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Saygun’un Müziğinde Alaca Dor Töre Dizisinin Dikey Boyutu: [3, 5, 3] Akorunun Kökenine İlişkin Bir İrdeleme 萨伊贡音乐中阿拉卡多特勒音阶的垂直维度：关于[3, 5, 3]和弦起源的研究
Conservatorium / Konservatoryum Pub Date : 2024-06-11 DOI: 10.26650/cons2024-1453690
O. Özbayrak
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引用次数: 0
Melih Cevdet Anday’s “Dead Want to Talk” in Terms of the Playwriting Tendencies of “The Theatre of the Absurd 从 "荒诞戏剧 "的剧作倾向看梅利赫-切夫代特-安代的《死人想说话》
Conservatorium / Konservatoryum Pub Date : 2024-06-07 DOI: 10.26650/cons2024-1482628
Simay Yılmaz
{"title":"Melih Cevdet Anday’s “Dead Want to Talk” in Terms of the Playwriting Tendencies of “The Theatre of the Absurd","authors":"Simay Yılmaz","doi":"10.26650/cons2024-1482628","DOIUrl":"https://doi.org/10.26650/cons2024-1482628","url":null,"abstract":"Melih Cevdet Anday, one of the foremost playwrights in modern Turkish theatre, has authored plays that exemplify the influence of “The Theatre of the Absurd”. This article aims to explore the presence of absurdist tendencies within one of his works, \"Dead Want to Talk\". With this objective, the article has assessed the playwriting tendencies of “The Theatre of the Absurd” and evaluated Anday’s play within this framework. It has been observed that the plot centers on the theme -the absurdity of human-portraying passengers on a ferry who talk without taking action. Modern individualism and lack of communication are layers of thought, conveyed effectively through the use of self-centered monologues instead of meaningful dialogues. Symbolism plays a crucial role, with characters as anonymous figures lacking depth or development, representing various human portraits or traits. The vagueness in time and setting allows the plot to embrace ‘anytime’ / ‘anyplace’ where the modern individual exists. Additionally, the use of humor enables readers to engage with the critical perspective. In conclusion, Anday’s play exemplifies the influence of the playwriting tendencies of “The Theatre of the Absurd” to a significant extent, thus serves as a notable example of the absurdist influence in modern Turkish theatre.","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":" 25","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141372557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Davul İçin Tam Otomatik Bir Akort Sisteminin Tasarım ve Optimizasyon Süreçlerinin İncelenmesi 大鼓全自动调音系统的设计和优化过程研究
Conservatorium / Konservatoryum Pub Date : 2024-06-06 DOI: 10.26650/cons2024-1490026
Ö. Nural, Arda Eden
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引用次数: 0
Agustín Pio Barrios Mangoré’nin Ustalık Eseri La Catedral’in Müzikal Analizi 奥古斯丁-皮奥-巴里奥斯-曼戈雷杰作《大教堂》的音乐分析
Conservatorium / Konservatoryum Pub Date : 2024-06-04 DOI: 10.26650/cons2024-1476263
Mehmet Bilgütay, Burak Sağırkaya
{"title":"Agustín Pio Barrios Mangoré’nin Ustalık Eseri La Catedral’in Müzikal Analizi","authors":"Mehmet Bilgütay, Burak Sağırkaya","doi":"10.26650/cons2024-1476263","DOIUrl":"https://doi.org/10.26650/cons2024-1476263","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"87 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141267861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anksiyete, Depresyon ve Anksiyete Duyarlılığının Ritim Eğitiminde Öğrenme Performansı Üzerine Etkisi 焦虑、抑郁和焦虑敏感性对节奏训练中学习成绩的影响
Conservatorium / Konservatoryum Pub Date : 2024-06-03 DOI: 10.26650/cons2024-1435616
S. Karaman, N. Köroğlu, G. Köroğlu, Harun Baki, M. Demet
{"title":"Anksiyete, Depresyon ve Anksiyete Duyarlılığının Ritim Eğitiminde Öğrenme Performansı Üzerine Etkisi","authors":"S. Karaman, N. Köroğlu, G. Köroğlu, Harun Baki, M. Demet","doi":"10.26650/cons2024-1435616","DOIUrl":"https://doi.org/10.26650/cons2024-1435616","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"20 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141272909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fernando Sor’un Klasik Gitar İçin Yazdığı Etüt Kitaplarının İncelenmesi 分析费尔南多-索的古典吉他练习曲集
Conservatorium / Konservatoryum Pub Date : 2024-06-03 DOI: 10.26650/cons2024-1469862
İ. Güleç
{"title":"Fernando Sor’un Klasik Gitar İçin Yazdığı Etüt Kitaplarının İncelenmesi","authors":"İ. Güleç","doi":"10.26650/cons2024-1469862","DOIUrl":"https://doi.org/10.26650/cons2024-1469862","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"19 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141271776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tarihsel Bağlam Açısından Makam İsimlerinde Kadîm-Cedîd Ayrımının Anlamları ve İşlevleri 从历史背景看马卡姆名称中 "卡迪姆 "与 "赛迪德 "之分的意义和作用
Conservatorium / Konservatoryum Pub Date : 2024-05-10 DOI: 10.26650/cons2024-1446252
Hakan Aykurt
{"title":"Tarihsel Bağlam Açısından Makam İsimlerinde Kadîm-Cedîd Ayrımının Anlamları ve İşlevleri","authors":"Hakan Aykurt","doi":"10.26650/cons2024-1446252","DOIUrl":"https://doi.org/10.26650/cons2024-1446252","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":" 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140993690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Yorgo Bacanos’un Mahur Aranağme İcrasının Analizi 约戈-巴卡诺斯的《马胡尔-阿拉纳格梅》分析
Conservatorium / Konservatoryum Pub Date : 2024-05-07 DOI: 10.26650/cons2024-1453714
Mehmet Budak, Cenk Güray
{"title":"Yorgo Bacanos’un Mahur Aranağme İcrasının Analizi","authors":"Mehmet Budak, Cenk Güray","doi":"10.26650/cons2024-1453714","DOIUrl":"https://doi.org/10.26650/cons2024-1453714","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"83 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141002484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tarımın Şafağında Dans 舞动农业的黎明
Conservatorium / Konservatoryum Pub Date : 2024-05-03 DOI: 10.26650/cons2024-1463371
Serdar Özbilen
{"title":"Tarımın Şafağında Dans","authors":"Serdar Özbilen","doi":"10.26650/cons2024-1463371","DOIUrl":"https://doi.org/10.26650/cons2024-1463371","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"91 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141015529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Onur Özmen’in “Op. 41 Keman-Piyano İçin Sonatin” Eserinin İncelenmesi ve Düzeyinin Belirlenmesi Onur Özmen的 "为小提琴-钢琴而作的奏鸣曲作品41 "分析及其级别确定
Conservatorium / Konservatoryum Pub Date : 2024-04-16 DOI: 10.26650/cons2024-1430323
Sonat Coşkuner
{"title":"Onur Özmen’in “Op. 41 Keman-Piyano İçin Sonatin” Eserinin İncelenmesi ve Düzeyinin Belirlenmesi","authors":"Sonat Coşkuner","doi":"10.26650/cons2024-1430323","DOIUrl":"https://doi.org/10.26650/cons2024-1430323","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"6 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140696347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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