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Studia Filmoznawcze最新文献

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Nowa Przygoda czy Nowa Baśń? Recepcja zjawiska na peryferiach przemysłu kinematograficznego oraz światowego dyskursu krytycznofilmowego. Recenzje wybranych obrazów nurtu w czasopismach branżowych PRL-u lat lat siedemdziesiątych i osiemdziesiątych 新冒险还是新童话？电影业和世界电影评论界对这一现象的看法。1970 年代和 1980 年代波兰人民共和国行业杂志对这一趋势所选图片的评论
Studia Filmoznawcze Pub Date : 2024-07-16 DOI: 10.19195/0860-116x.45.4
Mateusz Drewniak
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引用次数: 0
Escape from the periphery. World-system of cinema and Polish film 逃离边缘世界电影体系与波兰电影
Studia Filmoznawcze Pub Date : 2024-07-16 DOI: 10.19195/0860-116x.45.2
Miłosz Stelmach
{"title":"Escape from the periphery. World-system of cinema and Polish film","authors":"Miłosz Stelmach","doi":"10.19195/0860-116x.45.2","DOIUrl":"https://doi.org/10.19195/0860-116x.45.2","url":null,"abstract":"\u0000 \u0000 \u0000 \u0000The main aim of this text is to outline the possibilities of applying Immanuel Wallerstein’s world-systems theory to the analysis of cinema. Concepts developed by Wallerstein, especially the notion of the relationship between the core and the periphery of international political-economic systems, can be useful in trying the hegemony of Hollywood cinema in the global circulation of film content, as well as the positions smaller film industries occupy in relation to it. The assumptions of this theory will be tested using the example of the cinema of Central and Eastern Europe in recent decades, making it possible to determine its relative hierarchy in the global chain of production and consumption of audiovisual content. Special attention has been focused on Poland, presented as a model example of a local film industry attempting to emerge from the peripheral position it occupied after the political transformation of 1989. \u0000 \u0000 \u0000 \u0000","PeriodicalId":488678,"journal":{"name":"Studia Filmoznawcze","volume":"9 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141641297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Inspirations, techniques and institutionality. Animation in Józef Robakowski’s experimental oeuvre 灵感、技术和体制。约瑟夫-罗巴科夫斯基实验作品中的动画作品
Studia Filmoznawcze Pub Date : 2024-07-16 DOI: 10.19195/0860-116x.45.7
Anna Krakowiak
{"title":"Inspirations, techniques and institutionality. Animation in Józef Robakowski’s experimental oeuvre","authors":"Anna Krakowiak","doi":"10.19195/0860-116x.45.7","DOIUrl":"https://doi.org/10.19195/0860-116x.45.7","url":null,"abstract":"\u0000 \u0000 \u0000 \u0000Józef Robakowski’s cinematic oeuvre functions mainly as an experimental form of audiovisual art exhibited in gallery spaces. In his avant-garde activities this intermedia artist, associated with the Film Form Workshop, often used techniques of animated film, as is evidenced by the author’s textual analysis of the films: Market (1970), Test 1 (1971), Test II (1971), Dynamic Rectangle (1971), 22x (1971), Impulsator (2000), Impulsator VI (2001), Attention Light! (2004). The analysis focuses on the techniques used by Robakowski as well as his potential or explicit inspirations. Creating experimental animations, often in the spirit of “pure film”, the avant-gardist has been appropriated by other scholarly disciplines such as art history or new media. The aim of this article is to include Józef Robakowski in the discourse of film studies: to demonstrate his stance as an animator over the course of his artistic work to date, but above all to place him in the history of Polish animated film. \u0000 \u0000 \u0000 \u0000","PeriodicalId":488678,"journal":{"name":"Studia Filmoznawcze","volume":" 48","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141832254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Bałkańskość” w wybranych słoweńskich filmach fabularnych XXI wieku "21 世纪部分斯洛文尼亚故事片中的 "巴尔干气质
Studia Filmoznawcze Pub Date : 2024-07-16 DOI: 10.19195/0860-116x.45.9
Maša Guštin
{"title":"„Bałkańskość” w wybranych słoweńskich filmach fabularnych XXI wieku","authors":"Maša Guštin","doi":"10.19195/0860-116x.45.9","DOIUrl":"https://doi.org/10.19195/0860-116x.45.9","url":null,"abstract":"","PeriodicalId":488678,"journal":{"name":"Studia Filmoznawcze","volume":"6 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141641964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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