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Studies in world cinema最新文献

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Rebels, Revolutionaries, Returnees: Palestinian Women’s Cinema as World Cinema 反叛者、革命者、回归者：作为世界电影的巴勒斯坦妇女电影
Studies in world cinema Pub Date : 2024-03-01 DOI: 10.1163/26659891-bja10039
B. Trbic
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引用次数: 0
A Cinematic Calling Card: Preludio 11 and Cuban-gdr Cultural Dialogue 电影名片：前奏曲 11》与古巴-美国文化对话
Studies in world cinema Pub Date : 2024-02-27 DOI: 10.1163/26659891-bja10040
Isabel Story
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引用次数: 0
Envisioning Global Governance in Chinese Sci-fi Blockbusters: Crazy Alien (2019) and The Wandering Earth (2019) 中国科幻大片中的全球治理构想:《疯狂外星人》(2019)和《流浪地球》(2019)
Studies in world cinema Pub Date : 2023-11-03 DOI: 10.1163/26659891-bja10036
Xiao Yang
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引用次数: 0
Cyborgs vs. Vatniks: Hybridity, Weaponized Information, and Mediatized Reality in Recent Ukrainian War Films 赛博格vs vatnik:乌克兰战争电影中的混合、武器化信息和媒介化现实
Studies in world cinema Pub Date : 2023-10-30 DOI: 10.1163/26659891-bja10034
Yuliya V. Ladygina
{"title":"Cyborgs vs. Vatniks: Hybridity, Weaponized Information, and Mediatized Reality in Recent Ukrainian War Films","authors":"Yuliya V. Ladygina","doi":"10.1163/26659891-bja10034","DOIUrl":"https://doi.org/10.1163/26659891-bja10034","url":null,"abstract":"Abstract Focusing on Akhtem Seitablaiev’s blockbuster Kiborhy: Heroi ne vmyraiut ( Cyborgs: Heroes Never Die , 2017) and Sergei Loznitsa’s auteur production Donbass (2018), this article argues that the 2014–2022 cycle of Ukrainian war films merits critical attention as an astute record of conspicuous social transformations in pre-full-scale-invasion Ukraine and for their original perspective on the hybrid nature of modern war and its mediatization. The article uses postcolonial and cyborg theories of hybridity, Baudrillard’s concept of simulacra, and the Marxist notion of “false consciousness” to illustrate how post-Soviet, postcolonial, and post-truth aspects of war-torn Ukraine conflate in Seitablaiev’s and Loznitsa’s works to highlight the recent shift in the nature of warfare itself. As the two films unequivocally demonstrate, the latter is defined not so much by high-tech armed operations and direct annihilation of the opponent as by contactless warfare, as well as by its consequences for those directly influenced by it.","PeriodicalId":494498,"journal":{"name":"Studies in world cinema","volume":"128 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136107076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Elemental World Cinema 元素世界电影院
Studies in world cinema Pub Date : 2023-09-14 DOI: 10.1163/26659891-bja10033
Tiago de Luca, Matilda Mroz
{"title":"Elemental World Cinema","authors":"Tiago de Luca, Matilda Mroz","doi":"10.1163/26659891-bja10033","DOIUrl":"https://doi.org/10.1163/26659891-bja10033","url":null,"abstract":"","PeriodicalId":494498,"journal":{"name":"Studies in world cinema","volume":"2013 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134973147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nebulous Cinema 模糊的电影
Studies in world cinema Pub Date : 2023-09-14 DOI: 10.1163/26659891-bja10035
Tiago de Luca
{"title":"Nebulous Cinema","authors":"Tiago de Luca","doi":"10.1163/26659891-bja10035","DOIUrl":"https://doi.org/10.1163/26659891-bja10035","url":null,"abstract":"Abstract As billowing masses averse to stillness and defined by perpetual variability, clouds, fog and mist share common ontological properties. This article will group them together under the rubric of the “nebulous,” and probe its conceptual and aesthetic relationship with film. Fog, smoke and mist are pervasive through the entire history of cinema and crop up in an array of genres and modes. What would film history look like if traced from the perspective of these cloud forms? The article hopes to sketch out the first contours of such a history by honing in on a durational cinematic tradition, from the “landscape film” of the 1970s through to contemporary slow cinema. It will conceive of such a history as intermedial both in the sense that it extrapolates the boundaries of the film medium and in that it treats fog, mist and clouds as elemental “media” in their own right.","PeriodicalId":494498,"journal":{"name":"Studies in world cinema","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134971460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Front matter 前页
Studies in world cinema Pub Date : 2023-04-06 DOI: 10.1163/26659891-03010000
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引用次数: 0
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