FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.521-524
Igor Barrenetxea Marañón
{"title":"Heroínas en la guerra, Las espías de Churchill (Lydia Megan Thomas, USA, 2019)","authors":"Igor Barrenetxea Marañón","doi":"10.1344/fh.2023.33.1.521-524","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.521-524","url":null,"abstract":"","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"275 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.97-114
JUAN MANUEL ALONSO GUTIÉRREZ
{"title":"LA SOMBRA DE STALIN EN LA PANTALLA OCCIDENTAL","authors":"JUAN MANUEL ALONSO GUTIÉRREZ","doi":"10.1344/fh.2023.33.1.97-114","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.97-114","url":null,"abstract":"Tras el comienzo de la guerra en Ucrania, desencadenada por el líder ruso Vladimir Putin, se hace necesario revisar la naturaleza del poder en Rusia tal y como la ha retratado el cine de ficción occidental. En este artículo queremos aproximarnos a la figura del líder soviético Iosif Stalin, tal y como se retrata en dos películas separadas por más de veinte años. Apoyándonos inicialmente en el telefilme norteamericano Stalin (Passer, 1992), que repasa los principales episodios de la vida del dictador, pasaremos a comentar también la película británica La muerte de Stalin (Iannucci, 2017), una comedia de humor negro sobre su muerte que desnuda las relaciones e interioridades de los personajes del Kremlin. Se pretende así ofrecer una reflexión sobre los mecanismos del poder, el totalitarismo y la influencia que Stalin ha tenido en Rusia.","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"58 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.549-554
Gabriela Viadero Carral
{"title":"BARRENETXEA MARAÑÓN, Igor. Memoria, imagen e historia. La Segunda República española en el cine de ficción, Barcelona, Laertes, 2023.","authors":"Gabriela Viadero Carral","doi":"10.1344/fh.2023.33.1.549-554","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.549-554","url":null,"abstract":"","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.223-244
ADRIÁN MAGALDI
{"title":"LA VIDA DE JUAN CARLOS I EN LA FICCIÓN. “EL REY” (2014), UN BIOPIC SOBRE EL MONARCA ESPAÑOL","authors":"ADRIÁN MAGALDI","doi":"10.1344/fh.2023.33.1.223-244","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.223-244","url":null,"abstract":"Juan Carlos I se trata de una figura con un papel menor y secundario en la ficción histórica de nuestro país. Probablemente, el proyecto que más atención prestó a retratar su vida fue la miniserie El Rey, biopic de tres episodios estrenado en 2014. El propósito de este artículo es adentrarse en la imagen proyectada sobre Juan Carlos I en la ficción española y, concretamente, en dicho biopic, prestando especial atención a la imagen transmitida sobre el hombre, su tiempo y los copartícipes de su experiencia vital.","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"181 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.414-456
ALBERTO REIG TAPIA
{"title":"LOS “MEJORES” WESTERN DE LA HISTORIA DEL CINE","authors":"ALBERTO REIG TAPIA","doi":"10.1344/fh.2023.33.1.414-456","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.414-456","url":null,"abstract":"El autor hace un repaso de sus western preferidos sin pretender que sean los mejores de la historia cuestionando algunos los tópicos establecidos en torno a ellos. Igualmente muestra sus discrepancias con el culto excesivo del que gozan algunos de los directores más afamados sobre la única base de las emociones y los sentimientos que le han suscitado más allá de consideraciones meramente técnicas.","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"175 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.559-562
Marcos Rafael Cañas Pelayo
{"title":"ALMODÓVAR, Pedro, El último sueño, Barcelona, Reservoir Books, 2023.","authors":"Marcos Rafael Cañas Pelayo","doi":"10.1344/fh.2023.33.1.559-562","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.559-562","url":null,"abstract":"","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"144 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.493-496
Igor Barrenetxea Marañón
{"title":"Justicia y valentía frente a los dictadura militar en Argentina. 1985 (Santiago Mitre, Argentina, 2022)","authors":"Igor Barrenetxea Marañón","doi":"10.1344/fh.2023.33.1.493-496","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.493-496","url":null,"abstract":"","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"279 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.545-548
María De Arana Aroca
{"title":"VILLEGAS LÓPEZ, Manuel, El arte de ver una película / Fernando Delgado / René Clair en su obra, Amazon, 2022.","authors":"María De Arana Aroca","doi":"10.1344/fh.2023.33.1.545-548","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.545-548","url":null,"abstract":"","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"110 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.58-96
IGOR BARRENETXEA MARAÑÓN
{"title":"BREST Y LA MISTIFICACIÓN DE LA GRAN GUERRA PATRIÓTICA","authors":"IGOR BARRENETXEA MARAÑÓN","doi":"10.1344/fh.2023.33.1.58-96","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.58-96","url":null,"abstract":"Este artículo analiza las claves históricas y mistificaciones de la película La fortaleza de Brest (Alexander Kott, 2010). Tras analizar la memoria de la Gran Guerra Patriótica en la historiografía y el contexto histórico previo a la invasión alemana de la URSS, en junio de 1941, se abordan los aspectos más relevantes de una película que recrea, con portentoso realismo, los hechos que protagonizaron los defensores soviéticos de la fortaleza, tras la inesperada agresión nazi. Claro que también se ponen de relieve, a través de sus imágenes, los rasgos de una identidad rusa configurada convenientemente a través de una serie de calculados olvidos históricos, una épica visual grandilocuente y un heroísmo sublimado muy reveladores sobre los rasgos de un nacionalismo ruso de sacrificio y entrega que (indirectamente) aspira de configurar la Rusia actual.","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"169 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FilmhistoriaPub Date : 2023-10-31DOI: 10.1344/fh.2023.33.1.7-10
RICARD ROSICH ARGELICH
{"title":"EL ACTO DE COMUNICAR, DEL HABLA AL DEEP FAKE","authors":"RICARD ROSICH ARGELICH","doi":"10.1344/fh.2023.33.1.7-10","DOIUrl":"https://doi.org/10.1344/fh.2023.33.1.7-10","url":null,"abstract":"Editorial del número","PeriodicalId":474798,"journal":{"name":"Filmhistoria","volume":"277 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135978645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}