{"title":"Contributors","authors":"","doi":"10.1353/sli.2018.0018","DOIUrl":"https://doi.org/10.1353/sli.2018.0018","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p><strong>Hannah Marije Altorf</strong> was, until Autumn 2020, Reader in Philosophy. She has written on the philosophical and literary works of Iris Murdoch and on different forms of philosophical dialogue. She is the author of <em>Iris Murdoch and the Art of Imagining</em> (Continuum 2008) and together with Mariëtte Willemsen she translated <em>Iris Murdoch’s The Sovereignty of Good</em> into Dutch (Boom 2003). Currently, she is a student rabbi at Leo Baeck College and writing a book on public philosophy, tentatively called “Thinking in Public.”</p> <p><strong>Athanasios Dimakis</strong> is a postdoctoral researcher at the National and Kapodistrian University of Athens in the program “Hotels and the Modern Subject: 1890-1940,” funded by the Hellenic Foundation for Research and Innovation. Athanasios holds an MA (with Distinction) from Goldsmiths College, University of London, and a PhD (with Distinction) from NKUA. His publications include: “‘I’ve seen you at it’: Visual Frenzy and the Panopticon in Iris Murdoch’s <em>The Bell</em>,” <em>The Iris Murdoch Review</em>. Athanasios is the recipient of the 2020 William Godshalk Prize for New Durrell Scholarship awarded by the International Lawrence Durrell Society.</p> <p><strong>David J. Fine</strong> is an assistant professor of English at the University of Dayton. His research focuses on sex, secularization, and ethics in the modern British novel, and he teaches courses in twentieth-century fiction, LGBTQ+ literature, and feminist theory. He has published on issues surrounding religion, queerness, and critical pedagogy.</p> <p><strong>Margaret Guise</strong> taught Theology, specializing in New Testament studies, patristics, and the development of Trinitarian doctrine, at Sarum College, Salisbury, the University of Chichester, and the Portsmouth Pathway Ministerial Formation Programme (delivered under the aegis of Ripon College, Cuddesdon) until she retired in 2020. She has also for a number of years been a Research Associate of the Iris Murdoch Research Centre at the University of Chichester. She now lives in Chichester, West Sussex.</p> <p><strong>Farisa Khalid</strong> is a PhD candidate in English at George Washington University. She specializes in British literature from the late nineteenth century to the present, modern drama, genre studies (science fiction and spy fiction), and postcolonial literature. Her work has appeared in <em>Modern Fiction Studies</em>, <em>Journal of Modern Literature</em>, <em>The Journal of Popular Culture</em>, and <em>Animation</em>.</p> <p><strong>Rebecca Moden</strong> recently completed a PhD with a dissertation titled “Writer Meets Painter: Iris Murdoch and Harry Weinberger,” which she is now preparing for publication. Other publications include a chapter for <em>Murdoch on Truth and Love</em","PeriodicalId":501368,"journal":{"name":"Studies in the Literary Imagination","volume":"27 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138523601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contributors","authors":"","doi":"10.1353/sli.2018.0008","DOIUrl":"https://doi.org/10.1353/sli.2018.0008","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p><strong>Andrew Bennett</strong> is Professor of English at the University of Bristol, UK. His books include <em>Suicide Century: Literature and Suicide from James Joyce to David Foster Wallace</em> (2017), <em>Wordsworth Writing</em> (2007), <em>Romantic Poets and the Culture of Posterity</em> (1999), <em>Keats, Narrative and Audience</em> (1994), and, as editor, <em>William Wordsworth in Context</em> (2015).</p> <p><strong>Kirsty Cameron</strong> is a PhD candidate in English at the University of Manitoba. Cameron was awarded a 2018 SSHRC doctoral fellowship for her dissertation work on Tennessee Williams. Kirsty is also a creative writer, an English TA, and an itinerant sessional instructor in composition and creative writing at Brandon University.</p> <p><strong>Leigh Wetherall</strong> Dickson is Senior Lecturer at the University of Northumbria, She has published and edited many work on the nature and representation of illness in the long eighteenth century. Her current research interest is the overlap between fame, fashion and illness in the Regency period.</p> <p><strong>Michelle Faubert</strong> is Associate Professor at the University of Manitoba and Visiting Fellow at Northumbria University, UK. Her monographs are <em>Granville Sharp's Uncovered Letter and the Zong Massacre</em> (2018) and <em>Rhyming Reason: The Poetry of Romantic-Era Psychologists</em> (2009); she has also edited two editions for Broadview Press and four volumes and journal issues. She is the Principal Investigator of \"Romanticism and Revolutionary Suicide,\" funded by the Social Sciences and Humanities Research Council of Canada (2015–20).</p> <p><strong>Deanna Koretsky</strong> is Assistant Professor of English at Spelman College, where she specializes in transatlantic Romantic-era literatures, critical race theory, and feminist theory. She is currently completing her first book, <em>Death Rights: Romantic Suicide, Race, and the Bounds of Liberalism</em>, with support from the National Endowment for the Humanities and UNCF/ Mellon. Most recently, she co-edited, with Joel Pace, a special issue of <em>Symbiosis</em> entitled \"New Directions in Transatlantic Romanticisms.\" <strong>[End Page 139]</strong></p> <p><strong>Kelly McGuire</strong> is an Associate Professor of English and Gender & Women's Studies at Trent University in Canada, where she specializes in eighteenth-century literature and health humanities.</p> <p><strong>Shoshannah Bryn Jones Square</strong> received her PhD from the University of Oxford in 2017, after which she held a Research Affiliateship with the University of Manitoba Institute for the Humanities while also working as a Postdoctoral Fellow. She is currently a faculty member in the Department of English at Kwantlen Polytechnic University in Surrey, BC. Her research projec","PeriodicalId":501368,"journal":{"name":"Studies in the Literary Imagination","volume":"68 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138521799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}