Envisioning Global Governance in Chinese Sci-fi Blockbusters: Crazy Alien (2019) and The Wandering Earth (2019)

Xiao Yang
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Abstract

Abstract This article examines two Chinese sci-fi blockbusters, Crazy Alien and The Wandering Earth , under a theoretical framework of global governance and its variation in Chinese state rhetoric. The article explores how the notion of global governance in China is echoed, reconfigured, and mediated in these two films via their depiction of China’s leadership in solving fictionalized futuristic global challenges. It argues that while Crazy Alien criticizes the present, neoliberal global governance, The Wandering Earth envisages a new global governance system led by China. These two films provide case studies of sci-fi blockbusters produced in a non-Western context and illustrate the convergence of Chinese politics with its sci-fi film production.
中国科幻大片中的全球治理构想:《疯狂外星人》(2019)和《流浪地球》(2019)
本文从全球治理的理论框架及其在中国国家修辞中的变化,对两部国产科幻大片《疯狂外星人》和《流浪地球》进行了分析。本文探讨了中国的全球治理概念如何在这两部电影中得到呼应、重新配置和调解,通过它们对中国在解决虚构的未来全球挑战方面的领导作用的描述。它认为,《疯狂的外星人》批评了当前的新自由主义全球治理,而《流浪地球》则设想了一个由中国领导的新的全球治理体系。这两部电影提供了在非西方背景下制作的科幻大片的案例研究,并说明了中国政治与科幻电影制作的融合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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