{"title":"What Care for Birthing Mothers? The Relevance of UDHR Art. 25 in the Framework of Obstetric Violence in Italy and Portugal","authors":"Francesca Basso","doi":"10.33422/womensconf.v2i1.87","DOIUrl":"https://doi.org/10.33422/womensconf.v2i1.87","url":null,"abstract":"Obstetric violence (OV) was first defined in 2007 in Venezuelan law as gender-based violence (GBV), i.e., having structural roots rather than happening in contingent or subjective situations. In Venezuelan Law, OV is framed as breach of multiple human rights of women (e.g. right to life, right to be free from violence, and right to health): more recently, international human rights law has followed suit– recognizing that pregnancy and childbirth care must be provided according to the principles enshrined in article 25 of the Universal Declaration on Human Rights (UDHR), the right to health. Its actual implementation, however, still shows a cleavage between standards and practice. This work seeks to examine the meanings of the term “care” in art. 25 UDHR in international, regional, and domestic legal documents and its actual articulation. Support to such critical analysis is provided by scientific literature, providing a review of the legal notion of OV and its prevalence in the context of analysis. This work focuses on Italy and Portugal - countries particularly relevant for the recent developments of the subject matter in Europe, also in light of the influence exercised by Latin American activism through Spanish activism. While the meaning “care” in the context of childbirth is quite deep and comprehensive in human rights standard-setting instruments, also highlighting how OV disrupts such care by jeopardizing the agency, dignity, health, and self-determination of the birthing person, such care is still not up to those standards – in jurisprudence as well as in in the daily reality of the analyzed countries.","PeriodicalId":498210,"journal":{"name":"Proceedings of The Global Conference on Women’s Studies","volume":"9 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136233302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Social Responsibility of Advertising and Female Beauty: A Document Analysis of Laws and Regulations in Brazil and Portugal","authors":"Hadassa Oliveira","doi":"10.33422/womensconf.v2i1.78","DOIUrl":"https://doi.org/10.33422/womensconf.v2i1.78","url":null,"abstract":"This work sought to verify - from an exploratory, intuitive, and empirical view -, how advertising has been regulated in Brazil and Portugal in a non-exhaustive way, observing laws and regulatory guidelines that already exist in these countries and those that are in process, checking its social responsibility in the face of the representativeness and diversity of female beauty. Through qualitative Document Analysis, highlighting the main public documents online found in recent reports, newspapers, official government websites, blogs, and social media, an attempt was made to observe and compare these countries that are historically and culturally linked, differing in cultural, social, political and economic matters. Therefore, in Brazil, there are already some norms to indicate the use of image editing and guidelines to avoid stereotyping of female beauty in advertising. In Portugal, there are already amendments to the advertising code to make beauty standards real and ensure the principle of veracity with the consumer. Both countries already have similar protective laws regarding the “non-objectification” of the woman's body in advertising. However, it was observed that despite the existence of these progresses, there is still a long way to change the deconstruction of the collective imagination about the aesthetic pressure on the female body. Brands/companies need to be aware of these laws/norms and apply them in practice, as well as the need to apply an educational form of awareness for society in general, aiming to be more aligned in the search for more responsible advertising directed to women and for all.","PeriodicalId":498210,"journal":{"name":"Proceedings of The Global Conference on Women’s Studies","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135198055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Construction, Perception and Strategies of Health Risk: The Interview of HPV Vaccination among Chinese Young Women","authors":"Han Zheng","doi":"10.33422/womensconf.v2i1.86","DOIUrl":"https://doi.org/10.33422/womensconf.v2i1.86","url":null,"abstract":"Risk has emerged as a dominant cultural aspect of modern society as well as a central theme in contemporary discourses. This study focuses on “health risk” through the interview of HPV vaccination’s meaning among young Chinese women for two purposes. First, explores the social construction and transmission of HPV risk through the discussion of discursive strategies. There are three main ways to learn about the vaccine: first, introduction by people they know, second, media publicity, and third, school education.A second purpose is to place the risk perception and women's vaccination decisions in the context of the social milieu in which they occur. According to the results of narrative analysis, interviewees can be divided into two main groups according to the extent to which their actions are influenced by external information: formalists and self-awareness. The latter group shows a higher level of reflexivity than the former group in making the HPV vaccination decision. The group with self-awareness also demonstrates a strong sense of self-body management. Despite individual’s reflexivity level varies, it is clear that risk calculation conscious is prevalent when pursuing HPV vaccine. On the one hand, risk calculation reflects human self-reflexivity and reason, as defined by neoliberalism; on the other hand, it also reflects that future hazards are influencing current activities, the future, is central to risk awareness. At this moment, people are taking proactive action to prevent, mitigate or prevent the challenges and disasters of tomorrow and the day after.","PeriodicalId":498210,"journal":{"name":"Proceedings of The Global Conference on Women’s Studies","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135198210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Rise of the Modern Witch: Analyzing Devon Cole’s ‘W.I.T.C.H.’ in Feminist Discourse","authors":"Daniella Orias","doi":"10.33422/womensconf.v2i1.80","DOIUrl":"https://doi.org/10.33422/womensconf.v2i1.80","url":null,"abstract":"This scholarly investigation critically examines Devon Cole’s song, “W.I.T.C.H.,” within the framework of feminist discourse and its implications for women’s autonomy over their bodies. The study pursues two primary objectives: firstly, it examines Cole’s lyrical portrayal of witches as emblematic of “Women In Total Control of Herself,” and secondly, it assesses the resonance of these lyrics with established feminist theories, particularly within the context of Reproductive Justice. This inquiry is contemporarily situated amidst pivotal developments such as the 2022 Roe vs. Wade decision reversal and the emergence of stringent anti-abortion legislation. The enduring symbol of the witch has consistently persisted as a representation of feminist resistance, retaining its relevance in contemporary popular culture. Artists like Cole strategically leverage feminist theories to infuse their creative works with social commentary, thereby facilitating the dissemination of gender-related concerns. By employing the witch symbol, Cole and her contemporaries actively challenge prevailing societal norms, engendering meaningful dialogues on issues pertaining to women’s rights and autonomy. In sum, this paper illuminates the focal point of its analysis, Devon Cole’s “W.I.T.C.H.,” within the broader context of feminist theory. It underscores the significance of the feminist reinterpretation of the witch archetype and its pertinence to contemporary gender-related matters while also acknowledging the broader sociopolitical backdrop against which this discourse unfolds.","PeriodicalId":498210,"journal":{"name":"Proceedings of The Global Conference on Women’s Studies","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136154324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}