HOW DID HOMER'S TROILUS DIE? 荷马笔下的特洛伊罗斯是怎么死的？
The Classical Quarterly Pub Date : 2024-04-03 DOI: 10.1017/s0009838823000927
Bill Beck
{"title":"HOW DID HOMER'S TROILUS DIE?","authors":"Bill Beck","doi":"10.1017/s0009838823000927","DOIUrl":"https://doi.org/10.1017/s0009838823000927","url":null,"abstract":"\u0000 This article examines ancient depictions of the death of Troilus in art and literature and challenges the widespread belief that the Iliad implies an alternative version of the myth in which Troilus dies in battle. In particular, it argues that the death-in-battle interpretation is both insufficiently supported by the internal evidence and incompatible with the external evidence. Given the evident popularity of the story of Achilles’ ambush of Troilus in the Archaic period, it is hard to avoid the conclusion that the poet of the Iliad knew the story of Troilus’ death by ambush. That the poem's only reference to Troilus does not contradict this story, and possibly even alludes to it, should persuade critics of the strong likelihood that the popular story of Troilus’ ambush at the fountain was also the one in the poet's mind.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"1060 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140749292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
HERMESIANAX'S POETICS OF LOVE IN CONTEXT 埃米西亚纳克斯的爱情诗学语境
The Classical Quarterly Pub Date : 2024-04-03 DOI: 10.1017/s000983882300085x
Massimo Giuseppetti
{"title":"HERMESIANAX'S POETICS OF LOVE IN CONTEXT","authors":"Massimo Giuseppetti","doi":"10.1017/s000983882300085x","DOIUrl":"https://doi.org/10.1017/s000983882300085x","url":null,"abstract":"\u0000 The article focusses on the catalogue of love-affairs from Book 3 of Hermesianax's Leontion (fr. 7 Powell = 3 Lightfoot). Contrary to two basic assumptions of previous scholarship, this article underscores that fr. 3 Lightfoot is neither representative of the Leontion as a whole nor an instance of unsophisticated poetic production. The evidence indicates that Hermesianax's catalogue might have played a crucial role in shaping the later reception of some of the figures he portrays (Mimnermus, Antimachus and perhaps even Hesiod). Finally, several points of contact with Clearchus of Soli show that Hermesianax may be engaging with relevant aspects of contemporary culture, most of all the Peripatetic investigation of biography and the phenomenology of love.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"84 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140750728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ATELLANA ACTORS AND PLAYWRIGHTS IN THE EPIGRAPHIC EVIDENCE 阿特拉娜演员和剧作家的书信证据
The Classical Quarterly Pub Date : 2024-03-20 DOI: 10.1017/s0009838823000629
Víctor González Galera
{"title":"ATELLANA ACTORS AND PLAYWRIGHTS IN THE EPIGRAPHIC EVIDENCE","authors":"Víctor González Galera","doi":"10.1017/s0009838823000629","DOIUrl":"https://doi.org/10.1017/s0009838823000629","url":null,"abstract":"\u0000 This contribution provides a study of the fabula Atellana from an epigraphic perspective. It brings together the existing inscriptions related to this dramatic genre, explaining the challenges that one faces when trying to identify possible Atellana actors. It also examines the status of Atellana performers and playwrights, contrasting the information provided by literary sources, especially Livy, with the data obtained from inscriptions, which indicate an increasing professionalization of Atellana actors in the first century a.d. Finally, this article poses some questions concerning the development, continuity and geographical diffusion of Atellan comedy in the Imperial era in the light of the epigraphic material and also in comparison with the evidence available for other popular shows, specifically mime and pantomime, which suggests that by the second century a.d. the Atellana was no longer performed on public stages but was rather represented in private settings and studied for its linguistic and rhetorical peculiarities.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"30 14","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140225475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
HORACE, ODES 3.13: INTERTEXTS AND INTERPRETATION 贺拉斯，《奥德赛》3.13：互文与释义
The Classical Quarterly Pub Date : 2024-03-18 DOI: 10.1017/s000983882300068x
I.-K. Sir
{"title":"HORACE, ODES 3.13: INTERTEXTS AND INTERPRETATION","authors":"I.-K. Sir","doi":"10.1017/s000983882300068x","DOIUrl":"https://doi.org/10.1017/s000983882300068x","url":null,"abstract":"\u0000 This article argues that the literary contexts of Horace's Odes 3.13, especially archaic Greek poetry, have been relatively neglected by scholars, who have focussed on identifying the location of the fons Bandusiae and on understanding the significance of the sustained description of the kid sacrifice. This study presents a more holistic interpretation of the ode by exploring Horace's interactions with previously unnoticed (Alcaeus, frr. 45 and 347) and underappreciated (Hes. Op. 582–96) archaic Greek poetic intertexts, which also offer a fresh perspective on earlier debates. Horace's use of Alcaeus’ fr. 45, a key intertext, firmly places the fons Bandusiae within the literary landscape of Horace's Sabine estate, and offers a structural and argumentative model for Odes 3.13; further, Alcaean and Hesiodic allusions also suggest that the kid is sacrificed as a surrogate for Horace for keeping him safe. These conclusions are used to offer a new interpretation of the ode on metapoetic, political and philosophical levels, and to explore how these different aspects of the ode interact with Horace's other odes.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"293 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140233290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ΤWO BEGINNINGS: ACROSTIC COMMENCEMENTS IN HORACE (EPOD. 1.1–2) AND OVID (MET. 1.1–3) 两个开头：霍拉斯（Epod. 1.1-2）和奥维德（Met. 1.1-3）中的咏叹调开头
The Classical Quarterly Pub Date : 2024-03-18 DOI: 10.1017/s0009838823000605
Brett Evans
{"title":"ΤWO BEGINNINGS: ACROSTIC COMMENCEMENTS IN HORACE (EPOD. 1.1–2) AND OVID (MET. 1.1–3)","authors":"Brett Evans","doi":"10.1017/s0009838823000605","DOIUrl":"https://doi.org/10.1017/s0009838823000605","url":null,"abstract":"\u0000 This article proposes that Horace's Epodes and Ovid's Metamorphoses open with significant acrostics that comprise the first two letters, in some cases forming syllables, of successive lines: IB-AM/IAMB (Epod. 1.1–2) and IN-CO-(H)AS (Met. 1.1–3). Each acrostic, it will be argued, tees up programmatic concerns vital to the work it opens: generic identity and the interrelation of form and content (Epodes), etymology and monumentality (Metamorphoses). Moreover, as befits their placement at the head of collections, both acrostics negotiate the challenge of literary commencement. The introduction reviews recent developments in acrostic studies and discusses important predecessors and parallels for Horace's and Ovid's ‘two-letter’ and syllabic acrostics. Two subsequent sections examine the acrostics singly, and a conclusion compares the dialogues that these acrostics open between author and reader, underscoring the welcome challenge which Ovid's acrostic offers to the prevailing scholarly view that this form of wordplay is a strictly visual affair.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140234878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DAEDALA IMAGO AND THE IMAGE OF THE WORLD IN LUCRETIUS’ PROEM (1.5–8) 卢克莱修序言（1.5-8）中的 daedala imago 和世界形象
The Classical Quarterly Pub Date : 2024-03-12 DOI: 10.1017/s0009838823000617
Alexandre Hasegawa
{"title":"DAEDALA IMAGO AND THE IMAGE OF THE WORLD IN LUCRETIUS’ PROEM (1.5–8)","authors":"Alexandre Hasegawa","doi":"10.1017/s0009838823000617","DOIUrl":"https://doi.org/10.1017/s0009838823000617","url":null,"abstract":"\u0000 This article aims to discuss how Lucretius arranges the four ‘roots’ at the end of successive lines of verse in the De rerum natura (henceforth, DRN) (1.5–8). In this passage Lucretius, alluding to Empedocles, puts the words in such an order that one can see the layers of the world by a vertical reading. In the same passage, Lucretius imitates the very beginning of Homer's ecphrasis (Il. 18.478–85), which the allegorical tradition will explain as an image of the world, related to Empedoclean theory. The article also discusses the allusion to Daedalus by means of the adjective daedalus in DRN 1.7 (daedala tellus), which could be related to both Empedocles and Homer. This adjective is a keyword for discussing the image produced by the words on the written page.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"9 S2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140251135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CONJECTURES AND OBSERVATIONS ON CATULLUS 63 对卡图卢斯的猜想和观察 63
The Classical Quarterly Pub Date : 2024-03-11 DOI: 10.1017/s0009838823000666
T.A.J. Hockings
{"title":"CONJECTURES AND OBSERVATIONS ON CATULLUS 63","authors":"T.A.J. Hockings","doi":"10.1017/s0009838823000666","DOIUrl":"https://doi.org/10.1017/s0009838823000666","url":null,"abstract":"\u0000 This article discusses textually problematic passages in Catullus 63, a particularly corrupt poem from a particularly corrupt manuscript tradition. It proposes new conjectures and revives several old ones. Throughout there are notes on punctuation, conjecture attribution and an analysis of the structure of Attis’ lament.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"10 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140253256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
GROUP MINDS IN ANCIENT GREEK HISTORIOGRAPHY AND THE ANCIENT GREEK NOVEL: HERODIAN'S HISTORY AND CHARITON'S CALLIRHOE–ERRATUM 古希腊史学和古希腊小说中的群体意识：希罗迪安的历史和查里顿的《卡利霍-埃拉图姆》（Callirhoe-erratum
The Classical Quarterly Pub Date : 2024-03-11 DOI: 10.1017/s0009838824000375
Chrysanthos S. Chrysanthou
{"title":"GROUP MINDS IN ANCIENT GREEK HISTORIOGRAPHY AND THE ANCIENT GREEK NOVEL: HERODIAN'S HISTORY AND CHARITON'S CALLIRHOE–ERRATUM","authors":"Chrysanthos S. Chrysanthou","doi":"10.1017/s0009838824000375","DOIUrl":"https://doi.org/10.1017/s0009838824000375","url":null,"abstract":"","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"133 47","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140251385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MANILIUS ON THE IMPERFECT FORMS OF THE CONSTELLATIONS: THE TEXT OF ASTRONOMICA 1.463–5 AND 466 Manilius 论星座的不完美形态：天文学》文本 1.463-5 和 466
The Classical Quarterly Pub Date : 2024-03-07 DOI: 10.1017/s0009838823000824
D. M. Possanza
{"title":"MANILIUS ON THE IMPERFECT FORMS OF THE CONSTELLATIONS: THE TEXT OF ASTRONOMICA 1.463–5 AND 466","authors":"D. M. Possanza","doi":"10.1017/s0009838823000824","DOIUrl":"https://doi.org/10.1017/s0009838823000824","url":null,"abstract":"\u0000 This paper presents two proposals to improve the text of an important passage in Manilius’ Astronomica, 1.456–68, in which the poet explains natura's rationale for arranging the stars in such a way as to create only a partial, rather than a full, representation of the constellation figures. The text of line 464 is repunctuated in order to give proper emphasis to natura's parsimonious disposition of the stars. Scholars have noted that the sentence atque ignibus ignes | respondent in 466–7 is not consistent with the poet's account of how the constellation figures were delineated nor with what an observer sees in the heavens. The conjecture insignibus (neuter plural), for the transmitted atque ignibus in line 466, is offered to indicate that it is the distinctive features (insignia) of the figures to which specific stars correspond and by means of which the figures are described. Attention is also drawn to a striking paronomasia in 466–7, designat … insignibus ignes, which creates a meaningful phonetic constellation of celestial fire (ignis), sign (signum) and insigne (distinctive feature) and thus provides evidence, on the linguistic level, of natura's providentia.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"38 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140259493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SOCRATES THE EUTRAPELOS: XENOPHON AND ARISTOTLE ON ETHICAL VIRTUE 苏格拉底：色诺芬和亚里士多德论伦理美德
The Classical Quarterly Pub Date : 2024-03-05 DOI: 10.1017/s0009838823000848
Gabriel Danzig
{"title":"SOCRATES THE EUTRAPELOS: XENOPHON AND ARISTOTLE ON ETHICAL VIRTUE","authors":"Gabriel Danzig","doi":"10.1017/s0009838823000848","DOIUrl":"https://doi.org/10.1017/s0009838823000848","url":null,"abstract":"\u0000 The social virtues are not discussed thematically in the Socratic writings of Plato and Xenophon, but they are on display everywhere. Taking Aristotle's accounts of these virtues as a touchstone, this paper explores the portrait of Socrates as a model of good humour in Xenophon's Symposium. While Xenophon is addressing the same issues as Aristotle, and shares some of his red lines, his conception of the ideal humourist and of virtue in general differs from Aristotle's not only in detail but also in general conception. While he never actually violates the rules Aristotle sets down for eutrapelia, Xenophon's Socrates strives not to avoid opposites but to combine them. It is the careful combining of the spoudaion and the geloion that redeems Xenophon's otherwise outrageous portrait of Socratic humour. This suggests a broader paradigm in which virtuous behaviour is a combination of opposites rather than a middle path.","PeriodicalId":510528,"journal":{"name":"The Classical Quarterly","volume":"17 S4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140265124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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