Feminist Review最新文献_第10页

(re)producing the Israeli (European) body: Zionism, Anti-Black Racism and the Depo-Provera Affair (重新)制作以色列(欧洲)机构:犹太复国主义、反黑人种族主义和德普普罗维拉事件

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-07-01 DOI: 10.1177/01417789211016331

Bayan Abusneineh

引用次数: 10

Wonder as Feminist Pedagogy: Disrupting Feminist Complicity with Coloniality 作为女权主义教育学的奇迹：用殖民主义颠覆女权主义的复杂性

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-07-01 DOI: 10.1177/01417789211013702

Fabiane Ramos, Laura Roberts

引用次数: 5

Bold Women, Bad Assets: Honour, Property and Techno-Promiscuities 大胆的女人，不良资产:荣誉，财产和技术滥交

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-07-01 DOI: 10.1177/01417789211016438

Sara Shroff

{"title":"Bold Women, Bad Assets: Honour, Property and Techno-Promiscuities","authors":"Sara Shroff","doi":"10.1177/01417789211016438","DOIUrl":"https://doi.org/10.1177/01417789211016438","url":null,"abstract":"In June 2016, Qandeel Baloch, a 26-year-old Pakistani social media star, was murdered. Her death sparked both public outrage and a policy debate around ‘honour killing’, digital rights and sex-positive sexuality across Pakistan and its diasporas. Qandeel challenged what constitutes a proper Pakistani woman, an authentic Baloch and a respectable digital citizen. As a national sex symbol, she failed at the gendered workings of respectable heterosexuality, and during her short lifetime she optimised this failure and public fetish as a technologically mediated social currency (clicks, hashtags, comments, likes, reposts) to build a transnational celebrity brand. I centre Qandeel Baloch’s life and afterlives to think through the economic entanglements of honour, racialised ethnicity, coloniality, sexual violence and social media at the intersections of globalised anti-Blackness and honourable brownness as a matter of global capital. Within these complex registers of coloniality, Qandeel’s life and brutal murder necessitate a rethinking of categories of racialised ethnicity (Baloch), sexual labour (racial capital) and social media (digitality) as vectors of value for capitalism and nationalism. By centring Qandeel, I define honour as a form of racialised property relations. This rereading of honour, as an economic metric of heteropatriarchy, shifts my lens of honour killing from a crime of culture to a crime of property. Women’s honour functions as a necrocapitalist technology that constructs female and feminine bodies as the debris of heterosexual empire through racialised, gendered and sexualised property relations. These relations and registers of honour get further complicated by social media currency and discussions around digital rights, privacy and freedom of expression. Honour is, therefore, the economic management of sexual morality produced through race, religion and imperialism.","PeriodicalId":47487,"journal":{"name":"Feminist Review","volume":"128 1","pages":"62 - 78"},"PeriodicalIF":1.8,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41657080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Book Review: Ambiguous Transitions: Gender, the State, and Everyday Life in Socialist and Postsocialist Romania by Jill Massino 《模棱两可的过渡:社会主义和后社会主义罗马尼亚的性别、国家和日常生活》，吉尔·马西诺著

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-07-01 DOI: 10.1177/01417789211006141

Oana Bǎluțǎ

引用次数: 0

Coloniality and Feminist Collusion: Breaking Free, Thinking Anew 殖民主义与女性主义的共谋：挣脱、思考

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-07-01 DOI: 10.1177/01417789211020249

N. Purewal, Jennifer Ung Loh

{"title":"Coloniality and Feminist Collusion: Breaking Free, Thinking Anew","authors":"N. Purewal, Jennifer Ung Loh","doi":"10.1177/01417789211020249","DOIUrl":"https://doi.org/10.1177/01417789211020249","url":null,"abstract":"Feminist studies remains mired in coloniality. While the formal transfer from European empires to independent nation states appeared to mark a transition away from direct domination, rule and subjugation, continuities exist in the contemporary that have been strikingly reproduced through feminist alliances and loyalties with the new/old world order in line with the directives of capitalism, neoliberalism and nationalism. By positing that feminist studies has been both implicit and complicit in coloniality over time, this themed issue contests the notion of ‘post’colonial as ‘past’colonial, and instead recognises coloniality as the colonial past and present (Gregory, 2004). Thus, coloniality reflects a longue durée that requires a recognition not only of continuity but of epistemic violence and the ongoing hegemony of the coloniality of power (Quijano, 2000, 2007). Sylvia Wynter (2003, p. 262) reminds us that the empirical outcomes of ‘the rise of Europe’ and its centring of itself within world civilisational narratives enabled and justified African enslavement, Latin American and other settler colonial projects of conquest and Asian subjugation. This is what Wynter (2003, p. 263) identifies as ‘the master code of symbolic life and death’, hinged on the notion of differential/hierarchical degrees of rationality based on distance or proximity to the apex of Western knowledge and power. Feminist studies, in its proximate positionality, like other academic fields, has been implicit and complicit with the modern episteme of coloniality by envisaging a feminism that can operate within the coloniality of power rather than viewing the dismantling of its tools and edifice as a necessary step for epistemic change. As Audre Lorde so resoundingly warns:","PeriodicalId":47487,"journal":{"name":"Feminist Review","volume":"128 1","pages":"1 - 12"},"PeriodicalIF":1.8,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/01417789211020249","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49391105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

Coloniality and/as Development in Kashmir: Econonationalism 克什米尔的殖民和/或发展:经济民族主义

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-07-01 DOI: 10.1177/01417789211016490

N. Kaul

{"title":"Coloniality and/as Development in Kashmir: Econonationalism","authors":"N. Kaul","doi":"10.1177/01417789211016490","DOIUrl":"https://doi.org/10.1177/01417789211016490","url":null,"abstract":"This article identifies the colonial imperative of ‘we must develop them, with or without their consent’, which is used by the Indian state in order to dominate Kashmiri Muslims, and argues that this notion of development combines patriarchal silencing of the subjugated as well as a gendered fantasy of liberating oppressed Kashmiri women and minorities. While the colonial nature of Indian rule over Kashmir has been a long-term phenomenon, the focus in this article will primarily be on a specific political transformation imposed by the Indian state since August 2019, when even the pretence of autonomy and recognition was given up, and all phenomena constituting coloniality became conspicuous and acute. Adopting a feminist lens, I highlight nine features of contemporary Indian coloniality in Kashmir: denial of consent, paternalism, violence, enforced silencing, lack of accountability, arbitrariness, divide and rule, humiliation and a specious idea of development. I further argue that such a notion of coloniality as development is better understood as ‘econonationalism’ (akin to homonationalism and femonationalism), where the supposed liberatory ideas are rhetorically deployed to mask a dehumanising subjugation.","PeriodicalId":47487,"journal":{"name":"Feminist Review","volume":"128 1","pages":"114 - 131"},"PeriodicalIF":1.8,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/01417789211016490","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45227846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Book Review: The Natural History of Sexuality in Early America by Greta LaFleur 书评:《美国早期性的自然史》，作者:格里塔·拉弗勒

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-07-01 DOI: 10.1177/01417789211006149

Delaney Mitchell

引用次数: 0

‘Many Voices, Resonating from Different Times and Spaces’: a Script for an Imaginary Radiophonic Piece on Janete El Haouli “许多声音，在不同的时代和空间产生共鸣”：Janete El Haouli的一首想象的Radiophonic作品的脚本

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-03-01 DOI: 10.1177/0141778920969598

Valéria Bonafé, Lílian Campesato

{"title":"‘Many Voices, Resonating from Different Times and Spaces’: a Script for an Imaginary Radiophonic Piece on Janete El Haouli","authors":"Valéria Bonafé, Lílian Campesato","doi":"10.1177/0141778920969598","DOIUrl":"https://doi.org/10.1177/0141778920969598","url":null,"abstract":"What follows is the creation of a script for an imaginary radiophonic piece on the Brazilian sound artist Janete El Haouli (1955–), a key radio art reference in Latin America. Author of various radiophonic pieces, she also created and directed the radio programme Música Nova: Rádio para Ouvidos Pensantes (New Music: Radio for Thinking Ears), which was transmitted between 1991 and 2005 by Rádio UEL (Londrina State University’s radio station). Both her pieces as well as her programme move away from the traditional radio model in which the listener is understood as a passive receiver. What El Haouli proposes is not a radio as mere medium of transmission, but rather an experimental radio that invites the listener to perform a reflexive and imaginative listening. While inspired by this latter model, we, Valéria Bonafé and Lílian Campesato, have here developed a script for an imaginary radiophonic programme seeking not only to present Janete El Haouli, the artist, to the reader/listener—her biography, her works and poetics—but also to invite this reader/listener to participate in a network of intersubjective listening combining different agents and narrative lines. The script presents five sound works by El Haouli and a selection of fragments of an audio testimony where she reflects autobiographically on her life. The script also collects three affective reports from listening carried out by women artists who were impacted, in different ways, by the ethical and poetic dimensions involved in the work of El Haouli: Valéria Bonafé, Lílian Campesato and Thaís D’Abronzo. Both El Haouli’s testimony and the three affective reports1 from listening were made originally in Portuguese and were translated by the authors 969598 FER0010.1177/0141778920969598Feminist ReviewValéria Bonafé and Lílian Campesato other2021","PeriodicalId":47487,"journal":{"name":"Feminist Review","volume":"127 1","pages":"141 - 149"},"PeriodicalIF":1.8,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/0141778920969598","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49611704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding 不要碰我的MIDI电缆:性别，技术和声音在现场编码

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-03-01 DOI: 10.1177/0141778920973221

Joanne L. Armitage, H. Thornham

{"title":"Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding","authors":"Joanne L. Armitage, H. Thornham","doi":"10.1177/0141778920973221","DOIUrl":"https://doi.org/10.1177/0141778920973221","url":null,"abstract":"Live coding is an embodied, sensorial and live technological–human relationship that is recursively iterated through sonic and visual outputs based on what we argue are kinship relations between and through bodies and technology. At the same time, and in a familiar moment of déjà vu for feminist scholars, live coding is most often discussed not in relation to the lived and sensory human–technology kinship, but in terms of fetishised code or software, output and agency. As feminist scholars have long argued, emphasising and fetishising code or software, and celebrating output and agency are normatively masculine, white and Western conceptions of technology that feed into the growing valorisation of accelerationist logic whilst also negating embodied, not to mention other (non-white, Western, masculine) bodies, expertise or histories per se. In this article, we want to redress this by drawing on our empirical material on live coding to focus on human–technology kinship and, in so doing, think about failure, slowness and embodiment and about human–technology relations that are more akin to what Alison Kafer (drawing on the work of Donna Haraway) has termed ‘becoming with’ or ‘making kin’. This, we argue, has the potential to shift the focus from the potentialities of technologies on or through the body, towards the generative capacities of mediation (including failure), which are caught up in lived experiences. The question is not only about how the relations of bodies and technologies are played out in certain circumstances but about what might be played out if we reconceptualise these relations in these terms.","PeriodicalId":47487,"journal":{"name":"Feminist Review","volume":"127 1","pages":"90 - 106"},"PeriodicalIF":1.8,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/0141778920973221","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41469228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

Sonic Activism in the Integrated Circuit 集成电路中的声音激进主义

IF 1.8 2区社会学

Feminist Review Pub Date : 2021-03-01 DOI: 10.1177/0141778920963826

Asha Tamirisa

引用次数: 1